The Great Nat King Cole

~ Release by Nat King Cole (see all versions of this release, 1 available)

Annotation

three jewel-cased discs in a box

Annotation last modified on 2023-05-03 12:51 UTC.

Tracklist

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▼ CD 1
#TitleRatingLength
1Sweet Lorraine
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-12-15)
cover recording of:
Sweet Lorraine (on 1943-12-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:12
2It's Only a Paper Moon
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
instruments:
The Nat King Cole Trio (in 1943)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (in 1943, on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-12-15)
cover recording of:
It’s Only a Paper Moon (on 1943-12-15)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
recording of:
It’s Only a Paper Moon (in 1943)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:57
3I Just Can't See for Lookin’
double bass:
Red Callender (on 1943-12-15) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (on 1943-12-15)
writer:
Nadine Robinson and Dok Stanford
3:09
4Embraceable You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-12-15)
instrumental cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:25
5Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
52:35
6Jumpin’ at Capitol
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-11-30)
recording of:
Jumpin’ at Capitol (on 1943-11-30)
composer:
Nadine Robinson
2:29
7If You Can't Smile and Say Yes
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-11-30)
recording of:
If You Can’t Smile and Say Yes (on 1943-11-30)
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Timmie Rogers
3:07
8Gee Baby, Ain’t I Good to You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1943-11-30)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:58
9Got a Penny
recorded in:
Los Angeles, United States (on 1943-11-02)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-02)
guitar:
Oscar Moore (on 1943-11-02)
piano:
Nat King Cole (on 1943-11-02)
vocals:
Nat King Cole (on 1943-11-02)
recording of:
Got a Penny (on 1943-11-02)
writer:
Henry May and Robert Scherman
publisher:
St. James Music
2:34
10Vom, Vim, Veedle
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1942-10-11)
recording of:
Vom, Vim, Veedle (on 1942-10-11)
writer:
Frankie “Half Pint” Jaxon and Robert Scherman
2:59
11All for You
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1942-10-11)
recording of:
All for You (on 1942-10-11)
lyricist and composer:
Robert Scherman
recording of:
All for You (in 1942)
lyricist and composer:
Robert Scherman
3:24
12That Ain’t Right
recorded in:
New York, United States (on 1941-10-22)
bass and double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22) and Oscar Moore (on 1941-10-22)
recording of:
That Ain't Right (on 1941-10-22)
lyricist and composer:
Nat King Cole and Irving Mills
3:17
13Hit the Jive Jack
recorded in:
New York, United States (on 1941-10-22)
double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22) and Oscar Moore (on 1941-10-22)
performer:
The Nat King Cole Trio (on 1941-10-22)
recording of:
Hit That Jive Jack (on 1941-10-22)
writer:
John Alston and Skeets Tolbert
2:59
14Call the Police
double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22) and Oscar Moore (on 1941-10-22)
3:17
15Are You Fer It?
double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22)
recording of:
Are You Fer It (on 1941-10-22)
writer:
Nat King Cole and Carl Sigman
3:10
16This Will Make You Laugh
double bass:
Wesley Prince (on 1941-07-16)
guitar:
Oscar Moore (on 1941-07-16)
piano:
Nat King Cole (on 1941-07-16)
vocals:
Nat King Cole (on 1941-07-16)
recording of:
This Will Make You Laugh (on 1941-07-16)
lyricist and composer:
Irene Higginbotham
3:17
17Stop! The Red Light's On
double bass:
Wesley Prince (on 1941-07-16)
guitar:
Oscar Moore (on 1941-07-16)
piano:
Nat King Cole (on 1941-07-16)
vocals:
Nat King Cole (on 1941-07-16)
recording of:
Stop! The Red Light's On (on 1941-07-16)
writer:
Taps Miller
2:39
18I Like To Riff
double bass:
Wesley Prince (on 1941-07-16)
guitar:
Oscar Moore (on 1941-07-16)
piano:
Nat King Cole (on 1941-07-16)
vocals:
Nat King Cole (on 1941-07-16)
recording of:
I Like To Riff (on 1941-07-16)
lyricist and composer:
Nat King Cole
2:53
▼ CD 2
#TitleRatingLength
1When I Take My Sugar to Tea
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-06)
guitar:
Oscar Moore (on 1947-08-06)
piano:
Nat King Cole (on 1947-08-06)
vocals:
Nat King Cole (on 1947-08-06)
recorded at:
RKO-Pathe Studio in New York, United States (on 1947-08-06)
