| holds phonographic copyright (℗) for |
|---|
| 2013 | Cançoneta | Jérémy Jouve | 3:18 |
| 2013 | Demetrio e Polibio: Sinfonia | Prague Sinfonia, Christian Benda | 6:33 |
| 2013 | Eduardo e Cristina: Sinfonia | Prague Sinfonia, Christian Benda | 9:17 |
| 2013 | Guillaume Tell: Ouverture | Prague Sinfonia, Christian Benda | 11:39 |
| 2013 | Il Signor Bruschino: Sinfonia | Prague Sinfonia, Christian Benda | 4:50 |
| 2013 | Invocación y danza (Homenaje a Manuel de Falla) | Jérémy Jouve | 9:09 |
| 2013 | L'inganno felice: Sinfonia | Prague Sinfonia, Christian Benda | 6:03 |
| 2013 | La scala di seta: Sinfonia | Prague Sinfonia, Christian Benda | 6:02 |
| 2013 | Pájaros de primavera | Jérémy Jouve | 4:38 |
| 2013 | Pastoral | Jérémy Jouve | 2:35 |
| 2013 | Sigismondo | Prague Sinfonia, Christian Benda | 8:28 |
| 2013 | Sinfonia di Bologna | Prague Sinfonia, Christian Benda | 5:27 |
| 2013 | Symphony no. 7, op. 60 ‘Leningrad’: I. Allegretto | Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | 28:36 |
| 2013 | Symphony no. 7, op. 60 ‘Leningrad’: II. Moderato (poco allegretto) | Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | 12:57 |
| 2013 | Symphony no. 7, op. 60 ‘Leningrad’: III. Adagio - | Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | 18:38 |
| 2013 | Symphony no. 7, op. 60 ‘Leningrad’: IV. Allegro non troppo | Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | 19:01 |
| 2013 | Tiento antiguo | Jérémy Jouve | 4:23 |
| 2013 | Toccata | Jérémy Jouve | 7:38 |
| 2013 | Tres pequeñas piezas: I. Ya se van los pastores | Jérémy Jouve | 1:56 |
| 2013 | Tres pequeñas piezas: II. Por caminos de Santiago | Jérémy Jouve | 3:27 |
| 2013 | Tres pequeñas piezas: III. Pequeña sevillana | Jérémy Jouve | 4:27 |
| 2013 | Un tiempo fue Itálica famosa | Jérémy Jouve | 9:32 |
| 2013 | Zarabanda lejana | Jérémy Jouve | 5:10 |
| 2014 | 4 Poems of Lingnan, op. 62: No. 1. Bidding Farewell to a Friend to the South of the Five Ridges | Shi Yijie, Macao Orchestra, Lü Jia | 5:14 |
| 2014 | 4 Poems of Lingnan, op. 62: No. 2. The Best for Huizhou | Shi Yijie, Macao Orchestra, Lü Jia | 3:26 |
| 2014 | 4 Poems of Lingnan, op. 62: No. 3. Bidding Farewell to Li Meizhou | Shi Yijie, Macao Orchestra, Lü Jia | 4:09 |
| 2014 | 4 Poems of Lingnan, op. 62: No. 4. Ascending the Zhenhai Tower at Chongyang Day | Shi Yijie, Macao Orchestra, Lü Jia | 5:06 |
| 2014 | A Shropshire Lad — Rhapsody for Orchestra | London Mozart Players, Hilary Davan Wetton | 10:22 |
| 2014 | An Oxford Elegy | City of London Choir, Jeremy Irons, London Mozart Players, Hilary Davan Wetton | 22:01 |
| 2014 | In the Mountain Country | Ulster Orchestra, JoAnn Falletta | 6:19 |
| 2014 | Overture for a Masque | Ulster Orchestra, JoAnn Falletta | 9:26 |
| 2014 | Requiem da Camera: I. Prelude | London Mozart Players, Hilary Davan Wetton | 5:20 |
| 2014 | Requiem da Camera: II. How still this quiet cornfield is to-night | David Bagnall, City of London Choir, Natasha Harbinson, London Mozart Players, Hilary Davan Wetton | 9:14 |
| 2014 | Requiem da Camera: III. Only a man harrowing clods | Roderick Williams, London Mozart Players, Hilary Davan Wetton | 3:37 |
| 2014 | Requiem da Camera: IV. We who are left | City of London Choir, Emily Tidbury, London Mozart Players, Hilary Davan Wetton | 4:18 |
| 2014 | Rhapsody in F-sharp major | Ulster Orchestra, JoAnn Falletta, Benjamin Frith | 17:27 |
