The Adorable Blossom Dearie

~ Release by Blossom Dearie (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1’Deed I Do
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
’Deed I Do (from 1956-09-11 until 1956-09-12)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
Blossom Dearie2:15
2Loverman (Oh Where Can You Be?)
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Lover Man (from 1956-09-11 until 1956-09-12)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Blossom Dearie2:49
3Everything I’ve Got
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Ev’rything I’ve Got (from 1956-09-11 until 1956-09-12)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Blossom Dearie2:31
4Comment allez‐vous ?
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Comment allez vous (from 1956-09-11 until 1956-09-12)
composer:
Murray Grand
Blossom Dearie2:14
5More Than You Know
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
instrumental recording of:
More Than You Know (from 1956-09-11 until 1956-09-12)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
Blossom Dearie3:29
6Thou Swell
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Thou Swell (from 1956-09-11 until 1956-09-12)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
Blossom Dearie3:03
7It Might as Well Be Spring
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
C’est le printemps (from 1956-09-11 until 1956-09-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
translator:
Jean Geiringer and Jean Sablon (French actor, songwriter, jazz singer)
Blossom Dearie3:13
8Tout doucement
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Tout doucement (from 1956-09-11 until 1956-09-12)
writer:
René Albert Clausier and Jean Mercadier
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it)
Blossom Dearie2:25
9You for Me
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
You for Me (Blossom Dearie song) (from 1956-09-11 until 1956-09-12)
lyricist and composer:
Bob Haymes
publisher:
JATAP Publishing Co.
Blossom Dearie2:17
10Now at Last
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Now at Last (from 1956-09-11 until 1956-09-12)
lyricist and composer:
Bob Haymes
Blossom Dearie3:23
11I Hear Music
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
I Hear Music (Dancing on a Dime) (from 1956-09-11 until 1956-09-12)
lyricist:
Frank Loesser
composer:
Burton Lane
Blossom Dearie2:09
12Wait Till You See Her
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Wait Till You See Her (from 1956-09-11 until 1956-09-12)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
Blossom Dearie3:23
13I Won’t Dance
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (from 1956-09-11 until 1956-09-12)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Blossom Dearie32:48
14A Fine Spring Morning
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
A Fine Spring Morning (from 1956-09-11 until 1956-09-12)
lyricist and composer:
Bob Haymes
Blossom Dearie3:10
15Old Devil Moon
recorded in:
Paris (on 1956-01-16)
double bass [bass]:
Benoît Quersin (Belgian jazz bassist) (on 1956-01-16)
drums (drum set):
Christian Garros (on 1956-01-16)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1956-01-16)
piano:
Blossom Dearie (on 1956-01-16)
instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1956-01-16)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
Blossom Dearie2:32
16Autumn in New York
recorded in:
Paris (on 1956-01-16)
double bass [bass]:
Benoît Quersin (Belgian jazz bassist) (on 1956-01-16)
drums (drum set):
Christian Garros (on 1956-01-16)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1956-01-16)
piano:
Blossom Dearie (on 1956-01-16)
instrumental recording of:
Autumn in New York (1934) (on 1956-01-16)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Blossom Dearie3:59
17Flamingo
recorded in:
Paris (on 1956-01-16)
double bass [bass]:
Benoît Quersin (Belgian jazz bassist) (on 1956-01-16)
drums (drum set):
Christian Garros (on 1956-01-16)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1956-01-16)
piano:
Blossom Dearie (on 1956-01-16)
instrumental recording of:
Flamingo (on 1956-01-16)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
Blossom Dearie3:06
18There Will Never Be Another You
recorded in:
Paris (on 1956-01-16)
double bass [bass]:
Benoît Quersin (Belgian jazz bassist) (on 1956-01-16)
drums (drum set):
Christian Garros (on 1956-01-16)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1956-01-16)
piano:
Blossom Dearie (on 1956-01-16)
instrumental recording of:
There Will Never Be Another You (on 1956-01-16)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
Blossom Dearie2:11
19The Continental
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1955)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
Blossom Dearie2:46
20The Boy Next Door
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (in 1955)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 film)
Blossom Dearie2:52
21They Can’t Take That Away From Me
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1955)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Blossom Dearie2:35
22Moonlight Saving Time
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Moonlight Saving Time (in 1955)
writer:
Irving Kahal and Harry Richman
Blossom Dearie2:36
23The Surrey With the Fringe on Top
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Surrey With the Fringe on Top (in 1955)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Blossom Dearie2:57
24April in Paris
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
April in Paris (in 1955)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Blossom Dearie2:57
25Blue Moon
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Blue Moon (in 1955)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
Blossom Dearie2:44
26Down the Depths of the 90th Floor
recorded in:
Paris (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (in 1955)
lyricist and composer:
Cole Porter (composer) (in 1936)
Blossom Dearie3:26
27Jumpin’ at the Woodside
recorded in:
Paris (in 1956)
vocals:
Christian Chevallier (in 1956), Blossom Dearie (in 1956), Roger Guérin (in 1956), “Fats” Sadi (Belgian vibraphonist aka Sadi Lallemand) (in 1956), Christiane Legrand (in 1956), Jean Mercadier (in 1956), Janine de Waleyne (in 1956) and Nadine Young (in 1956)
recording of:
Jumpin’ at the Woodside (original instrumental) (in 1956)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Les Blue Stars2:59
28Move
recorded in:
Paris (in 1956)
vocals:
Claudine Barge (in 1956), Jean Liesse (in 1956), Jean Mercadier (in 1956), Mimi Perrin (in 1956), Henri Tallourd (in 1956) and Nadine Young (in 1956)
arranger:
Blossom Dearie
recording of:
Move (in 1956)
composer:
Denzil Best
Les Blue Stars1:58

Credits

Release

manufactured in:EU
liner notes:Christopher Evans (liner notes writer for Cherry Red Records)
distributed by:Pinnacle (UK distribution company for independent labels)
copyrighted (©) by:Cherry Red Records (UK indie label; for copyrights, use Cherry Red Records Ltd. instead, with an alias if needed) (in 2007)
Discogs:https://www.discogs.com/release/13121338 [info]
ASIN:UK: B000X3UQYO [info]