The History of Pop 1950-1954

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
1Here in My Heart
vocals:
Al Martino (singer & actor)
conductor:
Monty Kelly
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
recording of:
Here in My Heart
writer:
Bill Borrelli (writer “Here in My Heart”), Pat Genaro (Songwriter) and Lou Levinson (writer “Here in My Heart”)
publisher:
Algonquin Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) and Mellin Music
Al Martino3:05
2Mona Lisa
cover recording of:
Mona Lisa
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 23)
Nat King Cole3:28
3I'll Always Love You
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Dick Stabile and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
Dean Martin2:36
4Tennessee Waltz
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Les Paul & Mary Ford3:10
5No Other Love
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1953-05-19)
orchestra:
The Henri René Chorus and Orchestra (in 1953)
recording of:
No Other Love (on 1953-05-19)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
composer:
Richard Rodgers (composer) (from 1952 until 1953)
version of:
Beneath the Southern Cross (Victory at Sea)
Perry Como3:17
6All My Love (Bolero)
Patti Page3:04
7Till I Waltz Again With You
vocals:
Teresa Brewer
recording of:
’Til I Waltz Again With You
lyricist and composer:
Sidney Prosen (in 1952)
Teresa Brewer3:03
8Sentimental Me
The Ames Brothers3:20
9Be My Love
choir vocals:
The Jeff Alexander Chorus (in 1951)
tenor vocals:
Mario Lanza (tenor) (in 1951)
vocals:
Mario Lanza (tenor) (in 1950)
orchestra:
RCA Victor Orchestra and Ray Sinatra’s Orchestra (in 1950)
conductor:
Ray Sinatra (in 1950)
recording of:
Be My Love (in 1951)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 23rd Academy Award for Best Original Song (number: 2)
Mario Lanza3:34
10Three Coins in the FountainThe Four Aces3:03
11Too Young
recording of:
Too Young
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
Nat King Cole13:27
12Little Things Mean a Lot
conductor:
Jack Pleis (on 1953-12-30)
arranger:
Jack Pleis
recording of:
Little Things Mean a Lot (on 1953-12-30)
lyricist:
Edith Lindeman
composer:
Carl Stutz
Kitty Kallen3:01
13Wish You Were Here
recording of:
Wish You Were Here (1952 song from the musical “Wish You Were Here”)
lyricist and composer:
Harold Rome
publisher:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Wish You Were Here (1952 musical)
Eddie Fisher2:59
14I Can Dream Can't I
solo vocals:
Patti Andrews (on 1949-07-15)
vocals:
The Andrews Sisters
orchestra:
Gordon Jenkins & His Orchestra (on 1949-07-15)
conductor:
Gordon Jenkins (on 1949-07-15)
cover recording of:
I Can Dream, Can’t I (on 1949-07-15)
orchestrator:
Billy May
lyricist:
Irving Kahal
composer:
Sammy Fain
publisher:
Chappell & Co., Inc. (USA), Fain Music Company, Redwood Music Ltd. (Carlin), The New Irving Kahal Music Company (Different publisher then "New Irving Kahal Music") and Mario Music Corp. (on 1937-11-13)
The Andrews Sisters2:42
15Goodnight Irene
recording of:
Goodnight Irene
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ledbetter and John A. Lomax
publisher:
Lodlow Music, Spencer Music Corp., TRO-Ludlow Music, Inc. and Tyler Music Ltd.
part of:
Roud Folk Song Index (number: 11681)
translated version of:
Godnatt Irene
The Weavers3:24
16Blue Tango
Ray Anthony und sein Orchester3:12
17Do Not Forsake Me
Tex Ritter2:30
18I Don't Hurt Anymore
recording of:
I Don’t Hurt Anymore (on 1953-12-16)
writer:
Don Robertson (“Happy Whistler” songwriter) and Jack Rollins
Hank Snow2:58
19The Cry of the Wild Goose
recording of:
The Cry of the Wild Goose
lyricist and composer:
Terry Gilkyson
Tennessee Ernie Ford3:15
20Jambalaya (On the Bayou)
recording of:
Jambalaya (On the Bayou) (on 1952-06-13)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1952-07-28)
Hank Williams42:56
21I Wanna Play House With You
recording of:
I Wanna Play House With You (on 1951-04-18)
lyricist, writer and composer:
Cy Coben
Eddy Arnold2:11
CD 2
#TitleArtistRatingLength
1Hello Young Lovers
recording of:
Hello, Young Lovers (The King and I)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd.
part of:
The King and I (Rodgers & Hammerstein musical)
Perry Como2:48
2Mockingbird Hill
Patti Page2:39
3Unforgettable
recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole3:29
4Just a Gigolo
Jaye P. Morgan2:32
5Sway
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (in 1952)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin42:44
6My Old Flame
Rosemary Clooney3:13
7When You're Mine
Al Martino2:07
8The Wheel of FortuneSunny Gale3:05
9Dear Hearts and Gentle People
recorded in:
Hollywood, United States (on 1949-10-26)
lead vocals:
Bing Crosby (on 1949-10-26)
vocals:
Jud Conlon’s Rhythmaires (on 1949-10-26)
orchestra:
Perry Botkin’s String Band (on 1949-10-26)
conductor:
Perry Botkin (on 1949-10-26)
recording of:
Dear Hearts and Gentle People (on 1949-10-26)
lyricist:
Bob Hilliard
composer:
Sammy Fain
Bing Crosby2:42