| 2014 | Rhapsody no. 1 in F major | Ulster Orchestra, JoAnn Falletta | 11:23 |
| 2014 | Rhapsody no. 2 in E major | Ulster Orchestra, JoAnn Falletta | 12:13 |
| 2014 | The Macau Bride Ballet Suite, op. 34: I. Return to Sea | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 3:40 |
| 2014 | The Macau Bride Ballet Suite, op. 34: II. Blessings and Devotion | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 3:04 |
| 2014 | The Macau Bride Ballet Suite, op. 34: III. First Encounter | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 1:27 |
| 2014 | The Macau Bride Ballet Suite, op. 34: IV. The First Glance | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 2:53 |
| 2014 | The Macau Bride Ballet Suite, op. 34: IX. The Captain's Mansion | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 4:10 |
| 2014 | The Macau Bride Ballet Suite, op. 34: V. Barra Docks | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 4:02 |
| 2014 | The Macau Bride Ballet Suite, op. 34: VI. Gentle Moments | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 0:51 |
| 2014 | The Macau Bride Ballet Suite, op. 34: VII. Maria do Mar | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 3:46 |
| 2014 | The Macau Bride Ballet Suite, op. 34: VIII. Unbending Loyalty | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 5:35 |
| 2014 | The Macau Bride Ballet Suite, op. 34: X. Wedding Reception | Liu Mingyan, Macao Youth Choir, Macao Orchestra, Lü Jia | 3:21 |
| 2014 | The Trumpet for Chorus and Orchestra | City of London Choir, London Mozart Players, Hilary Davan Wetton | 5:45 |
| 2014 – | Colors of Crimson | Pius Cheung, Hong Kong Philharmonic Orchestra, Bright Sheng | 18:06 |
| 2014 – | The Blazing Mirage | Trey Lee, Hong Kong Philharmonic Orchestra, Bright Sheng | 18:59 |
| 2014 – | The Song and Dance of Tears | Li Hui, Wu Tong, Trey Lee, Sa Chen, Hong Kong Philharmonic Orchestra, Bright Sheng | 22:50 |
| 2016 | 21 (acoustic version) | Andy Akiho, Mariel Roberts | 8:06 |
| 2016 | Cantus in Memory of Benjamin Britten | Andy Akiho, Pius Cheung, Hong Kong Philharmonic Orchestra, Bright Sheng | 15:01 |
| 2016 | Daphnis et Chloé: Deuxième partie: Danse guerrière | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 4:48 |
| 2016 | Daphnis et Chloé: Deuxième partie: Danse suppliante de Chloé | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 6:05 |
| 2016 | Daphnis et Chloé: Deuxième partie: Interlude | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 2:52 |
| 2016 | Daphnis et Chloé: Première partie: Danse de Lyceion - Enlèvement de Chloé | Orchestre National de Lyon, Leonard Slatkin | 4:25 |
| 2016 | Daphnis et Chloé: Première partie: Danse des jeunes filles - Danse des jeunes gens - Danse générale | Orchestre National de Lyon, Leonard Slatkin | 2:44 |
| 2016 | Daphnis et Chloé: Première partie: Danse grotesque de Dorcon | Orchestre National de Lyon, Leonard Slatkin | 1:48 |
| 2016 | Daphnis et Chloé: Première partie: Danse légère et gracieuse de Daphnis | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 3:54 |
| 2016 | Daphnis et Chloé: Première partie: Danse lente et mystérieuse des Nymphes | Orchestre National de Lyon, Leonard Slatkin | 3:11 |
| 2016 | Daphnis et Chloé: Première partie: Danse religieuse | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 5:32 |
