High Voltage (24-bit 192.0 khz - stereo)

~ Release by The Count Basie Orchestra (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Chicago
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
Chicago (That Toddlin’ Town) (in 1970-01)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
2:48
2Have You Met Miss Jones
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (in 1970-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
2:44
3The Lady is a Tramp
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
The Lady Is a Tramp (from “Babes in Arms”) (in 1970-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:56
4I'm Getting Sentimental over You
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
I’m Getting Sentimental Over You (in 1970-01)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:48
5Bewitched
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 1970-01)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:03
6Day In Day Out
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
Day In, Day Out (in 1970-01)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:37
7Get Me to the Church on Time
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
Get Me to the Church on Time (My Fair Lady) (in 1970-01)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:16
8When Sunny Gets Blue
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
When Sunny Gets Blue (in 1970-01)
lyricist:
Jack Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC
part of:
The Real Book (compilation of jazz standards, Volume I)
3:40
9On the Sunny Side of the Street
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
On the Sunny Side of the Street (in 1970-01)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
2:17
10Together
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
Together (in 1970-01)
lyricist:
Lew Brown (in 1928) and Buddy DeSylva (in 1928)
composer:
Ray Henderson (in 1928)
publisher:
Chappell & Co., Inc. (USA), DeSylva, Brown and Henderson, Inc., Stephen Ballentine Music Publishing Co. and The Songwriters Guild
3:11
11If I Were a Bell
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
If I Were a Bell (Guys and Dolls) (in 1970-01)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
3:08
12I Didn't Know What Time it Was
alto saxophone:
Bill Adkins (in 1970-01) and Jerry Dodgion (in 1970-01)
baritone saxophone:
Cecil Payne (in 1970-01)
bass trombone:
Bill Hughes (trombone) (in 1970-01)
double bass:
George Duvivier (in 1970-01)
drums (drum set):
Harold Jones (jazz drummer) (in 1970-01)
guitar:
Freddie Green (in 1970-01)
piano:
Count Basie (pianist) (in 1970-01)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (in 1970-01)
trombone:
Frank Hooks (in 1970-01), Grover Mitchell (trombone) (in 1970-01) and Buddy Morrow (in 1970-01)
trumpet:
Sonny Cohn (in 1970-01), Gene Goe (in 1970-01), Joe Newman (US jazz trumpeter) (in 1970-01) and Waymon Reed (in 1970-01)
woodwind:
Eric Dixon (woodwind) (in 1970-01)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1970-01)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
2:13

Credits

Release

engineered at:A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, United States (from 1970-01-23 until 1970-01-25)
purchase for download:https://www.qobuz.com/us-en/album/high-voltage-192-khz-the-count-basie-orchestra/4029759115632 [info]

Release group

Wikidata:Q25095247 [info]