L'Oiseau-Lyre: Medieval and Renaissance

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Limited edition compilation of L'Oiseau-Lyre medieval and renaissance releases.

Annotation last modified on 2018-05-13 17:22 UTC.

Tracklist

▶ CD 1: Music for Holy Week
▶ CD 2: Ce Diabolic Chant - Ballades, Rondeaus, and Virelais of the late fourteenth century
▼ CD 3: Carmina Burana, Vol. 1
#TitleArtistRatingLength
1In Gedeonis area (CB 37)
baritone vocals [ensemble]:
Michael George (operatic bass) (in 1986-01) and Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo tenor vocals [tenor]:
Andrew King (operatic tenor) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
In Gedeonis area (in 1986-01)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 37)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]4:27
2Homo, quo vigeas vide! (CB 22)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Homo quo vigeas (in 1986-01)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 22)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
recording of:
Homo quo vigeas
part of:
Carmina Moralia et Divina and Carmina Burana (number: 22)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:43
3Ecce torpet probitas (CB 3)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Ecce torpet probitas (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 3), Carmina Moralia and Cambridge University Library MS Ff.I.17(1)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]7:15
4Nomen a solemnibus (CB 52)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Nomen a solemnibus (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum, Carmina Moralia et Divina and Carmina Burana (number: 52)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]4:35
5Planctus ante nescia (CB 14)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Planctus ante nescia (in 1986-01)
writer:
Godefroy de Breteuil (carmina burana. c.1130-c.1194, sub-prior to Abbey of Saint-Victor, Paris)
part of:
Carmina Burana (number: 14)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]10:44
6Michi confer, venditor (CB 16)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Michi confer venditor (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 16*)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:48
7Olim sudor Herculis (CB 63)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Olim sudor Herculis (in 1986-01)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 63)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]9:35
8Procurans odium (CB 12)
baritone vocals [ensemble]:
Michael George (operatic bass) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Procurans odium (in 1986-01)
part of:
Carmina Amoris Infelicis, Carmina Amoris Infelicis, Carmina Burana (number: 12) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]1:54
9Dulce solum (CB 119)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Dulce solum (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 119)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:27
10Axe Phebus aureo (CB 71)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Axe Phebus aureo (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Amoris Infelicis, Carmina Amoris Infelicis and Carmina Burana (number: 71)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:23
11Alte clamat Epicurus (CB 211)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Alte clamat Epicurus (Carmina Burana) (in 1986-01)
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 211)
parody version of:
Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]6:05
12Exiit diluculo (CB 90)
solo soprano vocals [soprano]:
Tessa Bonner (soprano) (in 1986-01) and Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Exiit diluculo (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 90)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]1:55
13Hiemali tempore (CB 203)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Hiemali tempore (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 203)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:47
14Tempus est iocundum (CB 179)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1986-01)
recording of:
Tempus est iocundum (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 179)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:14
▶ CD 4: Llibre Vermell of Montserrat - Pilgrim Songs and Dances
▶ CD 5: The Feast of Fools
▶ CD 6: The Pilgrimage to Santiago - Navarre and Castille
▶ CD 7: The Pilgrimage to Santiago - León and Galicia
▶ CD 8: 2 Polyphonic Lais
▶ CD 9: Knightly Passions: The Songs of Oswald von Wolkenstein
▶ CD 10: Ockeghem - Complete Secular Music I
▶ CD 11: Ockeghem - Complete Secular Music II
▶ CD 12: Perugia - Secular Works
▶ CD 13: Sweet is the Song - Music of the Troubadours and Trouvères
▶ CD 14: Dufay - Secular Works
▶ CD 15: Missa di dadi; Missa "Faisant regretz"
▶ CD 16: Complete Three-Part Secular Music
▶ CD 17: Chansons, Frottole & Lieder
▶ CD 18: Frottole
▶ CD 19: La Chansonnier Cordiforme I
▶ CD 20: La Chansonnier Cordiforme II
▶ CD 21: La Chansonnier Cordiforme III
▶ CD 22: Mi Verry Joy - Songs of Fifteenth-century Englishmen
▶ CD 23: Le Lagrime di San Pietro à 7
▶ CD 24: Pavans and Galliards, 1599
▶ CD 25: Dansereye, 1551
▶ CD 26: A Musicall Banquet 1610
▶ CD 27: Quinto libro dei madrigali
▶ CD 28: Ayres and Madrigals
▶ CD 29: First & Second Sets of Madrigals
▶ CD 30: Symphoniae Sacrae II, 1615
▶ CD 31: Funeral Teares; Consort Music
▶ CD 32: Orlando Gibbons - Madrigals & Motets (1612)
▶ CD 33: Music from the Time of Elizabeth I
▶ CD 34: Psalmes, Sonets & songs of sadnes and pietie (1588 - Selected pieces)
▶ CD 35: Consort Music (1588)
▶ CD 36: My Ladye Nevells Booke (1591 - Selected Pieces)
▶ CD 37: The Cozens Lute Book
▶ CD 38: The Fitzwilliam Virginal Book I (Selected Pieces)
▶ CD 39: The Fitzwilliam Virginal Book II (Selected Pieces)
▶ CD 40: Keyboard Music I
▶ CD 41: Keyboard Music II
▶ CD 42: Quarto libro dei madrigali
▶ CD 43: Amorous Dialogues
▶ CD 44: Setts for Violins & Division Viols
▶ CD 45: The XII Wonders of the World, 1611; Character Songs
▶ CD 46: First Booke of Songs, 1597
▶ CD 47: Lachrimae, 1604
▶ CD 48: Dances from Terpsichore, 1612
▶ CD 49: The Sylvan and Oceanic Delights of Posilipo
▶ CD 50: Consort Music

Credits

Release

part of:Florilegium (L'Oiseau-Lyre) (order: 79)
Discogs:https://www.discogs.com/release/9333727 [info]
ASIN:CA: B01GIUU9EM [info]