| 2016 | Daphnis et Chloé: Première partie: Daphnis s'approche | Orchestre National de Lyon, Leonard Slatkin | 0:41 |
| 2016 | Daphnis et Chloé: Première partie: Introduction | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 3:08 |
| 2016 | Daphnis et Chloé: Première partie: Nocturne | Orchestre National de Lyon, Leonard Slatkin | 1:52 |
| 2016 | Daphnis et Chloé: Troisième partie: Danse générale | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 4:51 |
| 2016 | Daphnis et Chloé: Troisième partie: Lever du jour | Nicole Corti, Spirito, Orchestre National de Lyon, Leonard Slatkin | 5:23 |
| 2016 | Daphnis et Chloé: Troisième partie: Pantomime | Orchestre National de Lyon, Leonard Slatkin | 6:50 |
| 2016 | Deep Red | Hong Kong Philharmonic Orchestra, Bright Sheng | 17:47 |
| 2016 | Flute Concerto: I. With great sincerity and affection; flexible, with motion | Adam Walker, Peabody Symphony Orchestra, Marin Alsop | 6:17 |
| 2016 | Flute Concerto: II. Andante | Adam Walker, Peabody Symphony Orchestra, Marin Alsop | 10:23 |
| 2016 | Flute Concerto: III. Very fast, with tremendous energy | Adam Walker, Peabody Symphony Orchestra, Marin Alsop | 7:38 |
| 2016 | Köçekçe - Dance Rhapsody for Orchestra | Istanbul State Symphony Orchestra, Theodore Kuchar | 9:20 |
| 2016 | Lego City | Nolan Pearson, Mariel Roberts, Andrew Michael Simon, Jing Wang | 8:49 |
| 2016 | Let There Be Not Darkness but Light | Richard Bamping, Nolan Pearson, Andrew Michael Simon, Zhao Yingna | 8:58 |
| 2016 | mountains...seas...buildings...trees... | Richard Bamping, Pius Cheung | 7:17 |
| 2016 | River's Rush | Peabody Symphony Orchestra, Marin Alsop | 10:30 |
| 2016 | Svitac | Nolan Pearson, Andrew Michael Simon | 8:26 |
| 2016 | Symphony no. 1 “Jeremiah”: I. Prophecy | Baltimore Symphony Orchestra, Marin Alsop | 7:11 |
| 2016 | Symphony no. 1 “Jeremiah”: II. Profanation | Baltimore Symphony Orchestra, Marin Alsop | 6:59 |
| 2016 | Symphony no. 1 “Jeremiah”: III. Lamentation | Jennifer Johnson Cano, Baltimore Symphony Orchestra, Marin Alsop | 10:04 |
| 2016 | Symphony no. 2 | Peabody Symphony Orchestra, Marin Alsop | 21:44 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Prologue: Lento moderato — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 2:03 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation I: L'istesso tempo — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:52 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation II: Poco più mosso — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 1:27 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation III: Largamente, ma mosso — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 1:19 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation IV: Più mosso — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:55 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation V: — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:50 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation VI: Poco meno mosso — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 1:01 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation VII: L'istesso tempo — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 1:35 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation IX: Più mosso [tempo di valse] — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 1:22 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation VIII: