| holds phonographic copyright (℗) for |
|---|
| 1939 | (We’re Gonna Hang) The Washing on the Siegfried Line | | Flanagan and Allen, Jay Wilbur and His Orchestra | 2:45 |
| 1939 | Run, Rabbit, Run | | Flanagan and Allen, Jay Wilbur and His Orchestra | 2:44 |
| 1939 | There’ll Always Be an England | | Alfred Piccaver | 3:13 |
| 1940 | A Nightingale Sang in Berkeley Square | | Vera Lynn | 3:14 |
| 1940 | It’s a Lovely Day Tomorrow | | Vera Lynn | 3:14 |
| 1941 | Round the Back of the Arches | | Flanagan and Allen, Jay Wilbur and His Orchestra | 2:53 |
| 1942 | (There’ll Be Bluebirds Over) The White Cliffs of Dover | | Vera Lynn feat. Jay Wilbur and His Band | 3:17 |
| 1942 | We’ll Smile Again | | Flanagan and Allen, Jay Wilbur and His Orchestra | 2:53 |
| 1947 | Now Is the Hour | | Gracie Fields | 3:07 |
| 1949 | The Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy | | London Philharmonic Orchestra, Sergiu Celibidache | 2:55 |
| 1952 | Yours | | Vera Lynn | 3:24 |
| 1953 | We’ll Meet Again | | Vera Lynn | 3:00 |
| 1955 | String Quartet no. 2 in A minor, op. 51 no. 2: I. Allegro non troppo | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 8:58 |
| 1955 | String Quartet no. 2 in A minor, op. 51 no. 2: II. Andante moderato | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 9:42 |
| 1955 | String Quartet no. 2 in A minor, op. 51 no. 2: III. Quasi minuetto, moderato | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 4:58 |
| 1955 | String Quartet no. 2 in A minor, op. 51 no. 2: IV. Finale: Allegro non assai | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 7:03 |
| 1955 | String Quartet no. 3 B-flat, op. 67: I. Vivace | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 7:39 |
| 1955 | String Quartet no. 3 B-flat, op. 67: II. Andante | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 8:09 |
| 1955 | String Quartet no. 3 B-flat, op. 67: III. Agitato (Allegretto non troppo) | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 7:39 |
| 1955 | String Quartet no. 3 B-flat, op. 67: IV. Poco allegretto con variazioni | | Georges Janzer, Paul Szabó, Végh Quartet, Sándor Végh, Sándor Zoeldy | 9:45 |
| 1956 | Don Carlo: Atto IV. “Ella giammai m'amò“ | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 9:36 |
| 1956 | Ernani: Atto I. “Che mai vegg'io … Infelice! e tu credevi” | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 3:34 |
| 1956 | La Juive: Acte I. « Si la rigeur » | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 3:58 |
| 1956 | Les Huguenots : Acte I, scène 3. « Seigneur, rampart et seul soutien » / « Piff, paff, piff » | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 5:56 |
| 1956 | Nabucco: Atto II, Scene 3. “Vieni, o Levita!” … “Tu sul labbro dei veggenti” (Nabucodonosor) | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 5:46 |
| 1956 | Robert le diable : Acte III, scène 7. « Nonnes, qui reposez » | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 3:15 |
| 1956 | Salvator Rosa: Atto II, scena 1. “Di sposo, di padre le gioie serene” | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 5:59 |
| 1956 | Simon Boccanegra: Prologo. “Il lacerato spirito” | | Cesare Siepi, Orchestra dell’Accademia di Santa Cecilia, Roma, Alberto Erede | 4:27 |
| 1956 – | Rock Island Line | | Lonnie Donegan & His Skiffle Group | 2:28 |
| 1957 | Sheep May Safely Graze (Cantata BWV 208 “Was mir behaft, ist nur di muntre Jagd”) | | Kirsten Flagstad, London Philharmonic Orchestra, Sir Adrian Boult | 5:23 |
| 1958 | Aberystwyth | | Morriston Orpheus Choir, Ivor Sims | 2:59 |
| 1958 | Madama Butterfly: Atto I. “America for ever” | | Carlo Bergonzi, Angelo Mercuriali, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:34 |
| 1958 | Madama Butterfly: Atto I. “Bimba, bimba, non piangere” | | Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:01 |
| 1958 | Madama Butterfly: Atto I. “Cio‐cio‐san! Cio‐cio‐san!” | | Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Paolo Washington, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:44 |
| 1958 | Madama Butterfly: Atto I. “Dovunque al mondo” | | Carlo Bergonzi, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:55 |
| 1958 | Madama Butterfly: Atto I. “E soffito e pareti…” | | Carlo Bergonzi, Angelo Mercuriali, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:16 |
