Cry Me a River: The Collection

~ Release by Julie London (see all versions of this release, 1 available)

Annotation

has slipover cardboard outer that closes at one end

Annotation last modified on 2018-03-30 07:17 UTC.

Tracklist

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CD 1
#TitleRatingLength
1Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
52:51
2Round Midnight
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (in 1960-08)
cover recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
2:54
3Love for Sale
producer:
Felix Slatkin
vocals:
Julie London
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:40
4You’d Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
orchestra:
The Jimmy Rowles Orchestra
recorded at:
Julie London’s living room
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:15
5Blue Moon
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Blue Moon (in 1958-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (soundtrack of the 1977 film)
2:32
6When I Fall in Love
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:23
7Two Sleepy People
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory")
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:16
8The More I See You
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
3:03
9’s Wonderful
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
’S Wonderful (in 1955-08)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
1:35
10Moments Like This
vocals:
Julie London
recording of:
Moments Like This (from "College Swing")
lyricist:
Frank Loesser
composer:
Burton Lane
publisher:
Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
2:42
11I Love You
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I Love You (Mexican Hayride musical) (in 1955-08)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
1:52
12Let There Be Love
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
recorded at:
Julie London’s living room
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
2:04
13Mad About the Boy
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Pete King and His Orchestra
cover recording of:
Mad About the Boy
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
2:13
14Sentimental Journey
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
recorded at:
Julie London’s living room
recording of:
Sentimental Journey
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
2:27
15In the Wee Small Hours of the Morning
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (in 1960-08)
cover recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
2:50
16I’m in the Mood for Love
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
2:30
17Goodbye
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
recorded at:
Julie London’s living room
recording of:
Goodbye
lyricist and composer:
Gordon Jenkins
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
2:24
18Easy Street
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
recording of:
Easy Street (in 1955-08)
lyricist and composer:
Alan Rankin Jones
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Johnstone-Montei Music and Robert Mellin Ltd.
3:15
19Black Coffee
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
3:00
20Diamonds Are a Girl’s Best Friend
producer:
Felix Slatkin
vocals:
Julie London
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Leo Robin (US composer, lyricist & songwriter) and Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
1:59
CD 2
#TitleRatingLength
1Hot Toddy
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Hot Toddy (in 1958-07)
writer:
Ralph Flanagan (Band leader, songwriter) and Herb Hendler
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. and Valley Entertainment Enterprises
1:50
2Bewitched, Bothered and Bewildered
producer:
Si Waronker
vocals:
Julie London
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
2:54
3I Should Care
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
I Should Care (in 1955-08)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:19
4Love Must Be Catchin’
vocals:
Julie London
cover recording of:
Love Must Be Catchin’
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Cross Music Ltd.
2:10
5It Could Happen to You
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
It Could Happen to You
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
3:13
6Memphis in June
producer:
Bobby Troup
vocals:
Julie London
conductor:
Pete King (composer/arranger)
arranger:
Pete King (composer/arranger)
recording of:
Memphis in June (in 1956)
lyricist:
Paul Francis Webster (in 1945)
composer:
Hoagy Carmichael (in 1945)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1945), Universal Music Publishing International Ltd. (in 1945) and Webster Music Co. (in 1945)
2:00
7If I’m Lucky
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
If I’m Lucky (in 1958-07)
composer:
Eddie DeLange and Josef Myrow
publisher:
Triangle Music Corp. (ASCAP), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music International Ltd. and Wise Brothers Music LLC
2:20
8One for My Baby
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:10
9They Can’t Take That Away From Me
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:09
10You and the Night and the Music
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (in 1960-08)
cover recording of:
You and the Night and the Music
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
2:40
11The Thrill Is Gone
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London
orchestra:
The Jimmy Rowles Orchestra
recorded at:
Julie London’s living room
recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931)
lyricist:
Lew Brown
composer:
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. and Redwood Music Ltd. (Carlin)
3:22
12Comin’ Thru the Rye
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Comin’ Thro’ the Rye
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1782)
composer:
[traditional] (special purpose artist)
publisher:
Heatherfield Music
2:38
13Cuddle Up a Little Closer
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Cuddle Up a Little Closer
lyricist:
Otto Harbach
composer:
Karl Hoschna
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:12
14After the Ball
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
After the Ball
lyricist and composer:
Charles K. Harris (late 19th / early 20th century composer)
publisher:
T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Show Boat: Act II
2:46
15Be My Little Baby Bumble Bee3:27
16De Camptown Races
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Camptown Races
lyricist and composer:
Stephen Foster (composer)
3:24
17Old Folks at Home
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Old Folks at Home (Swanee River)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
2:45
18Darktown Strutters Ball
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Darktown Strutters’ Ball
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
2:33
19How Come You Do Me Like You Do?
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
How Come You Do Me Like You Do (Do, Do)
writer:
Gene Austin (in 1924) and Roy Bergere (in 1924)
publisher:
EMI Harmonies Limited and EMI Mills Music Inc. (ASCAP-affiliated)
2:33
20Bill Bailey, Won’t You Please Come Home1:51

Credits

Release

manufactured in:the EU
liner notes:Alan Robinson (compilation producer and author of liner notes) (in 2015-08)
copyrighted (©) by:Demon Music Group Ltd. (for release labels, use "Demon Music Group"; subsidiary of BBC Studios Distribution) (in 2015)
phonographic copyright (℗) by:Music Club Deluxe Legends (in 2015)
licensed to and marketed by:Demon Music Group Ltd. (for release labels, use "Demon Music Group"; subsidiary of BBC Studios Distribution)
ASIN:UK: B019AGNK1U [info]