The Complete Riverside Recordings

~ Release by Wes Montgomery (see all versions of this release, 1 available)

Annotation

Label: OJC/Fantasy - Catalog #: 4408 - UPC: 025218440820 - Format: 12CD - Rel: 1993 (US)

Annotation last modified on 2007-03-14 10:34 UTC.

Tracklist

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▼ CD 1
#TitleRatingLength
1'Round Midnight
drums (drum set):
Paul Parker (percussionist) (in 1959-10)
guitar:
Wes Montgomery (in 1959-10)
organ:
Melvin Rhyne (in 1959-10)
instrumental recording of:
’Round Midnight (in 1959-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
4:56
2Satin Doll (alternate take 5)
drums (drum set):
Paul Parker (percussionist) (on 1959-10-05)
guitar:
Wes Montgomery (on 1959-10-05)
organ:
Melvin Rhyne (on 1959-10-05)
instrumental recording of:
Satin Doll (on 1959-10-05)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc and WB Music Corp. (1929–2019)
4:08
3Satin Doll (master take 7)
3:58
4Missile Blues (take 5)
drums (drum set):
Paul Parker (percussionist) (on 1959-10-05)
guitar:
Wes Montgomery (on 1959-10-05)
organ:
Melvin Rhyne (on 1959-10-05)
4:37
5Missile Blues (master take 6)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
drums (drum set):
Paul Parker (percussionist) (on 1959-10-05, on 1963-10-05)
guitar:
Wes Montgomery (on 1959-10-05, on 1963-10-05)
organ:
Melvin Rhyne (on 1959-10-05, on 1963-10-05)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-10-05)
6:03
6Jingles
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
drums (drum set):
Paul Parker (percussionist) (on 1959-10-06)
guitar:
Wes Montgomery (on 1959-10-06)
organ:
Melvin Rhyne (on 1959-10-06)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-10-06)
recording of:
Jingles (on 1959-10-06)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
5:34
7Whisper Not
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
drums (drum set):
Paul Parker (percussionist) (on 1959-10-06)
guitar:
Wes Montgomery (on 1959-10-06)
organ:
Melvin Rhyne (on 1959-10-06)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-10-06)
instrumental recording of:
Whisper Not (on 1959-10-06)
lyricist:
Leonard Feather
composer:
Benny Golson
4:39
8The End of a Love Affair
3:16
9Too Late Now
4:53
10Ecaroh
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
drums (drum set):
Paul Parker (percussionist) (in 1959-10, on 1959-10-05)
guitar:
Wes Montgomery (in 1959-10, on 1959-10-05)
organ:
Melvin Rhyne (in 1959-10, on 1959-10-05)
recorded at:
Reeves Sound Studios in New York, United States (on 1959-10-05)
recording of:
Ecaroh (on 1959-10-05)
writer:
Horace Silver
recording of:
Ecaroh (in 1959-10)
writer:
Horace Silver
2:58
11Yesterdays
3:19
12Airegin
recording of:
Airegin (instrumental)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige (American jazz label) and Prestige Music
4:29
13West Coast Blues
7:24
14Four on Six
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-26)
producer:
Orrin Keepnews
double bass:
Percy Heath (on 1960-01-26)
drums (drum set):
Albert “Tootie” Heath (on 1960-01-26)
guitar:
Wes Montgomery (on 1960-01-26)
piano:
Tommy Flanagan (on 1960-01-26)
recorded at:
Reeves Sound Studios in New York, United States (on 1960-01-26)
recording of:
Four on Six (on 1960-01-26)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
46:18
▼ CD 2
#TitleRatingLength
1D Natural Blues
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-26)
producer:
Orrin Keepnews
double bass:
Percy Heath (on 1960-01-26)
drums (drum set):
Albert “Tootie” Heath (on 1960-01-26)
guitar:
Wes Montgomery (on 1960-01-26)
piano:
Tommy Flanagan (on 1960-01-26)
recorded at:
Reeves Sound Studios in New York, United States (on 1960-01-26)
recording of:
D-Natural Blues (on 1960-01-26)
composer:
Wes Montgomery
3.55:24
2In Your Own Sweet Way
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-26)
producer:
Orrin Keepnews
double bass:
Percy Heath (on 1960-01-26)