| 1958 | Madama Butterfly: Atto I. “Ecco. Son giunte al sommo del pendio” | | Carlo Bergonzi, Fiorenza Cossotto, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:49 |
| 1958 | Madama Butterfly: Atto I. “Gran ventura” | | Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:59 |
| 1958 | Madama Butterfly: Atto I. “Ier l’altro il Consolato” | | Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:00 |
| 1958 | Madama Butterfly: Atto I. “L’Imperial Commissario” | | Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:19 |
| 1958 | Madama Butterfly: Atto I. “leri son salita tutta sola in segreto alla Missione” | | Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:11 |
| 1958 | Madama Butterfly: Atto I. “O Kami! O Kami!” | | Carlo Bergonzi, Coro dell’Accademia Nazionale di Santa Cecilia, Angelo Mercuriali, Paolo Washington, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 0:37 |
| 1958 | Madama Butterfly: Atto I. “Sorride Vostro Onore?” | | Carlo Bergonzi, Fiorenza Cossotto, Angelo Mercuriali, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:33 |
| 1958 | Madama Butterfly: Atto I. “Tutti zitti!” | | Angelo Mercuriali, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:05 |
| 1958 | Madama Butterfly: Atto I. “Viene la sera” | | Carlo Bergonzi, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 7:59 |
| 1958 | Madama Butterfly: Atto I. “Vieni, amor mio!” | | Carlo Bergonzi, Angelo Mercuriali, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:48 |
| 1958 | Madama Butterfly: Atto I. Duettino “Vogliatemi bene” (Butterfly, Pinkerton) | | Renata Tebaldi, Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 8:02 |
| 1958 | Madama Butterfly: Atto II, Parte 1. “Or vienmi ad adornar” | | Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 5:14 |
| 1958 | Madama Butterfly: Atto II, Parte 1. “Scuoti quella fronda di ciliegio” | | Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 5:18 |
| 1958 | Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly) | | Coro dell’Accademia di Santa Cecilia, Roma, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 4:53 |
| 1958 | Madama Butterfly: Atto II, Parte 1. “Una nave da guerra” | | Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:37 |
| 1958 | Madama Butterfly: Atto II, Parte 1. Humming Chorus | | Bonaventura Somma, Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:22 |
| 1958 | Madama Butterfly: Atto II, Parte 2. “Con onor muore…” | | Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 5:17 |
| 1958 | Madama Butterfly: Atto II, parte prima. “C’è. Entrate” | | Fiorenza Cossotto, Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 3:52 |
| 1958 | Madama Butterfly: Atto II, parte prima. “Che tua madre dovrà prenderti in braccio” | | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 4:53 |
| 1958 | Madama Butterfly: Atto II, parte prima. “E lzaghi ed lzanami” | | Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 7:44 |
| 1958 | Madama Butterfly: Atto II, parte prima. “E questo? e questo?” | | Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:23 |
| 1958 | Madama Butterfly: Atto II, parte prima. “Ebbene, che fareste, Madama Butterfly” | | Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:41 |
| 1958 | Madama Butterfly: Atto II, parte prima. “Non lo sapete insomma” | | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:53 |
| 1958 | Madama Butterfly: Atto II, parte prima. “Ora a noi. Sedete qui” | | Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:59 |
| 1958 | Madama Butterfly: Atto II, parte prima. “Si sa che aprir la porta” | | Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 1:02 |
| 1958 | Madama Butterfly: Atto II, parte prima. “Udiste?” | | Angelo Mercuriali, Enzo Sordello, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:00 |
