Simply the Best

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1A Kind of Magic
assistant engineer:
Croydon (Engineer)
engineer:
David Richards (Swiss-based producer and engineer)
producer:
Queen (UK rock group) and David Richards (Swiss-based producer and engineer)
bass guitar:
John Deacon
drum machine, drums (drum set) and electronic drum set:
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
synthesizer and background vocals:
Freddie Mercury and Roger Taylor (Queen drummer)
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1986, in 2011)
recorded at:
Mountain Studios (original Montreux location, 1975-2002) in Montreux (from 1985-09 until 1986-04), Musicland Studios (Munich) in München (from 1985-09 until 1986-04) and The Town House in Shepherd's Bush (from 1985-09 until 1986-04)
recording of:
A Kind of Magic
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 1986) and Queen Music Ltd. (in 1986)
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen3.854:23
2Higher Love
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
Steve Winwood4:14
3Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:53
4Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (from 1975-11 until 1975-12)
guitar, keyboard, synthesizer and lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
percussion:
Barry Black (from 1975-11 until 1975-12)
recorded at:
Abbey Road Studios in St John's Wood (from 1975-11 until 1975-12)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 10) and SWR1 Hitparade 2020 (Baden-Württemberg) (number: 10)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.255:53
5Don’t Dream It’s Over
producer:
Mitchell Froom
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and EMI Music Publishing Ltd. (PRS‐affiliated)
Crowded House3.93:52
6Love Is a Battlefield
producer:
Neil Geraldo, Peter Coleman and Peter Coleman (British engineer & producer)
mixer:
Neil Giraldo and Peter Coleman (British engineer & producer)
bass guitar:
Roger Capps
drums (drum set):
Myron Grombacher
electric guitar:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
lead vocals:
Pat Benatar
vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
recorded at:
MCA Whitney Recording Studios in Glendale, United States (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, United States
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music Pbl. Ltd., Island Music Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3.954:09
7Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Rising Storm Music, Spirit Two Music and ソニー・ミュージックパブリッシング A事業部
Toto4.154:58
8Wonderful Life
producer:
Dave Dix (Dave Dix)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
Black4.44:50
9Boat on the River
engineer:
Rob Kingsland and Gary Loizzo
producer:
Styx (rock band from Chicago)
recorded at:
Pumpkin Studios in Oak Lawn, United States
recording of:
Boat on the River
lyricist and composer:
Tommy Shaw (of Styx)
publisher:
Stygian Songs
Styx3:12
10I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, United States
recorded at:
The Hit Factory in Manhattan, United States
mixed at:
Right Track Recording in Manhattan, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.94:57
11Broken Wings
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Indolent Sloth Music, Panola Park Music, Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:37
12Nick of Time
recording engineer and mixer:
Ed Cherney
producer:
Don Was
bass guitar:
Hutch Hutchinson (American bassist)
congas:
Paulinho da Costa (Brazilian percussionist)
drums (drum set) and percussion:
Ricky Fataar
guitar:
Michael Landau
piano:
Bonnie Raitt
background vocals:
Arnold McCuller and Sir Harry Bowens
vocals:
Bonnie Raitt
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recording of:
Nick of Time
lyricist and composer:
Bonnie Raitt
publisher:
Kokomo Music (in 1989)
Bonnie Raitt4.53:48
13Out of Touch
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
Hot Cha Music Co. and Warner/Chappell Music, Inc.
Hall & Oates53:56
14Wind Him Up
recording of:
Wind Him Up
writer:
Ian Crichton, Jim Crichton, James Gerrard Gilmour, Steve Negus and Michael Sadler
publisher:
Corcoran-Busic Management Inc. (in 1981)
Saga5:45
15Amanda
engineer and producer:
Tom Scholz
acoustic guitar, arpeggione [guitar violins], bass guitar, effects, electric guitar, electric piano, grand piano, Hammond organ and theatre organ:
Tom Scholz (from 1980 until 1981)
drums (drum set):
Jim Masdea (from 1980 until 1981) and Tom Scholz (from 1980 until 1981)
lead vocals:
Brad Delp (from 1980 until 1981)
arranger:
Tom Scholz
phonographic copyright (℗) by:
Geffen Records (in 1986) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
recorded at:
Tom Scholz Hideaway Studio II in Massachusetts, United States (from 1980 until 1981)
recording of:
Amanda (from 1980 until 1981)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Hideaway Hits (in 1986)
Boston4.54:18
16The Final Countdown
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS‐affiliated) and Seven Doors Music
parody version of:
The Final Sound
Europe4.13:58
▼ CD 2
#TitleArtistRatingLength
1Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth-pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth-pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth-pop band)
part of:
The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd.
