The Definitive 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ Digital Media 1
#TitleArtistRatingLength
1Mandy
co-producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Ron Dante and Barry Manilow
lead vocals:
Barry Manilow
strings arranger:
Joe Renzetti
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) and Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell/Morris Ltd., Morris Music Inc, Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Barry Manilow43:19
2Gonna Make You a Star
producer:
Jeff Wayne (musician)
recording of:
Gonna Make You a Star
lyricist and composer:
David Essex
David Essex53:39
3Daydreamer
cover recording of:
Daydream
lyricist and composer:
John Sebastian
publisher:
Robbins Music Corp. Ltd.
David Cassidy52:47
4Just Don’t Want to Be Lonely
The Main Ingredient3:33
5Bye Bye Baby
recording of:
Bye, Bye, Baby (Baby Goodbye)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Bay City Rollers3:02
6Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-09)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2001)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Simon & Garfunkel44:51
7Lay, Lady, Lay
producer:
Bob Johnston (US record producer and early rockebilly singer)
guitar and lead vocals:
Bob Dylan (on 1969-02-14)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
recording of:
Lay, Lady, Lay (on 1969-02-14)
additional lyricist:
Bob Dylan (in 1976)
lyricist and composer:
Bob Dylan (from 1968 until 1969)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Big Sky Music (publisher for Bob Dylan) (from 1969 to present)
sub-publisher:
Sonora Musikförlags AB
Bob Dylan43:17
8It’s Too Late
recording of:
It’s Too Late
lyricist:
Toni Stern
composer:
Carole King
dedicated to:
James Taylor (singer-songwriter and guitarist)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Carole King3:52
9The Wonder of You
phonographic copyright (℗) by:
BMG Music (in 1970)
recorded at:
International Hotel in Winchester, United States (on 1970-02-17)
live cover recording of:
The Wonder of You (on 1970-02-17)
lyricist and composer:
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. and Universal/MCA Music Ltd. (not for release label use!)
Elvis Presley3.52:35
10Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Bill Withers4.754:06
11Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Andy Williams43:11
12The Way We Were
Gladys Knight & the Pips4:39
13Mr. Blue Sky
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set), other instruments [fire extinguisher] and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
background vocals:
Bev Bevan (English rock drummer) (in 1977) and Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Jet Records (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
recorded at:
Musicland Studios (Munich) in München (in 1977)
mixed at:
Musicland Studios (Munich) in München
part of:
TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 - December 2005 (number: 33)
recording of:
Mr. Blue Sky (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Concerto for a Rainy Day
Electric Light Orchestra4.55:07
▼ Digital Media 2
#TitleArtistRatingLength
1All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
cover recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Saag (New York), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックEH(CM), ワーナー・チャペル音楽出版 Synch事業部, 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Mott the Hoople4.353:32
2No Regrets
cover recording of:
No Regrets
lyricist and composer:
Tom Rush
publisher:
BMG Bumblebee (BMI), Essex International and Tubbs Hill Music
The Walker Brothers5:43
3Harvest for the World
recording of:
Harvest for the World
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
The Isley Brothers2.653:52
4Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:53
5What a Difference a Day Makes
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Esther Phillips4:20
6I Can Help
engineer:
Chip Young (American session guitarist, bassist, producer in the genre of country)
producer:
Billy Swan and Chip Young (American session guitarist, bassist, producer in the genre of country)
acoustic guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician)
bass:
Mike Leech
electric guitar:
Chip Young (American session guitarist, bassist, producer in the genre of country) and Reggie Young (guitarist and songwriter)
instruments:
Paul Richmond (engineer)
membranophone:
Hayward Bishop
recorded at:
Youngun Sound Studio in Murfreesboro, United States
recording of:
I Can Help
lyricist and composer:
Billy Swan
publisher:
CBS Songs and Combine Music Corp.