| 1958 | Madama Butterfly: Atto II, parte prima. “Vespa! Rospo maledetto!” | | Fiorenza Cossotto, Angelo Mercuriali, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 1:54 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “Addio, fiorito asil” | | Carlo Bergonzi, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:57 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “Chi sia?” | | Carlo Bergonzi, Fiorenza Cossotto, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:36 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “Come una mosca prigioniera” | | Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:53 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “Gia il sole!” | | Fiorenza Cossotto, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 2:05 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “lo so che alle sue pene” | | Carlo Bergonzi, Fiorenza Cossotto, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 1:56 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “Non ve l’avevo detto?” | | Carlo Bergonzi, Enzo Sordello, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 1:46 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “Suzuki! Suzuki! Dove sei?” | | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 1:45 |
| 1958 | Madama Butterfly: Atto II, parte seconda. “Tu, Suzuki, che sei tanto buona” | | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 5:10 |
| 1958 | Madama Butterfly: Atto II, parte seconda. Interlude | | Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 6:21 |
| 1958 | Madama Butterfly: Atto II, parte seconda. Intermezzo (twittering of birds from the garden) | | Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | 1:54 |
| 1958 | Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Auszug) | | Fiorenza Cossotto, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin | 2:31 |
| 1959 | Peter Grimes: Act I, Scene I. “And do you prefer the storm” (Balstrode) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 4:57 |
| 1959 | Peter Grimes: Act I, Scene I. “Hi! Give us a hand!” (Peter) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:19 |
| 1959 | Peter Grimes: Act I, Scene I. “I have to go from pub to pub” (Hobson) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:58 |
| 1959 | Peter Grimes: Act I, Scene I. “Let her among you without fault cast the first stone” (Ellen) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:09 |
| 1959 | Peter Grimes: Act I, Scene I. “Look, the storm cone!” (Balstrode) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:41 |
| 1959 | Peter Grimes: Act I, Scene I. “Oh! Hang at open doors the net, the cork” (Women, Fishermen) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 5:35 |
| 1959 | Peter Grimes: Act I, Scene I. “What harbour shelters peace” (Peter) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:12 |
| 1959 | Peter Grimes: Act I, Scene II. “Have you heard? The cliff is down” (Keene) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:23 |
| 1959 | Peter Grimes: Act I, Scene II. “Now the Great Bear and Pleiades” (Peter) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:40 |
| 1959 | Peter Grimes: Act I, Scene II. “Old Joe has gone fishing” (Keene) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:28 |
| 1959 | Peter Grimes: Act I, Scene II. “Past time to close!” (Auntie) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 4:22 |
| 1959 | Peter Grimes: Act I, Scene II. “The bridge is down, we half swam over” (Hobson) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:39 |
| 1959 | Peter Grimes: Act I, Scene II. “We live and let live” (Balstrode) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:58 |
| 1959 | Peter Grimes: Act II, Scene I. “Fool to let it come to this!” (Auntie) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:18 |
| 1959 | Peter Grimes: Act II, Scene I. “From the gutter, why should we trouble at their ribaldries?” (Nieces) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 4:35 |
| 1959 | Peter Grimes: Act II, Scene I. “Glitter of waves and glitter of sunlight” (Ellen) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 5:41 |
| 1959 | Peter Grimes: Act II, Scene I. “Let this be a holiday” (Ellen) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:00 |
| 1959 | Peter Grimes: Act II, Scene I. “Now is gossip put on trial” (Mrs. Sedley, Boles, Rector, Keene, Swallow, Chorus) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:12 |
| 1959 | Peter Grimes: Act II, Scene I. “People!… No! I will speak!” (Boles) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:13 |
| 1959 | Peter Grimes: Act II, Scene I. “Swallow! Shall we go and see Grimes in his hut?” (Rector) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 0:44 |