drums (drum set):
Albert “Tootie” Heath (on 1960-01-26)
guitar:
Wes Montgomery (on 1960-01-26)
piano:
Tommy Flanagan (on 1960-01-26)
recorded at:
Reeves Sound Studios in New York, United States (on 1960-01-26)
recording of:
In Your Own Sweet Way (on 1960-01-26)
composer:
Dave Brubeck
publisher:
Derry Music
4:54
3Mister Walker
4:35
4Polka Dots and Moonbeams
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-28)
producer:
Orrin Keepnews
double bass:
Percy Heath (on 1960-01-28)
drums (drum set):
Albert “Tootie” Heath (on 1960-01-28)
guitar:
Wes Montgomery (on 1960-01-28)
piano:
Tommy Flanagan (on 1960-01-28)
recorded at:
Reeves Sound Studios in New York, United States (on 1960-01-28)
instrumental recording of:
Polka Dots and Moonbeams (on 1960-01-28)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部
54:45
5Gone With the Wind
6:28
6Sack O'Woe
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
recording of:
Sack o’ Woe (from 1960-01-25 until 1960-01-27)
composer:
Julian Adderley
4:26
7Work Song
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
recording of:
Work Song (original instrumental)
composer:
Nat Adderley
4:15
8Scrambled Egg
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
3:22
9Pretty Memory
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
3:52
10Fallout
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
4:52
11My Heart Stood Still
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Keter Betts (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
My Heart Stood Still (from 1960-01-25 until 1960-01-27)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: File NO Releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
6:26
12Mean to Me
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
Mean to Me (from 1960-01-25 until 1960-01-27)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
5:01
13Violets for Your Furs
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
Violets for Your Furs (from 1960-01-25 until 1960-01-27)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
3:48
14I've Got a Crush on You
recording engineer:
Jack Higgins (recording engineer) (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (US jazz bassist) (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
I’ve Got a Crush on You (from 1960-01-25 until 1960-01-27)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Treasure Girl (1928 musical)
2:55
▼ CD 3
#TitleRatingLength
1Compulsion
6:50
2Terrain
7:47
3Klact-Oveeseds-Tene
10:01
4Ursula
7:07
5West Coast Blues
6:03
6Don't Explain
4:57
7Lolita
8:08
8The Chant
6:37
9Azule Serape
6:27
▼ CD 4
#TitleRatingLength
1Never Will I Marry
8:35
2Yours Is My Heart Alone
6:07
3Au Privave (alternate take 1)
4:28
4Au Privave (master take 2)
3:58
5Tune-Up (master take 4)
4:32
6Tune-Up (alternate take 9)
4:44
7Body and Soul (alternate take 2)
11:22
8Body and Soul (alternate take 4/6)
7:32
9Body and Soul (master take 7)
7:23
10Sandu
3:26
11So Do It! (take 1)
double bass:
Sam Jones (US jazz bassist) (on 1960-10-12)
drums (drum set):
Louis Hayes (on 1960-10-12)
guitar:
Wes Montgomery (on 1960-10-12)
piano:
Victor Feldman (jazz musician) (on 1960-10-12)
tenor saxophone:
James Clay (on 1960-10-12)
6:24
▼ CD 5
#TitleRatingLength
1So Do It! (master take 6)
6:06
2Movin' Along (alternate take 1)
6:41
3Movin' Along (alternate take 4)
6:25
4Movin' Along (master take 5, re-edited)
6:13
5(I Don't Stand a) Ghost of a Chance (With You)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
5:03
6Says You
recording of:
Says You
composer:
Sam Jones (US jazz bassist)
5:02
7Doujie (master take 6)
recording of:
Doujie
composer:
Wes Montgomery (in 1961)
4:37
8Doujie (alternate take 7)
recording of:
Doujie
composer:
Wes Montgomery (in 1961)
4:26
9Just for Now
4:57
10Grooveyard
3:01
11Heart String
4:35
12Remember
5:38
13Delirium
3:37
▼ CD 6
#TitleRatingLength
1Bock to Bock (alternate take 1)
5:38
2Bock to Bock (master take 3)
6:45
