Requiem

~ Release by Brahms, Dvořák, Cherubini, Victoria, Fauré (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▼ CD 4
#TitleArtistRatingLength
1Requiem: I. Taedet animam meam
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Taedet animam meam (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:19
2Requiem: II. Introitus: Requiem aeternam
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Introitus: Requiem aeternam (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria6:13
3Requiem: III. Kyrie
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Kyrie (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:35
4Requiem: IV. Graduale: Requiem aeternam — In memoria
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Graduale: Requiem aeternam (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:08
5Requiem: V. Offertorium: Domine Jesu Christe
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Offerorium: Domine Iesu Christe (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria4:35
6Requiem: VI. Sanctus — Benedictus
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Benedictus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
recording of:
Requiem Officium Defunctorem: Sanctus (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Requiem Officium Defunctorem: Sanctus & Benedictus
Tomás Luis de Victoria2:55
7Requiem: VII. Agnus Dei
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Agnus Dei (in 1987)
lyricist:
[traditional] (special purpose artist)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria2:47
8Requiem: VIII. Communio: Lux aeterna
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Communio: Lux aeterna (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:44
9Requiem: IX. Funeral Motet: Versa est in luctum
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Motectum: Versa est in luctum (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria3:37
10Requiem: X. Responsorium: Libera me
engineer:
Mr Bear (engineer)
producer:
Peter Phillips (British conductor) and Steve C. Smith (engineer/producer)
bass vocals:
Donald Greig (baritone) (in 1987) and Francis Steele (operatic bass) (in 1987)
choir vocals:
The Tallis Scholars (in 1987)
contralto vocals:
Robert Harre-Jones (countertenor) (in 1987) and Caroline Trevor (contralto) (in 1987)
soprano vocals:
Tessa Bonner (soprano) (in 1987), Sally Dunkley (soprano) (in 1987), Ruth Holton (soprano) (in 1987) and Deborah Roberts (soprano) (in 1987)
tenor vocals:
Charles Daniels (tenor) (in 1987), Simon Davies (tenor) (in 1987), Mark Padmore (British tenor) (in 1987) and Nicolas Robertson (Tenor) (in 1987)
vocals:
The Tallis Scholars (in 1987)
conductor:
Peter Phillips (British conductor) (in 1987)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1987)
recorded at:
Church of St. John-at-Hackney in Hackney (in 1987)
recording of:
Requiem Officium Defunctorem: Absolutio: Libera me, Domine (in 1987)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1603)
part of:
Officium Defunctorum (1605) (With chants researched and edited from 16th- and 17th-century Spanish sources by Luis Lozano Virumbrales)
part of:
Officium defunctorum: Misa de Requiem a 6 (Published 1605)
Tomás Luis de Victoria9:05
11Requiem, op. 48: I. Introitus: Requiem aeternam — Kyrie
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: I. Introït et Kyrie (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré6:02
12Requiem, op. 48: II. Offertorium: Domine Jesu Christe
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone) (in 1975-03)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: II. Offertoire (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré7:48
13Requiem, op. 48: III. Sanctus
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: III. Sanctus (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré2:42
14Requiem, op. 48: IV. Pie Jesu
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano) (in 1975-03)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré3:45
15Requiem, op. 48: V. Agnus Dei
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré5:11
16Requiem, op. 48: VI. Libera me
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone) (in 1975-03)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: VI. Libera me (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré4:48
17Requiem, op. 48: VII. In paradisum
organ:
Daniel Chorzempa (organist) (in 1975-03)
baritone vocals:
Bernard Kruysen (baritone) (in 1975-03)
choir vocals:
Groot Omroepkoor (in 1975-03)
soprano vocals:
Elly Ameling (soprano) (in 1975-03)
orchestra:
Rotterdam Philharmonic Orchestra (in 1975-03)
conductor:
Jean Fournet (conductor) (in 1975-03)
recording of:
Requiem, op. 48: VII. In Paradisum (in 1975-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:13