Cantatas, BWV 172–175

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 172 “Erschallet, ihr Lieder, erklinget, ihr Saiten”: I. Coro “Erschallet, ihr Lieder, erklinget, ihr Saiten”
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": I. Coro "Erschallet, ihr Lieder, erklinget, ihr Saiten" (from 1975-03 until 1975-04)
premiered in:
Weimar (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:10
2Kantate, BWV 172 “Erschallet, ihr Lieder, erklinget, ihr Saiten”: II. Recitativo (Bass) “Wer mich liebet, der wird mein Wort halten”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": II. Recitativo (Bass) "Wer mich liebet, der wird mein Wort halten" (from 1975-03 until 1975-04)
premiered in:
Weimar (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach0:55
3Kantate, BWV 172 “Erschallet, ihr Lieder, erklinget, ihr Saiten”: III. Aria (Bass) “Heiligste Dreieinigkeit”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": III. Aria (Bass) "Heiligste Dreieinigkeit" (from 1975-03 until 1975-04)
premiered in:
Weimar (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:59
4Kantate, BWV 172 “Erschallet, ihr Lieder, erklinget, ihr Saiten”: IV. Aria (Tenor) “O Seelenparadies”
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": IV. Aria (Tenor) "O Seelenparadies" (from 1975-03 until 1975-04)
premiered in:
Weimar (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach4:31
5Kantate, BWV 172 “Erschallet, ihr Lieder, erklinget, ihr Saiten”: V. Aria (Duetto Sopran, Alt) “Komm, laß mich nicht länger warten”
alto vocals:
Doris Soffel (mezzo soprano)
soprano vocals:
Eva Csapó (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": V. Aria (Duetto Sopran, Alt) "Komm, laß mich nicht länger warten" (from 1975-03 until 1975-04)
premiered in:
Weimar (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach3:36
6Kantate, BWV 172 “Erschallet, ihr Lieder, erklinget, ihr Saiten”: VI. Choral “Von Gott kömmt mir ein Freudenschein”
choir vocals:
Frankfurter Kantorei
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1975-03 until 1975-04)
recording of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten": VI. Choral "Von Gott kömmt mir ein Freudenschein" (from 1975-03 until 1975-04)
premiered in:
Weimar (on 1714-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 376)
part of:
Kantate, BWV 172 "Erschallet, ihr Lieder, erklinget, ihr Saiten"
Johann Sebastian Bach1:30
7Kantate, BWV 173 “Erhöhtes Fleisch und Blut”: I. Recitativo (Tenor) “Erhöhtes Fleisch und Blut”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": I. Recitativo (Tenor) "Erhöhtes Fleisch und Blut" (from 1976-09 until 1977-04)
premiered in:
Leipzig (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach0:43
8Kantate, BWV 173 “Erhöhtes Fleisch und Blut”: II. Aria (Tenor) “Ein geheiligtes Gemüte”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": II. Aria (Tenor) "Ein geheiligtes Gemüte" (from 1976-09 until 1977-04)
premiered in:
Leipzig (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach4:51
9Kantate, BWV 173 “Erhöhtes Fleisch und Blut”: III. Aria (Alt) “Gott will, o! ihr Menschenkinder”
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": III. Aria (Alt) "Gott will, o! ihr Menschenkinder" (from 1976-09 until 1977-04)
premiered in:
Leipzig (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach1:48
10Kantate, BWV 173 “Erhöhtes Fleisch und Blut”: IV. Aria (Duetto Bass, Sopran) “So hat Gott die Welt geliebt”
bass vocals:
Niklaus Tuller (bass-baritone)
soprano vocals:
Judith Beckman (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": IV. Aria (Duetto Bass, Sopran) "So hat Gott die Welt geliebt" (from 1976-09 until 1977-04)
premiered in:
Leipzig (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach4:29
11Kantate, BWV 173 “Erhöhtes Fleisch und Blut”: V. Recitativo (Sopran, Tenor) “Unendlichster, den man doch Vater nennt”
soprano vocals:
Judith Beckman (American soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": V. Recitativo (Sopran, Tenor) "Unendlichster, den man doch Vater nennt" (from 1976-09 until 1977-04)
premiered in:
Leipzig (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach1:22
12Kantate, BWV 173 “Erhöhtes Fleisch und Blut”: VI. Coro “Rühre, Höchster, unsern Geist”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1976-09 until 1977-04)
