Bach Weekend

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Air from Suite No. 3 in D Major, BWV 1068
recorded in:
London (Greater London) (in 1976-06)
producer:
Michael Bremner (producer/engineer) and Vittorio Negri (conductor)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
violin:
Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1970-12, in 1976-06)
conductor:
Sir Neville Marriner (conductor) (in 1970-12) and Neville Marriner (conductor) (in 1976-06)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1970-12) and Walthamstow Assembly Hall in London (Greater London) (in 1976-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
5:20
2Jesu, Joy of Man's Desiring (Cantata No. 147)
producer:
Harley Usill
organ:
Peter White (English organist) (in 1958-10)
choir vocals:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (organist and conductor) (in 1958-10)
recorded at:
Chapel of St John's College, Cambridge in Cambridge (in 1958-10)
recording of:
Jesu, Joy of Man’s Desiring (in 1958-10)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
7:33
3Toccata and Fugue in D Minor, BWV 565
organ:
Peter Hurford (organist)
recorded at:
Ratzeburger Dom in Ratzeburg
compilation of:
Toccata and Fugue in D minor, BWV565: I. Toccata by Peter Hurford (organist) and Toccata and Fugue in D minor, BWV565: II. Fugue by Peter Hurford (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565 (from 1974 until 1986)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
9:23
4Brandenburg Concerto No. 2 in F Major, Allegro
flute:
Aurèle Nicolet (flutist)
oboe:
Helmut Winschermann (oboist/conductor)
trumpet:
Bernard Gabel (Trumpet player)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
5:21
5Brandenburg Concerto No. 2 in F Major, Andante
flute:
Aurèle Nicolet (flutist)
oboe:
Helmut Winschermann (oboist/conductor)
trumpet:
Bernard Gabel (Trumpet player)
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
4:03
6Brandenburg Concerto No. 2 in F Major, Allegro
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
3:03
7Wachet auf, ruft uns die Stimme (Sleepers Awake, Cantata No. 140)
organ:
Peter Hurford (organist)
recorded at:
Church of Our Lady of Sorrows (Toronto) in Toronto
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (from 1974 until 1986)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
5:25
8Minuet and Badinerie (Suite No. 2 in B Minor, BWV 1067)
engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
instruments:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
arranger:
Myra Hess (pianist)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1970-12)
compilation of:
Suite no. 2 in B minor, BWV 1067: VI. Minuet by William Bennett (flautist), Academy of St Martin in the Fields, Neville Marriner (conductor) and Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie by William Bennett (flautist), Alastair Ross (organist and harpsichordist), Denis Vigay (cellist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
2:48
9Jauchzet, frohlocket! (Opening Chorus - Christmas Oratorio)
choir vocals:
Lübecker Kantorei
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recorded at:
Schloss Ludwigsburg in Ludwigsburg
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1966-09)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
8:20
10Sinfonia (Cantata No. 12)
oboe:
Roger Reversy (oboist)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
4:29
11Agnus Dei (Mass in B Minor)
alto vocals and contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Adrian Boult (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
5:48
12Wir setzen uns mit Tränen nieder (Final Chorus - St. Matthew Passion)
producer:
Ray Minshull (record producer)
choir vocals:
Stuttgarter Hymnus-Chorknaben
orchestra:
Stuttgarter Kammerorchester (in 1964-07)
conductor:
Gerhard Wilhelm (choir master) and Karl Münchinger (German conductor) (in 1964-07)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1964-07)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1964-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:31