A Date With Elvis

~ Release by Elvis Presley (see all versions of this release, 7 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Blue Moon of Kentucky
cover recording of:
Blue Moon of Kentucky
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Japan, subsidiary of Nichion)
?:??
A2Milkcow Blues Boogie
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1954-11 until 1954-12)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-11 until 1954-12)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
phonographic copyright (℗) by:
BMG Music (in 1953)
recorded at:
Sun Studio in Memphis, United States (from 1954-11 until 1954-12)
cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (from 1954-11 until 1954-12)
lyricist and arranger:
Kokomo Arnold
composer:
[traditional] (special purpose artist) and Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Corp. (USA, affiliated with ASCAP)
version of:
Milk Cow Blues
3?:??
A3Baby Let’s Play House
cover recording of:
Baby Let’s Play House
lyricist and composer:
Arthur Gunter
publisher:
Embassy Music Corp. and LPGV Music (BMI)
?:??
A4I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
?:??
A5Tutti Frutti
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-31)
drums (drum set):
D.J. Fontana (on 1956-01-31)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-31) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-31)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-31)
phonographic copyright (℗) by:
BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, United States (on 1956-01-31)
cover recording of:
Tutti Frutti (on 1956-01-31)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 and Phonogram GmbH (in 1983)
3?:??
A6I’m Gonna Sit Right Down and Cry
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You)
lyricist and composer:
Howard Biggs and Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
A7I Got a Woman
engineer:
Bob Ferris (engineer)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, United States (on 1956-01-10)
cover recording of:
I Got a Woman (on 1956-01-10)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3?:??
B1Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
5?:??
B2Is It So Strange
cover recording of:
Is It So Strange
lyricist and composer:
Faron Young
publisher:
Chappell & Co., Inc. (USA), Elvis Presley Music, Elvis Presley Music Inc., Johnny Bienstock Music and Unichappell Music
?:??
B3We’re Gonna Move
cover recording of:
We’re Gonna Move
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc., R&H Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1973)
recording of:
We’re Gonna Move
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc., R&H Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1973)
?:??
B4Blue Moon
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
?:??
B5Just Because
cover recording of:
Just Because (on 1954-09-12)
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
?:??
B6One Sided Love Affair
recording of:
One-Sided Love Affair
lyricist and composer:
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. and Sheldon Music
?:??
B7Let Me
recording of:
Let Me
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc. and R&H Music
?:??