Zanek
~ Recording by Cannonball Adderley
Appears on releases
# | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
---|---|---|---|---|---|---|---|---|---|
Official | |||||||||
1.5 | Zanek | 5:07 | Cannonball Adderley | The Black Messiah | Cannonball Adderley | Album + Live |
| Capitol Records (imprint of Capitol Records, Inc.) | SWBO-846 |
1.5 | Zanek | 5:12 | Cannonball Adderley | The Black Messiah | Cannonball Adderley | Album + Live |
| Real Gone Music (US reissue label founded by Gordon Anderson and Gabby Castellana. DO NOT CONFUSE WITH THE UK/EUROPE OUT-OF-COPYRIGHT LABEL.) | RGM-0247 |
1.5 | Zanek | 5:12 | Cannonball Adderley | “The Black Messiah” Recorded Live at the Troubador | Cannonball Adderley | Album + Live |
| Capitol Records (imprint of Capitol Records, Inc.) |
Relationships
engineer: | Gene Hicks |
---|---|
producer: | Cannonball Adderley David Axelrod (baroque pop composer) |
bass: | Walter Booker (in 1971) |
cornet: | Nat Adderley (in 1971) |
drums (drum set): | Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971) |
guitar: | Mike Deasy (in 1971) |
percussion: | Airto (percussionist) (in 1971) |
piano: | George Duke (in 1971) |
saxophone: | Cannonball Adderley (in 1971) Ernie Watts (jazz and blues saxophonist) (in 1971) |
phonographic copyright (℗) by: | Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971) |
---|
recorded at: | The Troubadour in West Hollywood, United States (in 1971) |
---|