# | Title | Rating | Length |
---|
1 | Love Shoulda Brought You Home- engineer:
- Fil Brown, Jim "Z" Zumpano , Barney Perkins, Steve Schwartzberg, Matt Westfield and Sean Young
- producer:
- Babyface , L.A. Reid and Daryl Simmons
- assistant mixer:
- Milton Chan
- mixer:
- Barney Perkins and L.A. Reid
- bass:
- Kayo
- drums (drum set) [drums]:
- L.A. Reid
- keyboard [keyboards]:
- Babyface and Bo Watson
- piano [acoustic piano]:
- Vance Taylor
- background vocals:
- Babyface , Toni Braxton and Trina Broussard
- produced for:
- LaFace Inc.
- recorded at:
- Doppler Studios in Atlanta, United States, Studio LaCoCo in Atlanta, United States and Summa Music Group in West Hollywood, United States
- mixed at:
- Encore Studios in Burbank, United States
- recording of:
- Love Shoulda Brought You Home
- writer:
- Babyface , Daryl Simmons and Bo Watson
- publisher:
- Ensign Music Corporation (from 1992 to present), Green Skirt Music (from 1992 to present), Kear Music (from 1992 to present) and SABA Seven Music (from 1992 to present)
| 3 | 4:58 |
2 | I Love Me Some Him | 4 | 5:07 |
3 | Tell Me | 2 | 4:10 |
4 | You're Makin' Me High- assistant recording engineer:
- Paul Boutin, Bryan Reminic and Robbes Steiglitz
- recording engineer:
- Russell Elevado and Brad Gilderman
- drum machine [drum] programming and keyboard programming:
- Bryce Wilson
- programming:
- Randy Walker
- producer:
- Babyface and Bryce Wilson
- mixer:
- "Bassy" Bob Brockmann
- guitar [guitars] and keyboard:
- Babyface
- background vocals:
- Babyface , Toni Braxton, Jakkai Butler, Chante' Moore and Marc Nelson
- lead vocals:
- Toni Braxton
- produced for:
- ECAF Productions, Inc. and October 7th, Inc.
- recorded at:
- DARP Studios in Atlanta, United States and The Record Plant in Hollywood, United States
- mixed at:
- The Record Plant in Hollywood, United States
- recording of:
- You’re Makin’ Me High
- lyricist and composer:
- Babyface and Bryce Wilson
- publisher:
- Almo Music Corp. , ECAF Music, Groove 78 Music and Sony Songs, Inc.
| 4.5 | 4:29 |
5 | He Wasn't Man Enough | 5 | 4:22 |
6 | Just Be a Man About It | 3.5 | 4:51 |
7 | How Many Ways | | 5:47 |
8 | Breathe Again | 3.5 | 4:30 |
9 | You Mean the World to Me | 5 | 4:47 |
10 | I Belong to You | 4 | 3:55 |
11 | How Could an Angel Break My Heart- assistant recording engineer:
- Kyle Bess, Paul Boutin, Jin Choi, Brad Haehnel, Brandon Harris , Bill Kinsley, Richard Huredia , Jon Shriver and Robbes Steiglitz
- recording engineer:
- Brad Gilderman
- additional programming:
- Randy Walker
- drum machine programming and keyboard programming:
- Babyface
- additional engineer:
- Al Schmitt (strings)
- producer:
- Babyface
- mixer:
- Mick Guzauski
- bass:
- Nathan East
- piano and Rhodes piano:
- Greg Phillinganes
- saxophone:
- Kenny G
- vocals:
- Toni Braxton
- additional conductor:
- Jeremy Lubbock
- strings arranger:
- Jeremy Lubbock
- recorded at:
- Oceanway Recording Studios in Hollywood, United States, The Hit Factory in Manhattan, United States and The TracKen Place in Hollywood, United States
- mixed at:
- Conway Recording Studios in Hollywood, United States
- recording of:
- How Could an Angel Break My Heart
- lyricist and composer:
- Babyface and Toni Braxton
- publisher:
- Braxtoni Music, ECAF Music, Jay Bird Alley Music, Inc., Lady Ashlee, Inc. and Sony/ATV Songs LLC
| 4 | 4:21 |
12 | Un-Break My Heart | 3.95 | 4:31 |
13 | Another Sad Love Song | 4 | 5:02 |
14 | Seven Whole Days | 4 | 6:21 |
15 | I Don't Want To | 5 | 4:18 |
16 | Give U My Heart (album radio edit) | | 4:00 |