Billy Swan44:00
7Tears on My Pillow
recording of:
Tears on My Pillow (Johnny Nash song)
lyricist and composer:
Ernie Smith
Johnny Nash3:14
8Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster
brass and strings arranger:
Paul Buckmaster
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and Apple Publishing Ltd. (from 1970 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Harry Nilsson4.23:20
9All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Round Hill Works, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:51
10Free
producer:
Charles Stepney and Maurice White (Earth, Wind & Fire)
recording of:
Free
writer:
Susaye Greene, Hank Redd, Nathan Watts and Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams5:56
11Knock Three Times
producer:
Dave Appell and The Tokens
arranger:
Norman Bergen
recording of:
Knock Three Times
writer:
Lawrence Russell Brown (lyricist) and Irwin Levine
Tony Orlando & Dawn52:57
12She’s Not There
recording engineer:
Tom Vicari (on 1977-08-05)
producer:
Tom Coster and Carlos Santana
mixer:
Chris Minto (engineer) and Tom Vicari
bass guitar:
David Margen (on 1977-08-05)
drums (drum set):
Graham Lear (on 1977-08-05)
guitar:
Carlos Santana (on 1977-08-05)
keyboard:
Tom Coster (on 1977-08-05)
percussion:
Pete Escovedo (on 1977-08-05) and Raul Rekow (on 1977-08-05)
vocals:
Greg Walker (ex-member of Santana) (on 1977-08-05)
strings arranger:
Tom Coster
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
CBS Studios (San Francisco) in San Francisco, United States (on 1977-08-05)
mixed at:
The Automatt in San Francisco, United States
cover recording of:
She’s Not There (on 1977-08-05)
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
Santana34:10
▼ Digital Media 3
#TitleArtistRatingLength
1Jolene
recording of:
Jolene
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton53:42
2Annie’s Song
engineer:
Mickey Crofford
additional producer and assistant producer:
Kris O'Connor
producer:
Milt Okun
lead vocals:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1974)
recording of:
Annie’s Song (on 1974-03-08)
lyricist and composer:
John Denver
publisher:
Winter Hill Music
John Denver3.652:59
3A Thing Called Love
recording of:
A Thing Called Love
lyricist and composer:
Jerry Reed
publisher:
Sixteen Stars Music (BMI-affiliated)
Johnny Cash2:32
4Rose Garden
cover recording of:
Rose Garden (in 1970)
lyricist and composer:
Joe South
publisher:
BMG Music Publishing Ltd. and Sony/ATV Songs LLC
Lynn Anderson4.52:51
5Stand by Your Man
producer:
Billy Sherrill (US songwriter/producer/arranger)
lead vocals:
Tammy Wynette
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 473)
recording of:
Stand by Your Man (in 1968)
writer:
Billy Sherrill (US songwriter/producer/arranger) and Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. (1989-07-24–present) and EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:40
6Kissin’ in the Back Row of the Movie
baritone vocals:
Grant Kitchings
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters)
tenor vocals:
Butch Leake
vocals:
Bill Fredericks and Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
composer:
Roger Greenaway and Tony Macaulay
The Drifters43:30
7When Will I See You Again
vocals:
Sheila Ferguson, Valerie Holiday and Fayette Pinkney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1974)
edit of:
When Will I See You Again (Ferguson, Holiday, Pinkney) by The Three Degrees
recording of:
When Will I See You Again
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell
The Three Degrees2:34
8Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
membranophone:
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
recorded at:
Trident Studios (London, UK) in Soho (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
Lou Reed4.254:11
9Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, United States (in 1978-08)
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
Toto4.153:56
10Sylvia’s Mother
producer:
Ron Haffkine
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:48
11Arms of Mary
producer:
Howard Albert and Ron Albert
recording of:
Arms of Mary (in 1976)
lyricist and composer:
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher) and Skerry Rock Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sutherland Brothers & Quiver52:37
12Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
Smokie43:26
13Rasputin
recording of:
Rasputin
lyricist and composer:
Frank Farian, Fred Jay and George Reyam
Boney M.5:53
▼ Digital Media 4
#TitleArtistRatingLength
1(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, United States (from 1975 until 1976)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
Blue Öyster Cult4.555:09
2You Took the Words Right Out of My Mouth (Hot Summer Night)
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
guitar family and percussion:
Todd Rundgren
keyboard and percussion:
Jim Steinman
keyboard and piano:
Roy Bittan
membranophone:
Max Weinberg
percussion:
Marvin Lee
saxophone:
Edgar Winter
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Ellen Foley and Todd Rundgren
lead vocals:
Meat Loaf
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
compilation of:
You Took the Words Right out of My Mouth (Hot Summer Night) (beginning) by Meat Loaf and You Took the Words Right out of My Mouth (Hot Summer Night) (conclusion) by Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation
Meat Loaf45:04
3Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
strings arranger:
Mick Harvey
publisher:
Kensington Music Ltd., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.83:55
4Red Light Spells Danger
recording of:
Red Light Spells Danger
writer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean23:29
5Blockbuster
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet3:11
6Chirpy Chirpy Cheep Cheep
cover recording of:
Chirpy Chirpy Cheep Cheep (Lally Stott / Middle of the Road)
lyricist:
Lally Stott (in 1971)
composer:
Lally Stott
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Middle of the Road42:55
7Native New Yorker
recording of:
Native New Yorker
writer:
Sandy Linzer and Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Japan, subsidiary of Nichion) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Odyssey2.53:25
8September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1978)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Irving Music (BMI), Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, フジパシフィックミュージック SBK事業部, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Earth, Wind & Fire4.653:34
9Yes Sir, I Can Boogie
producer:
Rolf Soja
recording of:
Yes Sir, I Can Boogie
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Louvigny-Marquee Music Ltd. and Peermusic (UK) Ltd.
Baccara4.754:31
10Best of My Love (single version)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions43:39
11Spinning Wheel (single version)
recording of:
Spinning Wheel
lyricist and composer:
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Blood, Sweat & Tears4:06
12Blame It on the Boogie
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Carlin Music Ltd. and Peterman & Co. Ltd.
The Jacksons4.23:32