Quartet: Original Motion Picture Soundtrack

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1La traviata, Act II: Libiamo ne’lieti calici (Brindisi) (instrumental Version)
engineer:
Lars C Bruun
producer, mixer and editor:
James Morgan (conductor, Pochin collaborator) and Juliette Pochin
orchestra:
Danish National Chamber Orchestra
conductor:
James Morgan (conductor, Pochin collaborator)
instrumental recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi2:42
2Wilf’s Descent
recording engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
miscellaneous support:
Colin Rae (task: score preparation), Maggie Rodford (task: score co-ordinator) and Hilary Skewes (task: orchestra contractor)
assistant engineer:
Jez Murphy
producer:
Dario Marianelli (Italian score composer)
solo piano:
Dario Marianelli (Italian score composer)
orchestra:
London Session Musicians
conductor:
Dario Marianelli (Italian score composer)
orchestrator:
Dario Marianelli (Italian score composer)
concertmaster:
Rolf Wilson (violinist)
recorded at and mixed at:
Angel Studios in Kingston upon Hull
recording of:
Wilf’s Descent
composer:
Dario Marianelli (Italian score composer)
Dario Marianelli0:55
3An Sylvia, D. 891 (op. 106 №4)
piano:
Karl Engel (pianist)
baritone vocals:
Hermann Prey (baritone)
recording of:
An Sylvia, D. 891 (for voice and piano)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Franz Schubert (composer) (in 1826)
translator:
Eduard von Bauernfeld (Austrian dramatist)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert2:41
4Rigoletto, Act III: La donna è mobile
engineer:
Lars C Bruun
producer, mixer and editor:
James Morgan (conductor, Pochin collaborator) and Juliette Pochin
orchestra:
Danish National Chamber Orchestra
conductor:
James Morgan (conductor, Pochin collaborator)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:43
5The Mikado: The Flowers That Bloom in the Spring, Tra La
choir vocals:
D'Oyly Carte Opera Chorus
soprano vocals:
Valerie Masterson (soprano)
vocals:
Peggy Ann Jones, John Reed (Actor, Member of the D'Oyly Carte Opera Company.), Kenneth Sandford and Colin Wright
orchestra:
Royal Philharmonic Orchestra
conductor:
Royston Nash
recorded at:
Decca Studios in West Hampstead (from 1973-01-10 until 1973-01-15)
recording of:
The Mikado: Act II, no. 20, “The Flowers That Bloom In the Spring” (Nanki-Pooh, Ko-Ko, Yum-Yum, Pitti-Sing, and Pooh-Bah)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
Gilbert & Sullivan1:41
6Jean Arrives
recording engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
miscellaneous support:
Colin Rae (task: score preparation), Maggie Rodford (task: score co-ordinator) and Hilary Skewes (task: orchestra contractor)
assistant engineer:
Jez Murphy
producer:
Dario Marianelli (Italian score composer)
solo piano:
Dario Marianelli (Italian score composer)
orchestra:
London Session Musicians
conductor:
Dario Marianelli (Italian score composer)
orchestrator:
Dario Marianelli (Italian score composer)
concertmaster:
Rolf Wilson (violinist)
recorded at and mixed at:
Angel Studios in Kingston upon Hull
recording of:
Jean Arrives
composer:
Dario Marianelli (Italian score composer)
Dario Marianelli0:58
7Le carnaval des animaux: Le cygne
cello:
Christopher van Kampen (in 1980-03)
piano:
Cristina Ortiz (pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London) (in 1980-03)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:50
8The Mikado: So Please You, Sir, We Much Regret
choir vocals:
D'Oyly Carte Opera Chorus
vocals:
Peggy Ann Jones, Valerie Masterson (soprano), Kenneth Sandford and Pauline Wales
orchestra:
Royal Philharmonic Orchestra
conductor:
Royston Nash
recorded at:
Decca Studios in West Hampstead (from 1973-01-10 until 1973-01-15)
recording of:
The Mikado: Act I, no. 8, “So Please You Sir, We Much Regret” (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah, and Girls)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act I
Gilbert & Sullivan2:04
9String Quintet in E major, op. 13 №5: Minuet
orchestra:
Stuttgarter Kammerorchester
conductor:
Karl Münchinger (German conductor)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
composer:
Luigi Boccherini (composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
Luigi Boccherini2:51
10Not Upset
recording engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
miscellaneous support:
Colin Rae (task: score preparation), Maggie Rodford (task: score co-ordinator) and Hilary Skewes (task: orchestra contractor)
assistant engineer:
Jez Murphy
producer:
Dario Marianelli (Italian score composer)
solo piano:
Dario Marianelli (Italian score composer)
orchestra:
London Session Musicians
conductor:
Dario Marianelli (Italian score composer)
orchestrator:
Dario Marianelli (Italian score composer)
concertmaster:
Rolf Wilson (violinist)
recorded at and mixed at:
Angel Studios in Kingston upon Hull
recording of:
Not Upset
composer:
Dario Marianelli (Italian score composer)
Dario Marianelli2:13
11Symphony №100 in G major, Hob. I:100 “Military”: III. Menuet (Moderato)
producer:
James Mallinson (producer)
orchestra:
Philharmonia Hungarica (in 1972-06)
conductor:
Antal Doráti (conductor) (in 1972-06)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
St. Bonifatius Kirche in Marl (in 1972-06)
recording of:
Symphony no. 100 in G major, Hob. I:100 "Military": III. Menuetto & Trio. Moderato (in 1972-06)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 100 in G major, Hob. I:100 "Military"
Joseph Haydn5:22
12String Quartet in B-flat major, Hob. III:77, op. 76 №4 “Sunrise”: I. Allegro con spirito
string quartet:
Takács Quartet
recording of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise": I. Allegro con spirito
composer:
Joseph Haydn (composer)
part of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise"
Joseph Haydn8:18
13String Quartet in B-flat major, Hob. III:77, op. 76 №4 “Sunrise”: II. Adagio
string quartet:
Takács Quartet
recording of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise": II. Adagio
composer:
Joseph Haydn (composer)
part of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise"
Joseph Haydn6:06
14String Quartet in B-flat major, Hob. III:77, op. 76 №4 “Sunrise”: III. Menuetto (Allegro)
string quartet:
Takács Quartet
recording of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise": III. Menuet. Allegro
composer:
Joseph Haydn (composer)
part of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise"
Joseph Haydn4:12
15String Quartet in B-flat major, Hob. III:77, op. 76 №4 “Sunrise”: IV. Finale (Allegro ma non troppo)
string quartet:
Takács Quartet
recording of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise": IV. Finale. Allegro ma non troppo
composer:
Joseph Haydn (composer)
part of:
String Quartet in B-flat major, op. 76 no. 4, Hob. III:78 "Sunrise"
Joseph Haydn4:19
16The Mikado: On a Tree By a River a Little Tom Tit
vocals:
John Reed (Actor, Member of the D'Oyly Carte Opera Company.)
orchestra:
Royal Philharmonic Orchestra
conductor:
Royston Nash
recorded at:
Decca Studios in West Hampstead (from 1973-01-10 until 1973-01-15)
recording of:
The Mikado: Act II, no. 22, “On a Tree by a River” (Ko-Ko) (willow, tit-willow)
lyricist:
W.S. Gilbert (librettist)
composer:
Arthur Sullivan (composer)
part of:
The Mikado: Act II
Gilbert & Sullivan2:27
17Rigoletto: “Gualtier Maldè ... Caro nome...”
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Ceprano] and bass vocals [Ceprano]:
Dirk Sagemüller (baritone) (in 1979-09)
baritone vocals [Marullo]:
Luigi De Corato (baritone) (in 1979-09)
choir vocals:
Chor der Wiener Staatsoper
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1980)
soprano vocals [Gilda]:
Ileana Cotrubaș (Romanian soprano) (in 1979-09)
tenor vocals [Borsa]:
Walter Gullino (tenor) (in 1979-09)
orchestra:
Wiener Philharmoniker (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09, in 1980)
balance engineer:
Hans-Peter Schweigmann (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1979-09)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1980)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
Giuseppe Verdi6:23
18Il barbiere di Siviglia: №16 Terzetto “Ah! Qual colpo inaspettato!”
baritone vocals [Figaro]:
Renato Capecchi (baritone)
soprano vocals [Rosina]:
Gianna D’Angelo (soprano)
tenor vocals [Conte]:
Nicola Monti (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Bruno Bartoletti (conductor)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:40
19Are You Havin' Any Fun?
recording engineer:
Martin Trevis
producer and editor:
Yann McCullough (engineer, composer)
piano:
Léon Charles
trumpet:
Ronnie Hughes
vocals:
David Ryall and Trevor Peacock
recording of:
Are You Havin’ Any Fun
lyricist:
Jack Yellen
composer:
Sammy Fain
Trevor Peacok, David Ryall, Léon Charles & Ronnie Hughes2:15
20Over My Dead Body
recording engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
miscellaneous support:
Colin Rae (task: score preparation), Maggie Rodford (task: score co-ordinator) and Hilary Skewes (task: orchestra contractor)
assistant engineer:
Jez Murphy
producer:
Dario Marianelli (Italian score composer)
solo piano:
Dario Marianelli (Italian score composer)
orchestra:
London Session Musicians
conductor:
Dario Marianelli (Italian score composer)
orchestrator:
Dario Marianelli (Italian score composer)
concertmaster:
Rolf Wilson (violinist)
recorded at and mixed at:
Angel Studios in Kingston upon Hull
recording of:
Over My Dead Body
composer:
Dario Marianelli (Italian score composer)
Dario Marianelli1:02
21Toccata and Fugue in D minor, BWV 565: Fugue
cello:
John Heley (cellist)
viola:
Graeme Scott (viola player)
vocals:
Ita Herbert (actress) and Léon Charles
conductor:
John Georgiadis
arranger:
Ferruccio Busoni and John Georgiadis
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
Johann Sebastian Bach1:57
22La traviata, Act I: “Libiamo ne’lieti calici” (Brindisi)
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London) (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi2:52
23Tosca: “Vissi d’arte, vissi d’amore”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:19
24Rigoletto: “Bella figlia dell’amore”
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone)
mezzo-soprano vocals [Maddalena]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals [Gilda]:
Joan Sutherland (soprano)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:00

Credits

Release

photography:Kerry Brown (NZ photographer)
executive producer:Finola Dwyer
Dustin Hoffman
mastering:Barry Grint (mastering engineer)
mastered at:Alchemy Mastering in London (Greater London)
ASIN:US: B00A1EOC22 [info]