Kung Fu Panda 2

~ Release by Hans Zimmer and John Powell (see all versions of this release, 2 available)

Annotation

Barcodes, Catalogue Numbers

The medium has the catalogue number “VSD 7092”.

Codes, Numbers, Etc.

Unless otherwise noticed, the following may help to identify this release, however other (not yet listed) sets of that data may match this release as well and should be added below:

Set 1

Added by calestyo.

Medium 1

Matrix Number: CVS 7092.2 P+O-A 624243-A1
Master SID Code: IFPI L963
Mould SID Code: IFPI 3J04
Stamper: none
Other Inscriptions Near The Hub: none
Rights Society (As Printed On The Medium): GEMA
Label Code (As Printed On The Medium): LC 06083

Annotation last modified on 2016-02-05 00:18 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Ancient China / Story of Shen
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Ancient China / Story of Shen
composer:
Paul Mounsey, John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Paul Mounsey2:43
2Dumpling Warrior
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Dumpling Warrior
composer:
Paul Mounsey, John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Paul Mounsey1:19
3Inner Peace
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Inner Peace
composer:
John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer & John Powell2:26
4Musicians Village
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Musicians Village
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe1:20
5Save Kung Fu
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Save Kung Fu
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe3:41
6Daddy Issues
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Daddy Issues
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe4:22
7Stealth Mode
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Stealth Mode
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe4:04
8Gongmen Jail
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Gongmen Jail
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe2:40
9Rickshaw Chase
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Rickshaw Chase (Kung Fu Panda 2)
composer:
Paul Mounsey, John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Paul Mounsey2:36
10Po and Shen / Face to Face
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Po and Shen / Face to Face
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe5:58
11More Cannons!
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
More Cannons!
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe3:00
12Fireworks Factory
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Fireworks Factory
composer:
Dominic Lewis (British score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Dominic Lewis6:49
13Po Finds the Truth
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Po Finds the Truth
composer:
John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer & John Powell5:04
14Invasion Begins
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Invasion Begins
composer:
Dominic Lewis (British score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Dominic Lewis2:37
15Zen Ball Master
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Zen Ball Master
composer:
Lorne Balfe (Scottish score composer), John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer, John Powell & Lorne Balfe7:21
16My Fist Hungers for Justice
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
My Fist Hungers for Justice
composer:
John Powell (English score composer) and Hans Zimmer (German score composer)
publisher:
DWA Songs
Hans Zimmer & John Powell4:55
17Dumpling Warrior (remix)
recording engineer:
Sam Okell (engineer, Abbey Road Studios) and Nick Wollage
assistant engineer:
Tom Bailey (engineer), John Barrett (engineer), Olga FitzRoy, Pete Hutchings, Adam Miller (engineer), Ben Robinson (enginer, musician) and Christian Wenger
producer:
John Powell (English score composer) and Hans Zimmer (German score composer)
assistant mixer:
Greg Vines
mixer:
Alan Meyerson
editor:
David Channing and Adam Smalley
conductor:
Gavin Greenaway
orchestrator:
John Ashton Thomas
mixed at:
Remote Control Productions in Santa Monica, United States
recording of:
Dumpling Warrior (remix)
composer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg), John Powell (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer, John Powell & Junkie XL3:31