3If I Should Lose You (alternate take 2)
producer:
Orrin Keepnews
double bass [bass]:
Monk Montgomery (on 1961-01-03)
drums (drum set):
Bobby Thomas (drums) (on 1961-01-03)
electric guitar [guitar]:
Wes Montgomery (on 1961-01-03)
piano:
Buddy Montgomery (on 1961-01-03)
recorded at:
Plaza Sound Studios in New York, United States (on 1961-01-03)
instrumental recording of:
If I Should Lose You (on 1961-01-03)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
6:14
4If I Should Lose You (master take 4)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass:
Monk Montgomery (on 1961-01-03)
drums (drum set):
Bobby Thomas (drums) (on 1961-01-03)
guitar:
Wes Montgomery (on 1961-01-03)
piano:
Buddy Montgomery (on 1961-01-03)
recorded at:
Plaza Sound Studios in New York, United States (on 1961-01-03)
5:50
5Doujie (take 8)
bass:
Monk Montgomery (on 1961-01-03)
drums (drum set):
Bobby Thomas (drums) (on 1961-01-03)
guitar:
Wes Montgomery (on 1961-01-03)
vibraphone:
Buddy Montgomery (on 1961-01-03)
recorded at:
Plaza Sound Studios in New York, United States (on 1961-01-03)
recording of:
Doujie (on 1961-01-03)
composer:
Wes Montgomery (in 1961)
4:52
6Somethin' Like Bags
4:48
7I'm Just a Lucky So and So
5:57
8Cotton Tail
3:40
9Twisted Blues
5:38
10I Wish I Knew
5:29
11Repetition
congas:
Ray Barretto (on 1961-08-04)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1961-08-04)
drums (drum set):
Lex Humphries (on 1961-08-04)
guitar:
Wes Montgomery (on 1961-08-04)
piano:
Hank Jones (piano) (on 1961-08-04)
recorded at:
Plaza Sound Studios in New York, United States (on 1961-08-04)
recording of:
Repetition (on 1961-08-04)
composer:
Neal Hefti
43:54
12While We're Young
2:16
13One for My Baby (and One More for the Road)
7:41
▼ CD 7
#TitleRatingLength
1Darn That Dream (alternate take 1)
4:12
2Darn That Dream (master take 8)
4:20
3And Then I Wrote
3:18
4Double Deal
3:48
5No Hard Feelings
3:48
6Love Walked In (alternate take 1)
3:40
7Love Walked In (master take 11)
2:12
8Lois Ann
3:11
9Enchanted
3:38
10Love for Sale
3:31
11Stranger in Paradise
producer:
Richard Bock (record producer)
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, United States (on 1958-04-22)
instrumental recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (on 1958-04-22)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
4:51
12Mambo in Chimes (alternate take 1)
4:08
13Mambo in Chimes (master take 11)
2:29
14The Lamp Is Low
2:17
15Blue Roz (alternate take 3)
double bass:
Sam Jones (US jazz bassist) (on 1961-12-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-18)
guitar:
Wes Montgomery (on 1961-12-18)
piano:
Wynton Kelly (on 1961-12-18)
vibraphone:
Milt Jackson (on 1961-12-18)
4:46
16Blue Roz (master take 4)
bass:
Sam Jones (US jazz bassist) (on 1961-12-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-18)
guitar:
Wes Montgomery (on 1961-12-18)
piano:
Wynton Kelly (on 1961-12-18)
vibraphone:
Milt Jackson (on 1961-12-18)
recorded at:
Plaza Sound Studios in New York, United States (on 1961-12-18)
4:47
17Jingles (alternate take 8)
double bass [bass]:
Sam Jones (US jazz bassist) (on 1961-12-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-18)
guitar:
Wes Montgomery (on 1961-12-18)
piano:
Wynton Kelly (on 1961-12-18)
vibraphone:
Milt Jackson (on 1961-12-18)
recorded at:
Plaza Sound Studios in New York, United States (on 1961-12-18)
recording of:
Jingles (on 1961-12-18)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
6:53
18Jingles (master take 9)
double bass:
Sam Jones (US jazz bassist) (on 1961-12-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-18)
guitar:
Wes Montgomery (on 1961-12-18)
piano:
Wynton Kelly (on 1961-12-18)
vibraphone:
Milt Jackson (on 1961-12-18)
recorded at:
Plaza Sound Studios in New York, United States (on 1961-12-18)
recording of:
Jingles (on 1961-12-18)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
6:53
▶ CD 8
▶ CD 9
▶ CD 10
▶ CD 11
▶ CD 12