Perspectives: Gidon Kremer

~ Release by Gidon Kremer (see all versions of this release, 1 available)

Tracklist

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Digital Media 1
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1Partita for Violin Solo No. 3 in E, BWV 1006: I. Preludio
recorded in:
Haarlem (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk in Haarlem (in 1980-03)
recording of:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach3:19
2Partita for Violin Solo No. 3 in E, BWV 1006: II. Loure
recorded in:
Haarlem (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk in Haarlem (in 1980-03)
recording of:
Violin Partita no. 3 in E major, BWV 1006: II. Loure (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach3:34
3Partita for Violin Solo No. 3 in E, BWV 1006: III. Gavotte en Rondeau
recorded in:
Haarlem (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk in Haarlem (in 1980-03)
recording of:
Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach2:47
4Partita for Violin Solo No. 3 in E, BWV 1006: IV. Menuet I / V. Menuet II
recorded in:
Haarlem (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk in Haarlem (in 1980-03)
recording of:
Violin Partita no. 3 in E major, BWV 1006: IV. Menuet I (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
recording of:
Violin Partita no. 3 in E major, BWV 1006: V. Menuet II (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach3:52
5Partita for Violin Solo No. 3 in E, BWV 1006: VI. Bourrée
recorded in:
Haarlem (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk in Haarlem (in 1980-03)
recording of:
Violin Partita no. 3 in E major, BWV 1006: VI. Bourrée (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach1:17
6Partita for Violin Solo No. 3 in E, BWV 1006: VII. Gigue
recorded in:
Haarlem (in 1980-03)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
violin:
Gidon Kremer (violinist) (in 1980-03)
recorded at:
Lutherse Kerk in Haarlem (in 1980-03)
recording of:
Violin Partita no. 3 in E major, BWV 1006: VII. Gigue (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach1:46
7Violin Concerto No. 2 in E, BWV 1042: I. Allegro
recorded in:
London (Greater London) (in 1982-02)
solo violin:
Gidon Kremer (violinist) (in 1982-02)
orchestra:
Academy of St Martin in the Fields (in 1982-02)
conductor:
Gidon Kremer (violinist) (in 1982-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1982-02)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042
Johann Sebastian Bach6:49
8Violin Concerto No. 2 in E, BWV 1042: II. Adagio
recorded in:
London (Greater London) (in 1982-02)
solo violin:
Gidon Kremer (violinist) (in 1982-02)
orchestra:
Academy of St Martin in the Fields (in 1982-02)
conductor:
Gidon Kremer (violinist) (in 1982-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1982-02)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042
Johann Sebastian Bach4:56
9Violin Concerto No. 2 in E, BWV 1042: III. Allegro Assai
recorded in:
London (Greater London) (in 1982-02)
solo violin:
Gidon Kremer (violinist) (in 1982-02)
orchestra:
Academy of St Martin in the Fields (in 1982-02)
conductor:
Gidon Kremer (violinist) (in 1982-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1982-02)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042
Johann Sebastian Bach2:38
10German Dances (5) & Trios (7) with Coda, for string quartet, D. 90: 1. Trio I - Trio II in C Major
executive producer:
Wolfgang Stengel
producer:
Peter Laenger (engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (in 1991-09)
viola:
Diemut Poppen (violist) (in 1991-09)
violin [violin I]:
Gidon Kremer (violinist) (in 1991-09)
violin [violin II]:
Gabrielle Lester (orchestra leader and violinist) (in 1991-09)
orchestra:
Chamber Orchestra of Europe (in 1991-09)
balance engineer:
Rainer Maillard
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1991-09)
recording of:
Menuette und Deutsche, D. 90: Deutscher no. 1 in C-Dur (in 1991-09)
composer:
Franz Schubert (composer) (on 1813-11-19)
part of:
Menuette und Deutsche, D. 90
Franz Schubert3:22
11Violin Concerto No. 5 in A, K. 219: I. Allegro Aperto
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
violin:
Gidon Kremer (violinist) (in 1987-01)
orchestra:
Wiener Philharmoniker (in 1987-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1987-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße (in 1987-01)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto (in 1987-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart9:05
12Violin Concerto No. 5 in A, K. 219: II. Adagio
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
violin:
Gidon Kremer (violinist) (in 1987-01)
orchestra:
Wiener Philharmoniker (in 1987-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1987-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße (in 1987-01)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (in 1987-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart9:53
13Violin Concerto No. 5 in A, K. 219: III. Rondeau. Tempo Di Menuetto
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
violin:
Gidon Kremer (violinist) (in 1987-01)
orchestra:
Wiener Philharmoniker (in 1987-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1987-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße (in 1987-01)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro (in 1987-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart8:52