| 1959 | Peter Grimes: Act II, Scene I. “This unrelenting work” (Ellen) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 4:41 |
| 1959 | Peter Grimes: Act II, Scene I. “We planned that their lives should have a new start” (Ellen) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:27 |
| 1959 | Peter Grimes: Act II, Scene I. “What is it?” (Chorus) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:03 |
| 1959 | Peter Grimes: Act II, Scene II. “Go there!” (Peter) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 7:18 |
| 1959 | Peter Grimes: Act II, Scene II. “Now!... Now!…” (Boles, Rector, Swallow, Keene, Chorus) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:09 |
| 1959 | Peter Grimes: Act II, Scene II. “Peter Grimes! Nobody here?” (Rector) | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:07 |
| See all 1,259 relationships |
| distributed |
|---|
| The Last Castle | | Jerry Goldsmith | |
| holds copyright (©) for |
|---|
| 1972 | La Calisto | | Francesco Cavalli, Ileana Cotrubaș, Dame Janet Baker, James Bowman, London Philharmonic Orchestra & Raymond Leppard | |
| 1980 | String Quartets KV 428, 458, 464, 465 | | Mozart; Wiener Musikverein Quartett | |
| 1988 | Classics I – Cinema Gala | | Various Artists | |
| 1989 | Oliver! An Original Cast Recording | | Lionel Bart | |
| 1991 | The Original Monster Mash | | Bobby (Boris) Pickett and The Crypt‐Kickers | |
| 1992 – | The King and I | | Rodgers & Hammerstein | |
| 1993 | Shades of a Blue Orphanage | Decca Music Group Limited | Thin Lizzy | |
| 1995 | Pavarotti & Friends 2 | | Luciano Pavarotti | |
| 1996 | Piano Concertos | | Mendelssohn; Peter Katin, John Ogdon | |
| 1998 | Early Music Festival | | Early Music Consort of London, Musica Reservata, David Munrow, John Beckett | |
| 1998 | Música Española: Orchestral Music I | | Albéniz, Turina; Rafael Frühbeck de Burgos, Ernest Ansermet, Ataúlfo Argenta | |
| 2000 | Complete Mozart Edition, Vol. 1: Symphonies | | Wolfgang Amadeus Mozart | |
| 2000 | Symphony no. 2 "Resurrection" | | Mahler; Cotrubas, Ludwig, Wiener Philharmoniker, Zubin Mehta | |
| 2000 | Thaïs | | Massenet; Renée Fleming, Thomas Hampson, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | |
| 2000 | The 4 Missae Breves / Cantatas 67 & 130 | | Bach; The Richard Hickox Singers and Orchestra, Orchestre de la Suisse Romande, Richard Hickox, Ernest Ansermet | |
| 2000 | Uplifting Classics - Splendour | Decca Music Group Ltd. | Various Artists | |
| 2000 – | Pavarotti & Friends: For Cambodia and Tibet | | Pavarotti & Friends | |
| 2001 | Andrea Griminelli’s Cinema Italiano: A New Interpretation of Italian Film Music | | Andrea Griminelli with Lucio Dalla, Deborah Harry, Filippa Giordano, Luciano Pavarotti, Sting, conducted and arranged by Luis Bacalov | |
| 2001 | Captain Corelli’s Mandolin | | Stephen Warbeck | |
| 2001 | Classics 2002 | | Various Artists | |
| 2001 | Don Giovanni | | Mozart; Hagegård, Augér, Cachemaille, Jones, Bonney, Van der Meel, Terfel, Sigmundsson, Drottningholm Court Theatre Orchestra and Chorus, Arnold Östman | |
| 2001 | Peter Grimes | | Britten; Pears, Britten | |
| 2001 | The “Paris” Symphonies | | Haydn; L’Orchestre de la Suisse Romande, Ernest Ansermet | |
| 2001 | The Singers: Beverly Sills | | Beverly Sills | |
| 2001 | The Wings of a Film: The Music of Hans Zimmer | | Hans Zimmer | |
| 2001 | This Is the Moment | | Adam Watkiss | |
| 2002 | Complete Concertos | | Prokofiev; Vladimir Ashkenazy, Joshua Bell, Lynn Harrell, André Previn, Charles Dutoit | |
| 2002 | Enterprise | | Dennis McCarthy | |
| 2002 | Madama Butterfly | | Puccini; Tebaldi, Bergonzi, Cossotto, Serafin | |
| 2002 | Manon (Complete Ballet) | | Jules Massenet; Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | |
| 2002 | Voices | | Various Artists | |
| 2002 – | Shine | | bond | |
| 2003 | Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges | | Prokofiev; Silvio Varviso, Charles Dutoit | |
| 2003 | Symphony no. 9 / Lieder | | Mahler; Yvonne Minton, Chicago Symphony Orchestra, Sir Georg Solti | |
| 2004 | Amore Musica | | Russell Watson | |
| 2004 | Britten Conducts Britten: Operas I: Albert Herring · Billy Budd · Owen Wingrave · Peter Grimes | | Benjamin Britten | |
