The Chicago Story: Complete Greatest Hits

~ Release by Chicago (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, United States (strings), Sound Labs, Inc. in Hollywood, United States and Caribou Ranch Recording Studio in Nederland, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
4.353:57
2Hard to Say I’m Sorry
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
cover recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), シンコーミュージック・エンタテイメント, ピアーミュージック (Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部, Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
53:52
3You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
3:50
4Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:45
5Will You Still Love Me?
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Will You Still Love Me? (Chicago song)
writer:
Richard Baskin (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) and Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
MasonMack Music, Inc., MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部, Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) and Young Millionaires Club Music (in 1986)
4:13
6Baby, What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, United States and Sound Labs, Inc. in Hollywood, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
33:06
7Look Away
producer:
Ron Nevison
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recording of:
Look Away (in 1988)
lyricist and composer:
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
54:01
8What Kind of Man Would I Be?
engineer:
Ron Nevison and Chas Sandford
producer:
Chas Sandford
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
What Kind of Man Would I Be? (in 1988)
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) (in 1988), Chas Sandford (in 1988) and Jason Scheff (in 1988)
publisher:
Bobby Caldwell Music, EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, 渡辺音楽出版 CM事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4:15
9I Don’t Wanna Live Without Your Love
assistant engineer:
Nick Basich, Michael Hutchinson, Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Bill Champlin (in 1988)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
I Don't Wanna Live Without Your Love (in 1988)
writer:
Albert Hammond (in 1988) and Diane Warren (US songwriter) (in 1988)
publisher:
Albert Hammond Music, Realsongs and WB Music Corp. (1929–2019)
3:57
10Love Me Tomorrow
recording of:
Love Me Tomorrow
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. and Rondor Music (London) Ltd.
3:58
11Just You ’n’ Me
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera (in 1973-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, United States (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
lyricist:
James Pankow
composer:
James Pankow (in 1973)
publisher:
Moose Music and Big Elk Music (in 1973)
3:42
12Happy Man
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
acoustic guitar:
James William Guercio (from 1973-08 until 1973-12)
bass:
Terry Kath (member of Chicago) (from 1973-08 until 1973-12)
percussion:
Guille Garcia (Cuban-born American percussionist, congas, drummer and singer-songwriter) (from 1973-08 until 1973-12) and Laudir de Oliveira (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, United States (strings) and Caribou Ranch Recording Studio in Nederland, United States (from 1973-08 until 1973-12)
recording of:
Happy Man (from 1973-08 until 1973-12)
lyricist and composer:
Peter Cetera (in 1973)
33:16
13You’re Not Alone
assistant engineer:
Nick Basich, Michael Hutchinson, Stan Katayama, Jeff Poe and Bob Vogt
engineer:
Daren Chadwick, Ron Nevison and Chas Sandford
producer:
Ron Nevison
mixer:
James Guthrie, Chas Sandford and Greg Walsh (producer and engineer)
lead vocals:
Bill Champlin (in 1988)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
You’re Not Alone (in 1988)
writer:
Jimmy Scott (British born songwriter) (in 1988)
publisher:
EMI Virgin Music, Inc.