Digital Media 2
#TitleArtistRatingLength
1Violin Concerto No. 2, Op. 129: I. Moderato
recording engineer and balance engineer:
Hans-Peter Schweigmann
executive producer:
Alison Ames and Wolfgang Stengel
producer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Ingmar Haas (Engineer), Reinhard Lagemann and Wolfgang Stengel
solo violin:
Gidon Kremer (violinist)
violin:
Gidon Kremer (violinist) (in 1992-04)
orchestra:
Boston Symphony Orchestra (in 1992-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1992-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1992-04)
live recording of:
Violin Concerto no. 2 in C-sharp minor, op. 129: I. Moderato (in 1992-04)
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1967)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in C-sharp minor, op. 129
recording of:
Violin Concerto no. 2 in C-sharp minor, op. 129: I. Moderato
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1967)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in C-sharp minor, op. 129
Дмитрий Дмитриевич Шостакович13:55
2Violin Concerto No. 2, Op. 129: II. Adagio
recording engineer and balance engineer:
Hans-Peter Schweigmann
executive producer:
Alison Ames and Wolfgang Stengel
producer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Ingmar Haas (Engineer), Reinhard Lagemann and Wolfgang Stengel
solo violin:
Gidon Kremer (violinist)
violin:
Gidon Kremer (violinist) (in 1992-04)
orchestra:
Boston Symphony Orchestra (in 1992-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1992-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1992-04)
live recording of:
Violin Concerto no. 2 in C-sharp minor, op. 129: II. Adagio (in 1992-04)
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1967)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in C-sharp minor, op. 129
recording of:
Violin Concerto no. 2 in C-sharp minor, op. 129: II. Adagio
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1967)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in C-sharp minor, op. 129
Дмитрий Дмитриевич Шостакович9:34
3Violin Concerto No. 2, Op. 129: III. Adagio - Allegro
recording engineer and balance engineer:
Hans-Peter Schweigmann
executive producer:
Alison Ames and Wolfgang Stengel
producer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Ingmar Haas (Engineer), Reinhard Lagemann and Wolfgang Stengel
solo violin:
Gidon Kremer (violinist)
violin:
Gidon Kremer (violinist) (in 1992-04)
orchestra:
Boston Symphony Orchestra (in 1992-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1992-04)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1992-04)
live recording of:
Violin Concerto no. 2 in C-sharp minor, op. 129: III. Adagio – Allegro (in 1992-04)
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1967)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in C-sharp minor, op. 129
recording of:
Violin Concerto no. 2 in C-sharp minor, op. 129: III. Adagio – Allegro
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1967)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 2 in C-sharp minor, op. 129
Дмитрий Дмитриевич Шостакович8:23
4Serenade (1954) after Plato's "Symposium": I. Phaedrus - Pausanias: Lento - Allegro Marcato
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Frederic R. Mann Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: I. Phaedrus: Pausanias. Lento – Allegro (on 1979-10-14)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein6:44
5Serenade (1954) after Plato's "Symposium": II. Aristophanes: Allegretto
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Frederic R. Mann Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: II. Aristophanes. Allegretto (on 1979-10-14)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein4:11
6Serenade (1954) after Plato's "Symposium": III. Erixymachus: Presto
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Frederic R. Mann Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: III. Eryximachus. Presto (on 1979-10-14)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein1:30
7Serenade (1954) after Plato's "Symposium": IV. Agathon: Adagio
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Frederic R. Mann Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: IV. Agathon. Adagio (on 1979-10-14)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein6:31
8Serenade (1954) after Plato's "Symposium": V. Socrates - Alcibiades: Molto Tenuto - Allegro Molto Vivace
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Günther Breest (producer for classical music) and Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo violin:
Gidon Kremer (violinist) (on 1979-10-14)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-10-14)
conductor:
Leonard Bernstein (on 1979-10-14)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Frederic R. Mann Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv (on 1979-10-14)
live recording of:
Serenade after Plato’s “Symposium”: V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace (on 1979-10-14)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein10:28
9Spiegel im Spiegel - Performed on Violin and Harp
harp:
Naoko Yoshino (harpist)
violin:
Gidon Kremer (violinist)
recording of:
Spiegel im Spiegel (catch-all for arrangements)
composer:
Arvo Pärt (in 1978)
arrangement of:
Spiegel im Spiegel (for violin and piano)
Arvo Pärt9:45

Credits