recording of:
When I Take My Sugar to Tea (on 1947-08-06)
composer:
Pierre Norman Connor, Sammy Fain and Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:25
2For Sentimental Reasons
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-08-22)
guitar:
Oscar Moore (on 1946-08-22)
piano:
Nat King Cole (on 1946-08-22)
vocals:
Nat King Cole (on 1946-08-22)
performer:
The Nat King Cole Trio (on 1946-08-22)
recorded at:
WMCA Studios in New York, United States (on 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (on 1946-08-22)
lyricist:
Ivory “Deek” Watson
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
42:54
3(Get Your Kicks on) Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Burke-Van Heusen, Inc. (on 1946-04-22)
3:02
4Loan Me Two Till Tuesday
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-12-04)
guitar:
Oscar Moore (on 1945-12-04)
piano:
Nat King Cole (on 1945-12-04)
vocals:
Nat King Cole (on 1945-12-04)
recorded at:
WMCA Studios in New York, United States (on 1945-12-04)
recording of:
Loan Me Two Till Tuesday (on 1945-12-04)
lyricist and composer:
Taps Miller
2:38
5This Way Out
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, United States (on 1945-10-18)
recording of:
This Way Out (instrumental) (on 1945-10-18)
composer:
Nat King Cole (in 1945)
3:00
6I’m an Errand Boy for Rhythm
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
vocals:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, United States (on 1945-10-18)
recording of:
I'm an Errand Boy for Rhythm (on 1945-10-18)
lyricist and composer:
Nat King Cole
2:19
7Homeward Bound
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-18)
guitar:
Oscar Moore (on 1945-10-18)
piano:
Nat King Cole (on 1945-10-18)
vocals:
Nat King Cole (on 1945-10-18)
recorded at:
WMCA Studios in New York, United States (on 1945-10-18)
recording of:
Homeward Bound (on 1945-10-18)
lyricist and composer:
Leonard Feather
3:12
8Frim Fram Sauce
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-11)
guitar:
Oscar Moore (on 1945-10-11)
piano:
Nat King Cole (on 1945-10-11)
vocals:
Nat King Cole (on 1945-10-11)
recorded at:
WMCA Studios in New York, United States (on 1945-10-11)
recording of:
The Frim‐Fram Sauce (on 1945-10-11)
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:18
9Come to Baby Do
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-10-11)
guitar:
Oscar Moore (on 1945-10-11)
piano:
Nat King Cole (on 1945-10-11)
vocals:
Nat King Cole (on 1945-10-11)
recorded at:
WMCA Studios in New York, United States (on 1945-10-11)
recording of:
Come to Baby, Do (on 1945-10-11)
writer:
Inez James and Sidney Miller (songwriter, director and actor)
3:05
10Sweet Georgia Brown
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-05-23)
instrumental cover recording of:
Sweet Georgia Brown (on 1945-05-23)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:19
11I Tho’t You Ought to Know
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
vocals:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-05-23)
recording of:
I Tho’t You Ought to Know (on 1945-05-23)
writer:
Cecil Carter and Thomas C. Dilbeck
2:53
12It Only Happens Once
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
vocals:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-05-23)
recording of:
It Only Happens Once (on 1945-05-23)
lyricist and composer:
Frankie Laine
2:56
13Barcarolle
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-23)
guitar:
Oscar Moore (on 1945-05-23)
piano:
Nat King Cole (on 1945-05-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-05-23)
recording of:
Les Contes d’Hoffmann: Barcarolle (catch-all for arrangements) (on 1945-05-23)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
3:06
14You’re Nobody Till Somebody Loves You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (on 1945-05-19)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:51
15I’m Thru With Love
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-05-19)
recording of:
I’m Thru With Love (on 1945-05-19)
lyricist:
Gus Kahn
composer:
Fud Livingston and Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (on 1931-04-17)
2:57
16Don't Blame Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-05-19)
recording of:
Don’t Blame Me (on 1945-05-19)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:24
17Katusha
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-04-13)
recording of:
Katusha (on 1945-04-13)
writer:
Lou Singer (pianist) and Hy Zaret
composer:
Матвей Блантер (Soviet Jewish composer)
version of:
Катюша («Расцветали яблони и груши, поплыли туманы над рекой, выходила на берег Катюша…»)
2:30