recording of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut": VI. Coro "Rühre, Höchster, unsern Geist" (from 1976-09 until 1977-04)
premiered in:
Leipzig (on 1724-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173 "Erhöhtes Fleisch und Blut"
Johann Sebastian Bach2:35
13Kantate, BWV 174 “Ich liebe den Höchsten von ganzem Gemüte”: I. Sinfonia
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (from 1984-02 until 1984-07)
premiered in:
Leipzig (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach6:27
14Kantate, BWV 174 “Ich liebe den Höchsten von ganzem Gemüte”: II. Aria (Alt) “Ich liebe den Höchsten von ganzem Gemüte”
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“ (from 1984-02 until 1984-07)
premiered in:
Leipzig (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach8:20
15Kantate, BWV 174 “Ich liebe den Höchsten von ganzem Gemüte”: III. Recitativo (Tenor) “O! Liebe, welche keiner gleich”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: III. Recitativo (Tenor) „O! Liebe, welche keiner gleich“ (from 1984-02 until 1984-07)
premiered in:
Leipzig (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach1:29
16Kantate, BWV 174 “Ich liebe den Höchsten von ganzem Gemüte”: IV. Aria (Bass) “Greifet zu!”
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: IV. Aria (Bass) „Greifet zu!“ (from 1984-02 until 1984-07)
premiered in:
Leipzig (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach4:09
17Kantate, BWV 174 “Ich liebe den Höchsten von ganzem Gemüte”: V. Choral “Herzlich lieb hab ich dich, O Herr”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1984-02 until 1984-07)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: V. Choral „Herzlich lieb hab ich dich, O Herr“ (from 1984-02 until 1984-07)
premiered in:
Leipzig (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 153)
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach1:47
18Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”: I. Recitativo (Tenor) “Er rufet seinen Schafen mit Namen”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": I. Recitativo (Tenor) "Er rufet seinen Schafen mit Namen" (from 1981-05 until 1981-11)
premiered in:
Leipzig (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach0:26
19Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”: II. Aria (Alt) “Komm, leite mich”
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": II. Aria (Alt) "Komm, leite mich" (from 1981-05 until 1981-11)
premiered in:
Leipzig (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach4:05
20Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”: III. Recitativo (Tenor) “Wo find ich dich”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": III. Recitativo (Tenor) "Wo find ich dich" (from 1981-05 until 1981-11)
premiered in:
Leipzig (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach0:34
21Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”: IV. Aria (Tenor) “Es dünket mich, ich seh dich kommen”
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": IV. Aria (Tenor) "Es dünket mich, ich seh dich kommen" (from 1981-05 until 1981-11)
premiered in:
Leipzig (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach3:21
22Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”: V. Recitativo (Alt, Bass) “Sie vernahmen aber nicht”
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": V. Recitativo (Alt, Bass) "Sie vernahmen aber nicht" (from 1981-05 until 1981-11)
premiered in:
Leipzig (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach1:17
23Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”: VI. Aria (Bass) “Öffnet euch, ihr beiden Ohren”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VI. Aria (Bass) "Öffnet euch, ihr beiden Ohren" (from 1981-05 until 1981-11)
premiered in:
Leipzig (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach3:55
24Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”: VII. Choral “Nun, werter Geist, ich folge dir”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart (from 1981-05 until 1981-11)
recording of:
Kantate, BWV 175 "Er rufet seinen Schafen mit Namen": VII. Choral "Nun, werter Geist, ich folge dir" (from 1981-05 until 1981-11)
premiered in:
Leipzig (on 1725-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann von Rist (in 1651)
part of:
Kantate, BWV 175 “Er rufet seinen Schafen mit Namen”
Johann Sebastian Bach1:59

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 52) (order: 52)