| 2004 | I Cannot Give You My Love | | Cliff Richard | |
| 2004 | Kiri: A Portrait | | Kiri Te Kanawa | |
| 2004 | Piano Works | | Dmitry Shostakovich; Vladimir Ashkenazy | |
| 2004 | String Quartet no. 2 in A minor, op. 51 no. 2 / String Quartet no. 3 in B-flat major, op. 67 | | Brahms; The Végh Quartet | |
| 2004 | Una mattina | Decca Music Group Ltd. | Ludovico Einaudi | |
| 2005 | Balalaika Favorites | | Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov | |
| 2005 | Mefistofele | | Boito; Ghiaurov, Pavarotti, Freni, Caballé, National Philharmonic Orchestra; Oliviero de Fabritiis | |
| 2005 | Opera proibita | | Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | |
| 2005 | Operatic Arias for Bass | | Verdi, Gomes, Meyerbeer, Halévy; Cesare Siepi, Orchestra of the Accademia di Santa Cecilia, Rome, Alberto Erede | |
| 2005 | Symphonie fantastique • Hungarian March • Trojan March • Corsair Overture • Roman Carnival Overture | | Berlioz; Paul Paray, Detroit Symphony Orchestra | |
| 2005 | The Nutcracker, op. 71 (Complete Ballet) / Serenade in C major, op. 48 | | Tchaikovsky; London Symphony Orchestra, Philharmonia Hungarica, Antal Doráti | |
| 2006 | Daphnis et Chloé / Rapsodie espagnole / Pavane | | Ravel; London Symphony Orchestra, Monteux | |
| 2006 | Divenire | Decca Music Group Limited | Ludovico Einaudi | |
| 2006 | Piano Sonata no. 2 | | Rachmaninov; Zoltán Kocsis | |
| 2007 | Carmina Burana, Vol. 1 | | New London Consort, Philip Pickett | |
| 2007 | Eight Overtures | | Arne; The Academy of Ancient Music, Christopher Hogwood | |
| 2007 | Missa Di dadi / Missa Faysant regretz | | Josquin Desprez; The Medieval Ensemble of London, Peter Davies, Timothy Davies | |
| 2007 | Rolled Gold + | | The Rolling Stones | |
| 2007 | Symphony no. 2 “Resurrection” | | Gustav Mahler; Heather Harper, Helen Watts, London Symphony, Georg Solti | |
| 2007 | The Voice: The Ultimate Collection | | Russell Watson | |
| 2007 | Thin Lizzy | Decca Music Group Limited | Thin Lizzy | |
| 2008 | Il trittico | | Giacomo Puccini; Mirella Freni, Leo Nucci, Juan Pons, Giuseppe Giacomini, Elena Souliotis, Roberto Alagna, Orchestra e Coro del Maggio Musicale Fiorentino, Bruno Bartoletti | |
| 2008 | Italia | | Chris Botti | |
| 2008 | Le lagrime d'Erminia 1623 – Violin Sonatas | | Biagio Marini; Emma Kirkby, Nigel Rogers, The Consort of Musicke & Anthony Rooley | |
| 2008 | People Get Ready | | Russell Watson | |
| 2008 | Piano Concertos K. 467 "Elvira Madigan" & K. 414 / Quintet for Piano & Wind, K. 452 | | Mozart; Radu Lupu, English Chamber Orchestra, Uri Segal | |
| 2008 | Symphony no. 9 in E minor, op. 95 “From the New World” | | Dvořák; Vienna Philharmonic Orchestra, István Kertész | |
| 2009 | Capriccio | | Richard Strauss; Wiener Philharmoniker, Ulf Schirmer | |
| 2009 | Il pianto di Maria — The Virgin’s Lament | | Ferrandini, Vivaldi, Monteverdi, Conti; Bernarda Fink, Il giardino armonico, Giovanni Antonini | |
| 2010 | 24 Caprices | | Paganini; Julia Fischer | |
| 2010 | Complete Decca Solo Recordings | | Radu Lupu | |
| 2010 | David Bowie | | David Bowie | |
| 2010 | David Bowie | | David Bowie | |
| 2010 | David Bowie | | David Bowie | |
| 2010 | Pieces in a Modern Style 2 | | William Orbit | |
| 2011 | Classical Beatles | | Various Artists | |
| 2011 | In the Land of Grey and Pink | Decca Music Group Ltd. | Caravan | |
| 2011 | Peer Gynt / Piano Concerto | | Grieg; Stephen Kovacevich, San Francisco Symphony Orchestra, Herbert Blomstedt, BBC Symphony Orchestra, Sir Colin Davis | |
| 2011 | The Maltese Tenor | | Joseph Calleja | |
| 2011 | The Maltese Tenor | | Joseph Calleja | |
| 2012 | From the Beginning | | Small Faces | |
| 2012 | Piano Concertos | | Rachmaninov; Jean‐Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy | |
| 2012 | Preludes / Piano Sonata No.2 | | Chopin; Vladimir Ashkenazy | |
| 2012 | Small Faces | | Small Faces | |
| 2012 | Symphonies 4, 5 & 6 "Pathétique" | | Tchaikovsky; Chicago Symphony Orchestra, Sir Georg Solti | |
| 2012 | Violin Sonatas | | Beethoven; Leonidas Kavakos, Enrico Pace | |
| 2012 – | Werther | | Massenet; José Carreras, Frederica von Stade, Thomas Allen, Isobel Buchanan, Robert Lloyd, Orchestra of the Royal Opera House, Covent Garden, Colin Davis | |