a‐ha4.43:48
2The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:11
3Sweet Sixteen
engineer:
Dave Concors, Neil Dorfsman and Dave Wittman
producer:
Keith Forsey (drummer, producer and songwriter)
assistant mixer:
Craig Vogel
mixer:
Gary Langan
bass:
Marcus Miller (jazz musician) (in 1986)
drums (drum set) and keyboard:
Keith Forsey (drummer, producer and songwriter) (in 1986)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1986) and Steve Stevens (US guitarist and songwriter) (in 1986)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and Chrysalis Records, Inc. (not for release label use!) (in 1987)
recorded at:
Right Track Studios in Manhattan, United States (in 1986)
mixed at:
The Hit Factory in Manhattan, United States
music video for:
Sweet Sixteen by Billy Idol (English rock singer‐songwriter)
recording of:
Sweet Sixteen (in 1986)
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd. and Rare Blue Music
Billy Idol44:14
4Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1991 to present) and Warner Music H.K. Ltd. (in 1997)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
Marc Cohn3.854:16
5Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
recorded at:
Chipping Norton Recording Studios in Chipping Norton (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty44:06
6Moonlight Shadow
engineer:
Nigel Luby
producer:
Mike Oldfield and Simon Phillips (rock drummer)
acoustic guitar, electric guitar and synthesizer:
Mike Oldfield
bass guitar:
Phil Spalding
drums (drum set):
Simon Phillips (rock drummer)
vocals:
Maggie Reilly
phonographic copyright (℗) by:
Mike Oldfield (in 2013)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recorded at:
Denham Studios (from 1982-11 until 1983-04)
recording of:
Moonlight Shadow
lyricist and composer:
Mike Oldfield
publisher:
Oldfield Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music Publishing Ltd. (in 1983)
Mike Oldfield3.83:36
7Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
mixed at:
Davlen Sound Studios in Universal City, United States
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Pepper Music Inc.
Al Stewart4.356:34
8I Can Hear Your Heartbeat
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
recording of:
I Can Hear Your Heartbeat
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea53:26
9Unchain My Heart
cover recording of:
Unchain My Heart
lyricist and composer:
Bobby Sharp
writer:
Teddy Powell
publisher:
B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
part of:
The Real Book (compilation of jazz standards, Volume I)
Joe Cocker3:28
10We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
Concord Copyrights London Limited, Little Mole Music, Universal Music Careers, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Starship44:50
11The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, United States, Studio D Recording in Sausalito, United States and The Plant Studios (1981-2008) in Sausalito, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:55
12Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts44:08
13Solsbury Hill
additional recording engineer:
Jim Frank, Keith Grant (classical recording engineer), Dave Harris (Recording engineer at Morgan Studios, London), Rod O’Brien, Robert Hrycyna and Robert Stasiak
recording engineer:
Brian Christian
programming:
Larry Fast (American synthesizer player and composer)
producer:
Bob Ezrin
acoustic guitar and pedal steel guitar:
Steve Hunter (rock guitarist)
banjo and classical guitar:
Robert Fripp
bass and tuba:
Tony Levin (US rock bassist/Chapman Stick)
bones and percussion:
Jimmy Maelen (Percussion)
drums (drum set):
Allan Schwartzberg
electric guitar and guitar:
Robert Fripp and Steve Hunter (rock guitarist)
flute and recorder:
Peter Gabriel (formerly of Genesis)
keyboard:
Jozef Chirowski and Peter Gabriel (formerly of Genesis)
synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Peter Gabriel (formerly of Genesis)
phonographic copyright (℗) by:
Charisma Records (in 1977)
additionally recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden and Olympic Studios (1966-2009) in Barnes
recorded at and mixed at:
Sound Stage (Nimbus 9 Studios) in Toronto
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 472)
recording of:
Solsbury Hill
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
Ear Pieces, EMI Music Publishing Ltd. (PRS‐affiliated), Hit & Run Music, Intersong Music, Pentagon Lipservices Real World and Real World Music, Ltd.
Peter Gabriel4.54:21
14Vienna
live recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox5:00
15Don’t Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music and Hynde House of Hits Music
The Pretenders4.23:48
16C’est la vie
recording of:
C’est la vie
writer:
Mark Holding, Robbie Nevil and Duncan Pain (songwriter)
publisher:
AFG House Music, BMG Bumblebee, Colgems-EMI Music Inc., Dresden China Music (A), Universal‐MCA Music Publishing (US) and WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング フジパシフィック事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Robbie Nevil53:26
17Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:35
18You’re the Voice
recording engineer and mixer:
Doug Brady (engineer)
assistant engineer:
Michael Wickow (engineer)
producer:
Ross Fraser
recording of:
You’re the Voice
writer:
Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson (vocalist with Manfred Mann’s Earth Band)
publisher:
David Platz Music Scandinavia AB and Universal Music Publishing AB (Sweden)
John Farnham4.15:05