Harmony

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1The Four Seasons - Concerto No. 1 "Spring" (III: Allegro)
harpsichord:
Paul Crocker (harpsichord) (in 1979-12)
violin:
Yehudi Menuhin (violinist) (in 1979-12)
orchestra:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios in St John's Wood (in 1979-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1979-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi4:26
2Adagio
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni5:48
3Boléro
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
partial recording of:
Boléro
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:14
4Fur Elise (Lettre A Elise)
piano:
John Ogdon (pianist and composer)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven52:57
5Serenade In G 'Eine Kleine Nachtmusik', K525: I. Allegro
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1976-01 until 1976-10)
conductor:
Sir Neville Marriner (conductor) (from 1976-01 until 1976-10)
recorded at:
Abbey Road Studios in St John's Wood (from 1976-01 until 1976-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (from 1976-01 until 1976-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:54
6Canon
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:59
7Air (From Suite No. 3 In D, BWV 1068)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:31
8Jazz Suite No. 2 - Valse
orchestra:
The Philadelphia Orchestra
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
composer:
Дмитрий Дмитриевич Шостакович (composer)
part of:
Suite for Variety Orchestra
Dmitri Shostakovich3:43
9Morning (Peer Gynt)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:14
10Piano Sonata No. 14 In C Sharp Minor 'Moonlight', Op. 27 No. 2: Adagio Sostenuto
piano:
Dame Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1991)
partial recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven3:54
11Gymnopedie No. 1
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie: Lent et douloureux
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:48
12Clair De Lune
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy4:54
13The Moldau (Vltava) (Extract)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Paavo Berglund (conductor)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana4:58
14Flute And Harp Concerto In C, K.299: II: Andantino
flute:
James Galway (flautist)
harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart3:57
15Ave Maria (Ellens Gesang), D. 839
piano:
Gerald Moore (pianist)
mezzo-soprano vocals:
Janet Baker (mezzo-soprano and alto)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert6:40
16My Heart Will Go On
orchestra:
Orchestra (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
James Horner4:19
17Liebestraum No. 3, In A-flat
piano:
John Ogdon (pianist and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1968)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:28
▼ CD 2
#TitleArtistRatingLength
1Adagio
orchestra:
The Philadelphia Orchestra (in 1957)
conductor:
Eugene Ormandy (conductor) (in 1957)
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:20
2Jesu, Joy Of Man's Desiring (From Cantata No. 147)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:28
3An Die Schonen Blauen Donau Walzer, Op. 314 (extract)
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss3:43
4Piano Concerto No. 21 In C 'Elvira Madigan', K467: II: Andante
piano:
Stephen Hough (pianist)
orchestra:
Hallé Orchestra
conductor:
Bryden Thomson (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
partial recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:18
5Nocture No. 2 In E Flat, Op. 9 No.2
piano:
John Ogdon (pianist and composer)
recording of:
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin5:16
6Symphony No. 9 In E Minor ' New World' Op. 95: II. Largo (Opening)
orchestra:
Oslo Philharmonic Orchestra
conductor:
Mariss Jansons (Latvian conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák4:42
7Cello Suite No. 1 In G, BWV 1007: I: Prelude
producer:
John Fraser (UK producer)
cello:
Paul Tortelier (cellist) (from 1982-04-14 until 1982-04-26)
balance engineer:
Neville Boyling (engineer) (from 1982-04-14 until 1982-04-26)
recorded at:
Temple Church in London (Greater London) (from 1982-04-14 until 1982-04-26)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (from 1982-04-14 until 1982-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach2:25
8Ave Maria
organ:
Philip Ledger
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach3:11
9Sarabande (From Keyboard Suite No. 11 In D Minor) (Opening)
piano:
Andrei Gavrilov (pianist)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
George Frideric Handel2:57
10Concierto de Aranjuez: II: Adagio (Opening)
classical guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1993)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo54:44
11Pavane
flute:
Gareth Morris (British flautist)
orchestra:
Orchestre national de l’ORTF (RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:05
12The Swan (Le Cygne) (Carnival Des Animaux)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (in 1962-07, on 1962-07-21)
harp:
Osian Ellis (Welsh harpist and composer) (in 1962-07, on 1962-07-21)
balance engineer:
Neville Boyling (engineer) (on 1962-07-21)
phonographic copyright (℗) by:
Warner Classics (in 1995) and Warner Music UK Ltd. (not for release label use!) (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1962-07, on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (in 1962-07)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:48
13Clarinet Concerto In A, K. 622: II: Adagio
clarinet:
Karl Leister (German clarinetist)
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart4:34
14Polovtsian Dances (Prince Igor) (Beginning)
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Russian composer)
arranger:
Александр Константинович Глазунов (Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Russian composer)
Alexander Borodin3:48
15Träumerei
piano:
Moura Lympany (British pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:37
16Schindler's List (Theme)
violin:
Tasmin Little (violinist) (in 1994)
orchestra:
New World Symphony and New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
John Williams5:02
17Requiem in D minor, K.626: Lacrimosa
organ:
David Bell (organist)
choir vocals:
London Philharmonic Choir
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Franz Welser‐Möst (conductor)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1990)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz
Wolfgang Amadeus Mozart2:58
18Sir John In Love: Fantasia On 'Greensleeves'
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London) (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:37
19Time To Say Goodbye
conductor:
David Abel (conductor)
instrumental recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Francesco Sartori and Lucio Quarantotto3:57