| 2013 | Clair de lune and Other Piano Works | | Debussy; Pascal Rogé | |
| 2013 | Schubert: Piano Sonatas - Impromptus - Moments Musicaux | | Franz Schubert; Ingrid Haebler | |
| 2015 | Catone in Utica | | Leonardo Vinci; Max Emanuel Cenčić, Franco Fagioli, Juan Sancho, Valer Sabadus, Vince Yi, Martin Mitterrutzner, Il Pomo d’Oro, Riccardo Minasi | |
| 2015 | Complete Recordings | | Radu Lupu | |
| 2015 | Lux | | Voces8 | |
| 2015 | Lux | | Voces8 | |
| 2015 | The Decca Years 1965–1967 | | Small Faces | |
| 2015 | World in Union: Rugby World Cup 2015: The Official Album | Decca Records Limited | Various Artists | |
| 2016 | Bach | | Johann Sebastian Bach; Nelson Freire | |
| 2016 | Danse macabre | | Saint‐Saëns, Mussorgsky, Dukas, Dvořák, Balakirev, Ives; Orchestre symphonique de Montréal, Kent Nagano | |
| 2016 | Danse macabre | | Saint‐Saëns, Mussorgsky, Dukas, Dvořák, Balakirev, Ives; Orchestre symphonique de Montréal, Kent Nagano | |
| 2016 | Pink Floyd’s Wish You Were Here Symphonic | | London Orion Orchestra, Alice Cooper, Dave Fowler, Stephen McElroy, Rick Wakeman | |
| 2017 | Baroque Gold: 100 Great Tracks | | Various Artists | |
| 2017 | Brahms | | Brahms; Nelson Freire | |
| 2017 | Germanico in Germania | Decca Music Group Limited | Nicola Porpora; Max Emanuel Cenčić, Diliara Idrisova, Mary-Ellen Nesi, Julia Lezhneva, Juan Sancho, Hasnaa Bennani, Capella Cracoviensis, Jan Tomasz Adamus | |
| 2017 | Human Music | | Solomon Grey | |
| 2017 | Suite española | | Albéniz; New Philharmonia, Rafael Frühbeck de Burgos | |
| See all 118 relationships |
| holds phonographic copyright (℗) for |
|---|
| 1954 | Piano Concertos | | Mendelssohn; Peter Katin, John Ogdon | |
| 1956 | Piano Concertos | | Mendelssohn; Peter Katin, John Ogdon | |
| 1958 | Madama Butterfly | | Puccini; Tebaldi, Bergonzi, Cossotto, Serafin | |
| 1958 | Música Española: Orchestral Music I | | Albéniz, Turina; Rafael Frühbeck de Burgos, Ernest Ansermet, Ataúlfo Argenta | |
| 1959 | Peter Grimes | | Britten; Pears, Britten | |
| 1959 | The Royal Ballet: Gala Performances | | Ernest Ansermet | |
| 1960 | Música Española: Orchestral Music I | | Albéniz, Turina; Rafael Frühbeck de Burgos, Ernest Ansermet, Ataúlfo Argenta | |
| 1960 | Oliver! An Original Cast Recording | | Lionel Bart | |
| 1965 | Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges | | Prokofiev; Silvio Varviso, Charles Dutoit | |
| 1966 | Symphony no. 2 “Resurrection” | | Gustav Mahler; Heather Harper, Helen Watts, London Symphony, Georg Solti | |
| 1967 | Música Española: Orchestral Music I | | Albéniz, Turina; Rafael Frühbeck de Burgos, Ernest Ansermet, Ataúlfo Argenta | |
| 1968 | Música Española: Orchestral Music I | | Albéniz, Turina; Rafael Frühbeck de Burgos, Ernest Ansermet, Ataúlfo Argenta | |
| 1969 | Early Music Festival | | Early Music Consort of London, Musica Reservata, David Munrow, John Beckett | |
| 1969 | The 4 Missae Breves / Cantatas 67 & 130 | | Bach; The Richard Hickox Singers and Orchestra, Orchestre de la Suisse Romande, Richard Hickox, Ernest Ansermet | |
| 1970 | Piano Concertos | | Mendelssohn; Peter Katin, John Ogdon | |
| 1971 | Early Music Festival | | Early Music Consort of London, Musica Reservata, David Munrow, John Beckett | |
| 1971 | Symphony No. 7 | | Mahler; Chicago Symphony Orchestra, Georg Solti | |
| 1971 | Thin Lizzy | Decca Music Group Limited | Thin Lizzy | |
| 1972 | Shades of a Blue Orphanage | Decca Music Group Limited | Thin Lizzy | |
| 1973 | Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges | | Prokofiev; Silvio Varviso, Charles Dutoit | |
| 1973 | Eight Overtures | | Arne; The Academy of Ancient Music, Christopher Hogwood | |
| 1975 | Symphony no. 2 "Resurrection" | | Mahler; Cotrubas, Ludwig, Wiener Philharmoniker, Zubin Mehta | |
| 1976 | The 4 Missae Breves / Cantatas 67 & 130 | | Bach; The Richard Hickox Singers and Orchestra, Orchestre de la Suisse Romande, Richard Hickox, Ernest Ansermet | |
| 1977 | Symphonies 4, 5 & 6 "Pathétique" | | Tchaikovsky; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1977 | The 4 Missae Breves / Cantatas 67 & 130 | | Bach; The Richard Hickox Singers and Orchestra, Orchestre de la Suisse Romande, Richard Hickox, Ernest Ansermet | |