4:00
14Chasin’ the Wind
recording of:
Chasin' the Wind
writer:
Diane Warren (US songwriter) (in 1991)
publisher:
Realsongs (in 1990)
4:18
15Wishing You Were Here
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
guitar:
James William Guercio (from 1973-08 until 1973-12)
synthesizer:
David Wolinski (from 1973-08 until 1973-12)
background vocals:
Al Jardine (from 1973-08 until 1973-12), Carl Wilson (Beach Boys) (from 1973-08 until 1973-12) and Dennis Wilson (Beach Boys) (from 1973-08 until 1973-12)
lead vocals:
Terry Kath (member of Chicago) (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, United States and Caribou Ranch Recording Studio in Nederland, United States (from 1973-08 until 1973-12)
recording of:
Wishing You Were Here (from 1973-08 until 1973-12)
lyricist and composer:
Peter Cetera (in 1973)
publisher:
Big Elk Music and Polish Prince Music
4:36
16No Tell Lover
engineer:
Jim Boyer (producer/engineer), Lee DeCarlo and Don Gehman
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
mixer:
Jim Boyer (producer/engineer) and Phil Ramone
synthesizer:
Blue Weaver (from 1978-05 until 1978-06)
lead vocals:
Peter Cetera (from 1978-05 until 1978-06)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, United States
recording of:
No Tell Lover (from 1978-05 until 1978-06)
writer:
Peter Cetera (in 1978), Lee Loughnane (in 1978) and Danny Seraphine (in 1978)
publisher:
BMG Songs, Inc., COM Music (in 1978), Polish Prince Music (in 1978) and Street Sense Music (in 1978)
4:14
17(I’ve Been) Searchin’ So Long
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
synthesizer:
David Wolinski (from 1973-08 until 1973-12)
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, United States and Caribou Ranch Recording Studio in Nederland, United States (from 1973-08 until 1973-12)
recording of:
(I’ve Been) Searchin’ So Long (from 1973-08 until 1973-12)
lyricist and composer:
James Pankow (in 1973)
publisher:
Big Elk Music and Make Me Smile Music
54:29
18Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (member of Chicago) (in 1969-08)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
23:02
19You Come to My Senses
additional engineer:
Alex Rodriguez (engineer)
assistant engineer:
Jim Mitchell (engineer) and Jeff Poe
engineer and producer:
Ron Nevison
mixer:
Humberto Gatica
lead vocals:
Jason Scheff (in 1991)
brass arranger:
Lee Loughnane and James Pankow
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
You Come to My Senses (in 1991)
writer:
Tom Kelly (songwriter) (in 1991) and Billy Steinberg (in 1991)
publisher:
Billy Steinberg Music (in 1990) and Denise Barry Music (in 1990)
3:48
20We Can Last Forever
recording of:
We Can Last Forever
writer:
John Dexter (Songwriter, Producer and A&R executive) and Jason Scheff
publisher:
Irving Music, Inc., Jason Scheff Music and Texascity Music
3:44
▼ CD 2
#TitleArtistRatingLength
125 or 6 to 4
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
lead vocals:
Peter Cetera (in 1969-08)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
Chicago4:50
2Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, United States (from 1971-09-20 until 1971-09-29)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
Chicago43:55
3Questions 67 & 68
recording of:
Questions 67 & 68
lyricist and composer:
Robert Lamm
Chicago Transit Authority4:53
4I’m a Man
engineer:
Fred Catero
producer:
James William Guercio
recorded at and mixed at:
Columbia Studios in New York, United States (in 1969-01)
cover recording of:
I’m a Man (in 1969-01)
writer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Chicago Transit Authority5:43
5Stay the Night
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Stay the Night (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago43:50
6Only You
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recording of:
Only You (in 1984)
writer:
David Foster (Canadian music producer, arranger and composer) (in 1984) and James Pankow (in 1984)
publisher:
Island Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Foster Frees Music Inc. (in 1984) and Make Me Smile Music (in 1984)
Chicago3:54
7Dialogue, Parts I & II
recording of:
Dialogue
lyricist and composer:
Robert Lamm
publisher:
Big Elk Music and Lamminations Music
Chicago5:01
8Old Days
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
lead vocals:
Peter Cetera (in 1975)
orchestrator:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, United States (in 1974-09)
recording of:
Old Days (in 1974-09)
writer:
James Pankow (in 1975)
publisher:
Big Elk Music and Make Me Smile Music
Chicago3.53:31
9Beginnings
engineer:
Fred Catero
producer:
James William Guercio
recorded at and mixed at:
Columbia Studios in New York, United States (in 1969-01)
recording of:
Beginnings (in 1969-01)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Lamminations Music
Chicago Transit Authority6:27
10Lowdown
recording engineer:
Willie Greer (in 1970-11) and Lou Waxman (in 1970-11)
engineer:
Donald Puluse and Sy Mitchell
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Columbia Studios in New York, United States (in 1970-11)
recording of:
Lowdown (in 1970-11)
lyricist:
Peter Cetera and Danny Seraphine
composer:
Peter Cetera
publisher:
Balloon Head Music, J.W. Guercio Aurelia Music (Aurelia Music Division), Spirit Two Music Crescendo and Universal Music–MGB Songs
Chicago3:35
11Another Rainy Day in New York City
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
steelpan [steel drums]:
Othello Molineaux (from 1976-03 until 1976-04) and Leroy Williams (US jazz drummer) (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, United States (strings), Sound Labs, Inc. in Hollywood, United States and Caribou Ranch Recording Studio in Nederland, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, United States (from 1976-03 until 1976-04)
recording of:
Another Rainy Day in New York City (from 1976-03 until 1976-04)
lyricist and composer:
Robert Lamm (in 1976)
publisher:
Big Elk Music, Island Music Ltd. and Lamminations Music
Chicago3:01
12Call on Me
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, United States and Caribou Ranch Recording Studio in Nederland, United States (from 1973-08 until 1973-12)
recording of:
Call on Me (from 1973-08 until 1973-12)
lyricist:
Lee Loughnane
composer:
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. and Spirit Music Publishing Ltd.