18I’m a Shy Guy
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-04-13)
guitar:
Oscar Moore (on 1945-04-13)
piano:
Nat King Cole (on 1945-04-13)
vocals:
Nat King Cole (on 1945-04-13)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, United States (on 1945-04-13)
recording of:
I’m a Shy Guy (on 1945-04-13)
lyricist and composer:
Nat King Cole
2:55
▼ CD 3
#TitleRatingLength
1Nothing Ever Happens
2:37
2I Realize Now
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1944-03-06)
recording of:
I Realize Now (on 1944-03-06)
writer:
Stanley Cowan (composer, songwriter) and Sidney Miller (songwriter, director and actor)
3:10
3Gone With the Draft
recorded in:
Los Angeles, United States (on 1940-12-06)
bass and double bass:
Wesley Prince (on 1940-12-06)
guitar:
Oscar Moore (on 1940-12-06)
piano:
Nat King Cole (on 1940-12-06)
vocals:
Nat King Cole (on 1940-12-06) and Oscar Moore (on 1940-12-06)
recording of:
Gone With the Draft (on 1940-12-06)
writer:
Nat King Cole, Earl Dramin and Wesley Prince
2:42
4Easy Listening Blues
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1944-03-06)
instrumental recording of:
Easy Listenin' Blues (on 1944-03-06)
composer:
Nadine Robinson (in 1944)
recording of:
Easy Listenin' Blues
composer:
Nadine Robinson (in 1944)
3:10
5Honeysuckle Rose
recorded in:
Los Angeles, United States (on 1940-12-06)
double bass:
Wesley Prince (on 1940-12-06)
guitar:
Oscar Moore (on 1940-12-06)
piano:
Nat King Cole (on 1940-12-06)
instrumental cover recording of:
Honeysuckle Rose (on 1940-12-06)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
2:33
6Look What You’ve Done to Me
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1944-03-06)
recording of:
Look What You’ve Done to Me (on 1944-03-06)
writer:
Con Conrad, Archie Gottler and Sidney Mitchell
3:04
7Babs
recorded in:
Chicago, United States (on 1941-03-14)
bass and double bass:
Wesley Prince (on 1941-03-14)
guitar:
Oscar Moore (on 1941-03-14)
piano:
Nat King Cole (on 1941-03-14)
vocals:
Nat King Cole (on 1941-03-14) and Oscar Moore (on 1941-03-14)
cover recording of:
Babs (on 1941-03-14)
writer:
Fred Ahlert and Joe Young (US lyricist)
2:25
8Hit the Ramp
3:23
9Scotchin’ With the Soda
recorded in:
Chicago, United States (on 1941-03-14)
double bass:
Wesley Prince (on 1941-03-14)
guitar:
Oscar Moore (on 1941-03-14)
piano:
Nat King Cole (on 1941-03-14)
vocals:
Nat King Cole (on 1941-03-14) and Oscar Moore (on 1941-03-14)
recording of:
Scotchin’ With the Soda (on 1941-03-14)
writer:
W. Jack Riley
2:31
10What Cha Doin’ to My Heart
1:37
11Slow Down
double bass:
Wesley Prince (on 1941-03-14)
guitar:
Oscar Moore (on 1941-03-14)
piano:
Nat King Cole (on 1941-03-14)
vocals:
Nat King Cole (on 1941-03-14)
3:08
12Bring Another Drink
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-11-28)
guitar:
Oscar Moore (on 1944-11-28)
piano:
Nat King Cole (on 1944-11-28)
vocals:
Nat King Cole (on 1944-11-28)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1944-11-28)
recording of:
Bring Another Drink (on 1944-11-28)
writer:
Bob Bell (Three Peppers Guitarist) and Roy Branker
2:22
13The Man I Love
recorded in:
Los Angeles, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1944-01-17)
instrumental cover recording of:
The Man I Love (on 1944-01-17)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
3:22
14Jumpy Jitters
vocals:
Nat King Cole (on 1940-07-22)
1:50
15What Is This Thing Called Love
recorded in:
Los Angeles, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1944-01-17)
instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1944-01-17)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
3:00
16I’m Lost
recorded in:
Los Angeles, United States (on 1943-03-01)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-03-01)
guitar:
Oscar Moore (on 1943-03-01)
piano:
Nat King Cole (on 1943-03-01)
vocals:
Nat King Cole (on 1943-03-01)
recording of:
I’m Lost (on 1943-03-01)
writer:
Otis René
3:09
17After You Get What You Want, You Don't Want It
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-03-06)
guitar:
Oscar Moore (on 1944-03-06)
piano:
Nat King Cole (on 1944-03-06)
vocals:
Nat King Cole (on 1944-03-06)
recorded at:
C. P. MacGregor Studios in Hollywood, United States (on 1944-03-06)
recording of:
After You Get What You Want (You Don’t Want It) (on 1944-03-06)
lyricist and composer:
Irving Berlin
2:48
18This Side Up
recorded in:
Los Angeles, United States (on 1940-12-06)
bass:
Wesley Prince (on 1940-12-06)
guitar:
Oscar Moore (on 1940-12-06)
piano:
Nat King Cole (on 1940-12-06)
instrumental recording of:
This Side Up (on 1940-12-06)
composer:
Nat King Cole
2:46

Credits