Pieces of Eighty-Eight

~ Release by Evans Bradshaw (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Trolley Song
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
instrumental cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1959-01-27)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
5:34
2Mangos
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
instrumental cover recording of:
Mangos (on 1959-01-27)
lyricist:
Sid Wayne
composer:
Dee Libbey
publisher:
Holly-Hill Music Publishing Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント, フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
4:53
3Pushing the Blues
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
recording of:
Pushing the Blues (on 1959-01-27)
composer:
Evans Bradshaw
2:53
4It Ain't Necessarily So
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1959-01-27)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
5:01
5Take the "A" Train
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
cover recording of:
Take the “A” Train (original instrumental version) (on 1959-01-27)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
3:30
6A Foggy Day
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
instrumental cover recording of:
A Foggy Day (in London Town) (on 1959-01-27)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
6:22
7It's All Right With Me
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
instrumental cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1959-01-27)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:14
8Blues for Jim
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
recording of:
Blues for Jim (on 1959-01-27)
composer:
Evans Bradshaw
6:41
9A Night in Tunisia
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Alvin Jackson (on 1959-01-27)
membranophone:
Richard "Pistol" Allen (on 1959-01-27)
piano:
Evans Bradshaw (on 1959-01-27)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-01-27)
cover recording of:
Night in Tunisia (instrumental) (on 1959-01-27)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
2:33

Credits

Release

ASIN:JP: B003DXPME0 [info]