10Green Eyes
Helen O’Connell2:02
11Don't Let the Stars Get in Your Eyes
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1952, on 1952-11-04), The Ramblers (backup vocalists for two Perry Como singles) (in 1952) and The Ramblers (US doo wop group, tracks "So Sad", "Come On Back") (on 1952-11-04)
orchestra:
Hugo Winterhalter and His Orchestra (in 1952) and Hugo Winterhalter & His Orchestra (on 1952-11-04)
recording of:
Don’t Let the Stars Get in Your Eyes (on 1952-11-04)
lyricist and composer:
Slim Willet
Perry Como42:46
12Kiss of Fire (El Choclo)
Georgia Gibbs2:32
13How High the Moon
recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Les Paul & Mary Ford2:09
14Ain't That a Shame
sound engineer:
Ron McMaster (US mastering & cutting engineer)
audio engineer:
Dieter Dirks (German audio engineer) (on 1977-03-20), Martin Rushent (on 1977-03-20) and Peter Wolsey (German audio engineer) (on 1977-03-20)
producer:
Tim Read (producer) (in 1977-03) and Martin Rushent (in 1977-03)
baritone saxophone:
Roger Lewis (Sax Player - Dirty Dozen Brass Band) (on 1977-03-20)
bass guitar:
Carlton MacWilliams (guitar player) (on 1977-03-20)
drums (drum set):
Joseph 'Smokey' Johnson (on 1977-03-20)
guitar:
David 'Mountain Man' Douglas (guitar) (on 1977-03-20) and Roy Montrell (on 1977-03-20)
piano and lead vocals:
Fats Domino (on 1977-03-20)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1977-03-20), Fred 'Shorty' Kemp (on 1977-03-20) and Walter 'Gorilla' Kimble (sax player) (on 1977-03-20)
trumpet:
Dave Bartholomew (on 1977-03-20) and Thomas 'Mack' Johnson (trumpet player) (on 1977-03-20)
conductor:
Dave Bartholomew (on 1977-03-20)
phonographic copyright (℗) by:
United Artists Records Ltd. (from 1977 to present)
recorded at:
Deutsches Museum in München (on 1977-03-20)
mixed at:
Advision Studios in Fitzrovia (in 1977)
engineered at:
EMI Americas Studios in Hollywood, United States (in 1977)
live recording of:
Ain’t That a Shame (on 1977-03-20)
writer:
Antoine Domino and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
recording of:
Ain’t That a Shame
writer:
Antoine Domino and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino2:32
15Rag Mop
The Ames Brothers2:41
16Chattanoogie Shoe Shine Boy
guitar:
with instrumental accompaniment (country/rockabilly guitarist) (on 1949-11-08)
solo vocals:
Red Foley (US country music musician) (on 1949-11-08)
vocals:
The Jordanaires (on 1949-11-08)
recording of:
Chattanoogie Shoe Shine Boy (Jack Stap didn't actually write "Chattanoogie Shoe Shine Boy" but is credited for it.) (on 1949-11-07)
writer:
Jack Stapp and Harry Stone (US songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1950-01-11)
Red Foley2:50
17Sh-Boom (Life Could Be a Dream)
cover recording of:
Sh‐Boom
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:49
18I'm Movin' On
recorded in:
Nashville, United States (on 1950-03-28)
double bass and double bass [bass]:
Ernie Newton (contrabassist) (on 1950-03-28)
fiddle:
Tommy Vaden (US country fiddler) (on 1950-03-28)
guitar:
Hank Snow (on 1950-03-28)
guitar [rhythm guitar]:
Jack Shook (on 1950-03-28)
steel guitar:
Joe Talbot (Steel guitar player and music industry executive) (on 1950-03-28)
vocals:
Hank Snow (on 1950-03-28)
recording of:
I’m Moving On (on 1950-03-28)
lyricist and composer:
Hank Snow
publisher:
Hill and Range Songs, Inc. and Unichappell Music, Inc.
Hank Snow2:51
19Kaw-Liga
recording of:
Kaw‐Liga (on 1952-09-23)
lyricist and composer:
Fred Rose (songwriter) and Hank Williams (country music legend)
publisher:
Milene Music. Inc (ASCAP) (on 1952-12-02)
Hank Williams2:37
20Indian Love Call
Slim Whitman3:21
21Wild Side of Life
Hank Thompson2:59
22Shotgun Boogie
acoustic guitar:
Eddie Kirk (US country singer/songwriter) (on 1950-07-27)
double bass [bass]:
Cliffie Stone (on 1950-07-27)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1950-07-27)
electric guitar:
Jimmy Bryant (country music guitarist & composer) (on 1950-07-27)
fiddle:
Harold Hensley (on 1950-07-27)
piano:
Billy Liebert (on 1950-07-27)
steel guitar:
Wesley Speedy West (on 1950-07-27)
vocals:
Tennessee Ernie Ford (on 1950-07-27)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recorded at:
Capitol Studios (1949–1956) in Hollywood, United States (on 1950-07-27)
recording of:
Shotgun Boogie (on 1950-07-27)
lyricist and composer:
Tennessee Ernie Ford
publisher:
Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford2:37
23Goin' Home
recording of:
Goin’ Home (from 1951-11 until 1952-01)
writer:
Antoine Dominique Domino and Al Young (US songwriter & arranger)
Fats Domino42:14
24Auf Wiederseh'n Sweetheart
vocals:
Vera Lynn
conductor:
Roland Shaw (composer)
performer:
members of H M Forces
recording of:
Auf Wiederseh’n Sweetheart
lyricist and composer:
Eberhard Storch
translator:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
publisher:
Corso Editions
arrangement of:
Auf Wiederseh’n
Vera Lynn2:37

Credits

Release group

part of:The History of Pop (Reader’s Digest) (number: 1950-1954) (order: 1)