Chicago4:02
13Feelin’ Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, United States (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
Chicago4:15
14Take Me Back to Chicago
recording of:
Take Me Back to Chicago
lyricist:
Danny Seraphine and David “Hawk” Wolinski
composer:
Danny Seraphine (in 1977) and David “Hawk” Wolinski (in 1977)
publisher:
Balloon Head Music, Big Elk Music and Island Music Ltd.
Chicago2:58
15Sing, Sing, Sing
assistant engineer:
Delwyn Brooks and Robbes Steiglitz (engineer)
engineer:
Erwin Musper and Mike Plotnikoff
producer:
Bruce Fairbairn
mixer:
Erwin Musper
flamenco guitar:
Gipsy Kings (from 1994-12 until 1995-01)
guitar:
Tonino Baliardo (from 1994-12 until 1995-01)
vocals:
Bill Champlin (from 1994-12 until 1995-01), Robert Lamm (from 1994-12 until 1995-01), Nicholas Reyes (from 1994-12 until 1995-01), Patchaï Reyes (from 1994-12 until 1995-01) and Jason Scheff (from 1994-12 until 1995-01)
performer:
Gipsy Kings
brass arranger:
Lee Loughnane
arranger:
Lee Loughnane
vocals arranger:
Gipsy Kings and Lee Loughnane
phonographic copyright (℗) by:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (in 1995)
cover recording of:
Sing, Sing, Sing (With a Swing) (from 1994-12 until 1995-01)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Chicago feat. Gipsy Kings3:21
16Along Comes a Woman
recording of:
Along Comes a Woman
writer:
Peter Cetera (in 1984) and Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) and Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?) (in 1984)
Chicago3:49
17Does Anybody Really Know What Time It Is?
engineer:
Fred Catero
producer:
James William Guercio
recorded at and mixed at:
Columbia Studios in New York, United States (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is?
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music and Spirit Music Publishing Ltd.
Chicago Transit Authority3:20
18Make Me Smile
engineer:
Donald Puluse, Chris Hinshaw and Brian Ross-Myring
producer:
James William Guercio
recording of:
Make Me Smile (in 1969-08)
lyricist and composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. and Moose Music
part of:
Ballet for a Girl in Buchannon
Chicago4:26
19Street Player
producer:
Chicago (American pop rock/jazz fusion band) and Phil Ramone
percussion:
Airto Moreira (percussionist)
synthesizer:
David “Hawk” Wolinski
trumpet:
Maynard Ferguson
edit of:
Street Player (album version) by Chicago (American pop rock/jazz fusion band)
cover recording of:
Street Player
writer:
Danny Seraphine and David “Hawk” Wolinski
Chicago54:23

Credits

Release

manufactured in:Germany
producer:Matthias Bauss
Chicago (American pop rock/jazz fusion band)
David McLees
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
copyrighted (©) by and phonographic copyright (℗) by:Warner Strategic Marketing (in 2002)
Discogs:https://www.discogs.com/release/783727 [info]
ASIN:US: B0000793RA [info]