| 1979 | Le lagrime d'Erminia 1623 – Violin Sonatas | | Biagio Marini; Emma Kirkby, Nigel Rogers, The Consort of Musicke & Anthony Rooley | |
| 1980 | String Quartets KV 428, 458, 464, 465 | | Mozart; Wiener Musikverein Quartett | |
| 1982 | Symphony no. 9 in E minor, op. 95 “From the New World” | | Dvořák; Vienna Philharmonic Orchestra, István Kertész | |
| 1983 | Mi verry joy: Songs of Fifteenth‐century Englishmen | | Bedingham, Dunstable, Frye; The Medieval Ensemble of London | |
| 1983 | Música Española: Orchestral Music I | | Albéniz, Turina; Rafael Frühbeck de Burgos, Ernest Ansermet, Ataúlfo Argenta | |
| 1984 | Música Española: Orchestral Music I | | Albéniz, Turina; Rafael Frühbeck de Burgos, Ernest Ansermet, Ataúlfo Argenta | |
| 1984 | Symphonies 4, 5 & 6 "Pathétique" | | Tchaikovsky; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1987 | Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges | | Prokofiev; Silvio Varviso, Charles Dutoit | |
| 1987 | Carmina Burana, Vol. 1 | | New London Consort, Philip Pickett | |
| 1987 | Manon (Complete Ballet) | | Jules Massenet; Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | |
| 1987 | Piano Concertos | | Mendelssohn; Peter Katin, John Ogdon | |
| 1988 | Classics I – Cinema Gala | | Various Artists | |
| 1989 | Symphonies 4, 5 & 6 "Pathétique" | | Tchaikovsky; Chicago Symphony Orchestra, Sir Georg Solti | |
| 1990 | Don Giovanni | | Mozart; Hagegård, Augér, Cachemaille, Jones, Bonney, Van der Meel, Terfel, Sigmundsson, Drottningholm Court Theatre Orchestra and Chorus, Arnold Östman | |
| 1991 | The Original Monster Mash | | Bobby (Boris) Pickett and The Crypt‐Kickers | |
| 1992 | Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges | | Prokofiev; Silvio Varviso, Charles Dutoit | |
| 1993 | Alexander Nevsky / The Stone Flower / Suites From Lieutenant Kijé / Love For Three Oranges | | Prokofiev; Silvio Varviso, Charles Dutoit | |
| 1994 | Piano Concertos | | Rachmaninov; Jean‐Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy | |
| 1995 | Pavarotti & Friends 2 | | Luciano Pavarotti | |
| 1995 | Piano Concertos | | Rachmaninov; Jean‐Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy | |
| 1996 | Trio, Sonates et Berceuse / Tzigane | | Maurice Ravel; Clara Bonaldi, Yvan Chiffoleau, Noël Lee, Chantal Juillet, Pascal Rogé | |
| 1997 | L’elisir d’amore | | Donizetti; Roberto Alagna, Angela Gheorghiu, Roberto Scaltriti, Simone Alaimo, Elena Dan, Orchestre et Chœur de l’Opéra national de Lyon, Evelino Pidò | |
| 1998 | Piano Concertos | | Rachmaninov; Jean‐Yves Thibaudet, The Cleveland Orchestra, Vladimir Ashkenazy | |
| 1998 | The #1 Puccini Album (disc 1) | | Giacomo Puccini | |
| 1999 | The Art of Andreas Scholl | | Andreas Scholl | |
| 2000 | Thaïs | | Massenet; Renée Fleming, Thomas Hampson, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | |
| 2000 | The Art of Andreas Scholl | | Andreas Scholl | |
| 2000 | Uplifting Classics - Splendour | Decca Music Group Ltd. | Various Artists | |
| 2000 – | Pavarotti & Friends: For Cambodia and Tibet | | Pavarotti & Friends | |
| 2001 | The Art of Andreas Scholl | | Andreas Scholl | |
| 2001 | The Singers: Beverly Sills | | Beverly Sills | |
| 2001 | The Voice: The Ultimate Collection | | Russell Watson | |
| 2001 | The Wings of a Film: The Music of Hans Zimmer | | Hans Zimmer | |
| 2001 | This Is the Moment | | Adam Watkiss | |
| 2002 | Enterprise | | Dennis McCarthy | |
| 2002 | L’elisir d’amore | | Donizetti; Roberto Alagna, Angela Gheorghiu, Roberto Scaltriti, Simone Alaimo, Elena Dan, Orchestre et Chœur de l’Opéra national de Lyon, Evelino Pidò | |
| 2002 | The Voice: The Ultimate Collection | | Russell Watson | |
| 2002 – | Shine | | bond | |
| 2003 | The Art of Andreas Scholl | | Andreas Scholl | |
| 2003 | Under the Stars | | Renée Fleming, Bryn Terfel, Orchestra of Welsh National Opera, Paul Gemignani, Gareth Jones | |
| 2004 | Amore Musica | | Russell Watson | |
| 2004 | Britten Conducts Britten: Operas I: Albert Herring · Billy Budd · Owen Wingrave · Peter Grimes | | Benjamin Britten | |
| 2004 | Kiri: A Portrait | | Kiri Te Kanawa | |
| 2005 | Balalaika Favorites | | Rudolf Belov, Osipov State Russian Folk Orchestra, Vitaly Gnutov | |
