Casino

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Contempt – Theme de Camille
recording of:
Contempt
composer:
Georges Delerue
Georges Delerue2:33
2Angelina / Zooma, Zooma
producer:
Voyle Gilmore (on 1957-07-26)
bass:
Tony Liuzza (on 1957-07-26)
drums (drum set):
Bobby Morris (on 1957-07-26)
piano:
Willie McCumber Jr. (on 1957-07-26)
tenor saxophone:
Sam Butera (on 1957-07-26)
trombone:
Jimmy 'Little Red' Blount (on 1957-07-26)
trumpet:
Louis Prima (on 1957-07-26)
vocals:
Louis Prima (on 1957-07-26)
orchestra:
The Witnesses (on 1957-07-26)
recorded at:
Harrah’s Lake Tahoe in Stateline, United States (on 1957-07-26)
live medley including a recording of:
Angelina (on 1957-07-26)
writer:
Allan Roberts (songwriter) and Doris Fisher
live medley including a recording of:
Zooma Zooma (on 1957-07-26)
writer:
Pablo Citarella and Louis Prima
Louis Prima4:16
3Hoochie Coochie Man
recorded in:
Chicago, United States (on 1954-01-07)
bass:
Willie Dixon
double bass:
Willie Dixon (on 1954-01-07)
drums (drum set):
Fred Below (on 1954-01-07)
guitar:
Muddy Waters (blues musician) (on 1954-01-07) and Jimmy Rogers (blues artist) (on 1954-01-07)
harmonica:
Little Walter (blues performer and songwriter) (on 1954-01-07)
piano:
Otis Spann (on 1954-01-07)
lead vocals:
Muddy Waters (blues musician)
vocals:
Muddy Waters (blues musician) (on 1954-01-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 225)
cover recording of:
I’m Your Hoochie Coochie Man (on 1954-01-07)
lyricist and composer:
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) and Willie Dixon Music
Muddy Waters42:51
4I’ll Take You There
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers4:30
5Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd. and Tyler Music Ltd.
The Moody Blues4.454:27
6How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Les Paul & Mary Ford2:08
7Hurt
recorded at:
PJ's in Los Angeles, United States (in 1969-04)
live cover recording of:
Hurt (in 1969-04)
writer:
Jimmie Crane and Al Jacobs
publisher:
Deb‐Mi Publishing Co. (ASCAP‐affiliated), EMI Miller Catalog, Inc. and Miller Music Corp.
Timi Yuro2:28
8Ain’t Got No Home
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (from 1956 to present)
recording of:
Ain’t Got No Home
lyricist and composer:
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence “Frogman” Henry2:23
9Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster
brass and strings arranger:
Paul Buckmaster
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and Apple Publishing Ltd. (from 1970 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Nilsson4.23:20
10Love Is the Drug
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Songs Ltd., E.G. Music Inc., Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:09
11I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton and Ronnie Self
publisher:
Songs of Universal
Brenda Lee2:38
12Go Your Own Way
recording of:
Go Your Own Way
lyricist and composer:
Lindsey Buckingham
publisher:
Gentoo Music, Inc. and Now Sounds Music
Fleetwood Mac3:37
13The Thrill Is Gone
recording of:
The Thrill Is Gone (1951 blues song)
writer:
BB King, Jules Bihari, Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music and Sounds Of Lucille, Inc.
B.B. King5:27
14Love Is Strange
vocals:
Mickey Baker and Sylvia Robinson
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 7)
recording of:
Love Is Strange (on 1956-10-17)
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Ben Ghazi Music, Inc. (publisher), Cromwell Music and Cromwell Music Ltd.
Mickey & Sylvia4.52:54
15The ‘In’ Crowd
Ramsey Lewis5:51
16Stardust
Hoagy Carmichael3:47
▼ CD 2
#TitleArtistRatingLength
1Walk on the Wild Side
Jimmy Smith5:56
2Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
writer:
Steve Cropper and Otis Redding
Otis Redding2:42
3I Ain’t Superstitious
engineer:
Ken Scott (UK record producer & engineer)
producer:
Mickie Most (English record producer)
bass:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
guitar:
Jeff Beck (English rock guitarist)
membranophone:
Micky Waller
lead vocals:
Rod Stewart
vocals and performer:
Rod Stewart
cover recording of:
I Ain’t Superstitious (from 1968-05-14 until 1968-05-26)
lyricist and composer:
Willie Dixon
publisher:
Hoochie Coochie Music
Jeff Beck Group3.54:54
4The Glory of Love
recording of:
The Glory of Love
lyricist and composer:
Billy Hill (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Velvetones2:52
5(I Can’t Get No) Satisfaction
recording of:
(I Can’t Get No) Satisfaction
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
The Rolling Stones2:40
6What a Diff’rence a Day Made
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:29
7Working in the Coal Mine
Lee Dorsey2:46
8House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.154:38
9Those Were the Days
recording of:
Those Were the Days
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
Cream2:55
10Who Can I Turn To (When Nobody Needs Me)
cover recording of:
Who Can I Turn To (When Nobody Needs Me)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Tony Bennett2:56
11Slippin’ and Slidin’
recording of:
Slippin’ and Slidin’
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
Little Richard2:43
12You’re Nobody ’til Somebody Loves You
producer:
Lee Gillette
cover recording of:
You’re Nobody Till Somebody Loves You
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.352:13
13Compared to What" (Live)
Les McCann & Eddie Harris8:36
14Basin Street Blues / When It’s Sleepy Time Down South
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet and lead vocals:
Louis Prima (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (on 1956-04-19)
medley including a recording of:
Basin Street Blues (on 1956-04-19)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
medley including a recording of:
When It’s Sleepy Time Down South (on 1956-04-19)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Prima4:13
15St. Matthew Passion (Wir setzen uns mit Tränen nieder)
choir vocals:
Chicago Symphony Chorus (in 1987-03)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1987-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:26