Molto moderato, ma movendo — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 1:49 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation X: Più mosso — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:29 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XI: L'istesso tempo — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:55 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XII: Poco più vivace — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:14 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XIII: L'istesso tempo — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:45 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XIV: L'istesso tempo [poco più vivace] — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 0:31 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part II: The Dirge: Largo — | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 6:28 |
| 2016 | Symphony no. 2 “The Age of Anxiety”: Part II: The Epilogue: L'istesso tempo | Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | 7:52 |
| See all 246 relationships |
| holds copyright (©) for |
|---|
| 2013 | Complete Overtures 2 | Gioachino Rossini; Prague Sinfonia Orchestra, Christian Benda | |
| 2013 | Guitar Music • 2 | Rodrigo; Jérémy Jouve | |
| 2013 | Symphony no. 7 "Leningrad" | Shostakovich; Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | |
| 2014 | Flowers of the Field | Ralph Vaughan Williams; Gerald Finzi; Ivor Gurney; George Butterworth; Roderick Williams, Jeremy Irons, City of London Choir, London Mozart Players, Hilary Davan Wetton | |
| 2014 | In the Mountain Country / Rhapsodies / Overture for a Masque | Ernest John Moeran; Ulster Orchestra, JoAnn Falletta, Benjamin Frith | |
| 2014 | The Macau Bride (Ballet Suite) / Four Poems of Lingnan | Xiaogang Ye; Shi Yijie, Macao Youth Choir, Macao Orchestra, Lü Jia | |
| 2014 – | The Blazing Mirage | Bright Sheng; Hui Li, Tong Wu, Trey Lee, Sa Chen, Pius Cheung, Hong Kong Philharmonic Orchestra, Bright Sheng | |
| 2015 | Chopin Suite / In Bohemia / King Lear Overture / Overtures on a Spanish March Theme | Mili Balakirev; Singapore Symphony Orchestra, Choo Hoey | |
| 2015 | Conan the Barbarian Transcribed for Organ | Basil Poledouris; Philipp Pelster | |
| 2015 | Suite Concertante, op. 25 / Suite Miniature, op. 20 / Suite, op. 43 “In modo populari” | César Cui; Hong Kong Philharmonic Orchestra, Kenneth Schermerhorn, Takako Nishizaki | |
| 2015 | Symphony no. 2 “Ascendant” / Quiet Reflections | Jack Gallagher; London Symphony Orchestra, JoAnn Falletta | |
| 2015 | Symphony no. 4 "Das Siegeslied" (Psalm of Victory) / Symphony no. 12 | Havergal Brian; Jana Valášková, Slovak Philharmonic Choir, Mixed “Cantus” Choir, Brno Philharmonic Choir, Slovak National Opera Chorus, Youth “Echo” Choir, Czecho‐Slovak Radio Symphony Orchestra (Bratislava), Adrian Leaper | |
| 2016 | Arrangements for 2 Pianos | Debussy, Saint‐Saëns, Schumann, Wagner; Daniel Blumenthal, Robert Groslot | |
| 2016 | Orchestral Works 4: Daphnis et Chloé | Ravel; Spirito, Orchestre National de Lyon, Leonard Slatkin | |
| 2016 | Songs | Mahler arr. Schoenberg; Susan Platts, Charles Reid, Roderick Williams, Attacca Quartet, Virginia Arts Festival Chamber Players, JoAnn Falletta | |
| 2016 | Symphonies nos. 1 and 2 | Bernstein; Jennifer Johnson Cano, Jean‐Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | |
| 2016 | Symphony no. 2 / Flute Concerto / River's Rush | Kevin Puts; Adam Walker, Peabody Symphony Orchestra, Marin Alsop | |
| 2016 | Symphony no. 2 / Violin Concerto / Köçekçe - Dance Rhapsody | Ulvi Cemal Erkin; James Buswell, Istanbul State Symphony Orchestra, Theodore Kuchar | |
| 2016 | The Intimacy of Creativity: Five Year Retrospective | Hong Kong Philharmonic Orchestra, Bright Sheng | |
| 2017 | Adelaide di Borgogna | Gioachino Rossini; Ekaterina Sadovnikova, Margarita Gritskova, Baurzhan Anderzhanov, Gheorghe Vlad, Miriam Zubieta, Yasushi Watanabe, Cornelius Lewenberg, Poznań Camerata Bach Choir, Virtuosi Brunensis, Luciano Acocella | |
| 2017 | Russia Adrift – Song Cycle | Georgy Sviridov; Mila Shkirtil, Nikolay Mazhara, Sergey Voloshchuk, Rimsky-Korsakov Music College Female Choir, Boys of the St. Petersburg Radio and Television Children’s Choir, St. Petersburg State Symphony Orchestra, Yuri Serov | |
| 2017 | Violin Concertos | Johan Halvorsen, Carl Nielsen, Johan Svendsen; Henning Kraggerud, Malmö Symphony Orchestra, Bjarte Engeset | |
| 2017 | Works for Cello and Orchestra | Saint‐Saëns; Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | |
| 2018 | Cello Concerto / Works for Cello and Piano | Schumann; Gabriel Schwabe, Royal Northern Sinfonia, Lars Vogt, Nicholas Rimmer | |
| 2018 | Romeo and Juliet | Sergey Prokofiev; Baltimore Symphony Orchestra, Marin Alsop | |
| 2019 | Complete Piano Music, Volume 52: Transcriptions from Operas by Auber and Verdi | Franz Liszt; Wai Yin Wong | |
| 2019 | Symphonies: no. 1 in E minor / no. 4 in D minor | Florence Beatrice Price; Fort Smith Symphony, John Jeter | |
| 2021 | Orchestral Works, Vol. 1 | Glazunov; Hong Kong Philharmonic Orchestra, Kenneth Schermerhorn | |
| Requiem | Simon Mayr; Thornhill, Ruckgaber, Holzhauser, Thoma, Schäfer, Sellier, Berner, Mittelhammer, Mischok, Simon Mayr Chorus and Ensemble, Franz Hauk | |
| holds phonographic copyright (℗) for |
|---|
| 2015 | Conan the Barbarian Transcribed for Organ | Basil Poledouris; Philipp Pelster | |
| 2015 | Symphony no. 2 “Ascendant” / Quiet Reflections | Jack Gallagher; London Symphony Orchestra, JoAnn Falletta | |
| 2016 | Songs | Mahler arr. Schoenberg; Susan Platts, Charles Reid, Roderick Williams, Attacca Quartet, Virginia Arts Festival Chamber Players, JoAnn Falletta | |
| 2017 | Adelaide di Borgogna | Gioachino Rossini; Ekaterina Sadovnikova, Margarita Gritskova, Baurzhan Anderzhanov, Gheorghe Vlad, Miriam Zubieta, Yasushi Watanabe, Cornelius Lewenberg, Poznań Camerata Bach Choir, Virtuosi Brunensis, Luciano Acocella | |
| 2017 | Russia Adrift – Song Cycle | Georgy Sviridov; Mila Shkirtil, Nikolay Mazhara, Sergey Voloshchuk, Rimsky-Korsakov Music College Female Choir, Boys of the St. Petersburg Radio and Television Children’s Choir, St. Petersburg State Symphony Orchestra, Yuri Serov | |
| 2019 | Complete Piano Music, Volume 52: Transcriptions from Operas by Auber and Verdi | Franz Liszt; Wai Yin Wong | |
| 2019 | Symphonies: no. 1 in E minor / no. 4 in D minor | Florence Beatrice Price; Fort Smith Symphony, John Jeter | |
| Requiem | Simon Mayr; Thornhill, Ruckgaber, Holzhauser, Thoma, Schäfer, Sellier, Berner, Mittelhammer, Mischok, Simon Mayr Chorus and Ensemble, Franz Hauk | |
| licensed |
|---|
| 1998 – 2015 | Garden Notes | Various Artists | |
| published |
|---|
| Zabur | | |