| 2005 | Opera proibita | | Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | |
| 2005 | Symphonie fantastique • Hungarian March • Trojan March • Corsair Overture • Roman Carnival Overture | | Berlioz; Paul Paray, Detroit Symphony Orchestra | |
| 2005 | The Nutcracker, op. 71 (Complete Ballet) / Serenade in C major, op. 48 | | Tchaikovsky; London Symphony Orchestra, Philharmonia Hungarica, Antal Doráti | |
| 2006 | Divenire | Decca Music Group Limited | Ludovico Einaudi | |
| 2007 | Thin Lizzy | Decca Music Group Limited | Thin Lizzy | |
| 2008 | Italia | | Chris Botti | |
| 2008 | People Get Ready | | Russell Watson | |
| 2009 | Preludes / Piano Sonata No.2 | | Chopin; Vladimir Ashkenazy | |
| 2010 | 24 Caprices | | Paganini; Julia Fischer | |
| 2010 | David Bowie | | David Bowie | |
| 2010 | David Bowie | | David Bowie | |
| 2010 | David Bowie | | David Bowie | |
| 2011 | Classical Beatles | | Various Artists | |
| 2011 | Copland: Fanfare for the Common Man / Barber: Adagio | | Copland, Barber; Los Angeles Philharmonic Orchestra, Zubin Mehta | |
| 2011 | Holst: The Planets / Williams: Star Wars Suite | | Gustav Holst, John Williams; Los Angeles Philharmonic, Zubin Mehta | |
| 2011 | In the Land of Grey and Pink | Decca Music Group Ltd. | Caravan | |
| 2011 | Peer Gynt / Piano Concerto | | Grieg; Stephen Kovacevich, San Francisco Symphony Orchestra, Herbert Blomstedt, BBC Symphony Orchestra, Sir Colin Davis | |
| 2012 | Small Faces | | Small Faces | |
| 2015 | The Decca Years 1965–1967 | | Small Faces | |
| 2015 | World in Union: Rugby World Cup 2015: The Official Album | Decca Records Limited | Various Artists | |
| 2017 | Baroque Gold: 100 Great Tracks | | Various Artists | |
| 2017 | Human Music | | Solomon Grey | |
| 2019 | Lieder | | Brahms, Schumann, Mahler; Renée Fleming, Christian Thielemann, Hartmut Höll | |
| 2019 | Munchinger Miniatures | | Stuttgarter Kammerorchester, Karl Münchinger | |
| 2019 | Pavarotti: The Greatest Hits | | Luciano Pavarotti | |
| 2019 | Pavarotti: The Greatest Hits | | Luciano Pavarotti | |
| 2019 | Plaisir d’amour | | Angela Gheorghiu, Alexandra Dariescu | |
| 2020 | Beethoven: Piano Concerto no. 2 / Grieg: Holberg Suite | | Beethoven, Grieg; Seiji Ozawa, Martha Argerich, Mito Chamber Orchestra | |
| 2020 | Night | Decca Music Group Limited | Ola Gjeilo | |
| 2023 | Breathless | Decca Music Group Limited | Camel | |
| 2023 | I Can See Your House From Here | Decca Music Group Limited | Camel | |
| See all 107 relationships |
| licensed |
|---|
| 2011 | Copland: Fanfare for the Common Man / Barber: Adagio | | Copland, Barber; Los Angeles Philharmonic Orchestra, Zubin Mehta | |
| 2011 | Holst: The Planets / Williams: Star Wars Suite | | Gustav Holst, John Williams; Los Angeles Philharmonic, Zubin Mehta | |
| Youth Symphonies, Volume 2 | Decca Music Group Ltd. | Wolfgang Amadeus Mozart; Academy of St Martin in the Fields, Sir Neville Marriner | |
| licensee for |
|---|
| Germanico in Germania | Decca Music Group Ltd | Nicola Porpora; Max Emanuel Cenčić, Diliara Idrisova, Mary-Ellen Nesi, Julia Lezhneva, Juan Sancho, Hasnaa Bennani, Capella Cracoviensis, Jan Tomasz Adamus | |
| Hairspray | | Marc Shaiman & Scott Wittman | |
| Hairspray: Soundtrack to the Motion Picture | | Marc Shaiman & Scott Wittman | |
| Rarities | Decca Music Group Ltd (outside Italy) | Andrea Bocelli | |
| Rarities | Decca Music Group Ltd (outside Italy) | Andrea Bocelli | |
| Rolled Gold + | | The Rolling Stones | |
| Una mattina | Decca Music Group | Ludovico Einaudi | |
| promoted |
|---|
| 2011 | In the Land of Grey and Pink | Decca Music Group Ltd. | Caravan | |
| 2012 | From the Beginning | | Small Faces | |
| published |
|---|
| A Normal Family | | | |
| Assembly | | | |
| Between Us | | | |
| Brandon | | | |
| Cameron | | | |
| Confianza | | | |
| Fake It 'til You Make It | | | |
| Fall Into Line | | | |
| Genograms | | | |
| Holiday Camp | | | |
| Just a Moment | | | |
| Just a Story | | | |
| Lovingly Yours | | | |
| Prayer | | | |
| Purples | | | |
| Road Trip | | | |
| Run in the Night | | | |
| Shame on You | | | |
| Start to Wonder | | | |
| The Funeral | | | |
| The Real Work | | | |
| The Rules | | | |
| Triangles | | | |
| Turned My Back | | | |
