The Promised Land

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1The South
Morgan Freeman0:14
2A Change Is Gonna Come
cover recording of:
A Change Is Gonna Come
lyricist and composer:
Sam Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Terence Trent D’Arby4:49
3Movin' On
Tramaine Hawkins3:45
4I Wish I Knew How It Would Feel to Be Free
Dionne Farris3:51
5People Get Ready
Asanté3:53
6Ball of Confusion
Chuck D & Dapper Dan4:03
7Someday We'll All Be Free
Puff Johnson4:38
8The Promised Land
Terence Blanchard4:04
9Dark Was the Night - Cold Was the Ground
recorded in:
Dallas, United States (on 1927-12-03)
guitar and other vocals [humming and moaning]:
Blind Willie Johnson (on 1927-12-03)
vocals:
Blind Willie Johnson (on 1927-12-03)
publisher:
Harmony (20s/30s US)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1999)
recording of:
Dark Was the Night, Cold Was the Ground (on 1927-12-03)
writer:
[traditional] (special purpose artist)
arranger:
Blind Willie Johnson
Blind Willie Johnson3.753:22
10Backwater Blues
recording of:
Backwater Blues
lyricist and composer:
Bessie Smith (Tennessee blues singer) (in 1927)
piano arranger:
James P. Johnson (in 1927)
Bessie Smith3:20
11Sweet Home Chicago
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-23)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-23)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, United States (on 1936-11-23)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
cover recording of:
Sweet Home Chicago (on 1936-11-23)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Paul Rodriguez Music Ltd., Standing Ovation and Encore Music, The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) and Horoscope Music (in 1982)
Robert Johnson43:02
12Black and Blue
recording of:
Black and Blue
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
Louis Armstrong3:02
13East St. Louis Toodle-Oo
alto saxophone:
Edgar Sampson (on 1926-11-29)
banjo:
Fred Guy (on 1926-11-29)
drums (drum set):
Sonny Greer (on 1926-11-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1926-11-29)
reeds:
Otto Hardwick (on 1926-11-26) and Prince Robinson (on 1926-11-29)
saxophone:
Otto Hardwick (on 1926-11-29)
trombone:
Joe Nanton (on 1926-11-29)
trumpet:
Louis Metcalf (on 1926-11-29) and Bubber Miley (on 1926-11-29)
tuba [brass bass]:
Mack Shaw (on 1926-11-29)
recording of:
East St. Louis Toodle‐oo (on 1926-11-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
publisher:
Mills Music, Inc.
Duke Ellington & His Orchestra3:06
14Stampede in G Minor
Count Basie2:46
15God Bless the Child
recording of:
God Bless the Child
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:00
16I'm on My Way
recorded in:
Newport, United States (on 1958-07-06)
producer:
Cal Lampley
bass:
Tom Bryant
organ:
Lilton Mitchell
piano:
Mildred Falls
vocals:
Mahalia Jackson
recording of:
I'm on My Way
writer:
Mahalia Jackson
Mahalia Jackson3:23
17Closing Theme
Terence Blanchard3:02
▼ CD 2
#TitleArtistRatingLength
1Round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis5:56
2My Home Is in the Delta
engineer:
Ron Malo
producer:
Ralph Bass and Willie Dixon
double bass:
Willie Dixon (in 1963-09)
drums (drum set):
Clifton James (in 1963-09)
guitar:
Buddy Guy (in 1963-09) and Muddy Waters (blues musician) (in 1963-09)
vocals:
Muddy Waters (blues musician) (in 1963-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, United States (in 1963-09)
recording of:
My Home Is in the Delta (in 1963-09)
lyricist and composer:
Muddy Waters (blues musician)
publisher:
Arc Music (U.S. rock & blues publisher) and Watertoons Music
Muddy Waters54:01
3Killing Floor
recorded in:
Chicago, United States (in 1964-08)
baritone saxophone and bass saxophone:
Donald Hankins (Saxophonist) (in 1964-08)
bass:
Andrew McMahon (Andrew "Blueblood" McMahon) (in 1964-08)
double bass:
Willie Dixon (in 1964-08)
drums (drum set):
Sam Lay (in 1964-08)
electric bass guitar:
Andrew Palmer (Blues bassist) (in 1964-08)
guitar:
Hubert Sumlin (Chicago blues guitarist and singer) (in 1964-08)
guitar family:
Buddy Guy (in 1964-08) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1964-08)
harmonica and lead vocals:
Howlin’ Wolf (in 1964-08)
piano:
Lafayette Leake (in 1964-08)
tenor saxophone:
Arnold Rogers (Saxophonist) (in 1964-08)
vocals:
Howlin’ Wolf (in 1964-08)
recording of:
Killing Floor (in 1964-08)
lyricist and composer:
Chester Arthur Burnett
Howlin’ Wolf2:52
4Green Onions
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s4.152:54
5Monkey Time
recording of:
The Monkey Time
lyricist and composer:
Curtis Mayfield
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Major Lance2:48
6Hi-Heel Sneakers
recorded in:
Chicago, United States (in 1963)
producer:
Herb Abramson
bass guitar [bass]:
Brenda Lee Jones (in 1963)
guitar:
Dean "Cousin Sugar" Young (in 1963)
organ and piano:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
lyricist and composer:
Robert Higginbotham (blues)
publisher:
Lily Pond Music and Robert Higginbotham Publisher
Tommy Tucker2:52
7Up on the Roof
recorded in:
New York, United States (on 1962-06-28)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1962-06-28)
baritone vocals:
Dock Green (on 1962-06-28)
bass vocals:
Tommy Evans (US r&b bass vocalist for The Drifters) (on 1962-06-28)
lead vocals:
Rudy Lewis (on 1962-06-28)
tenor vocals:
Charlie Thomas (The Drifters) (on 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 2), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 113) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 375)
recording of:
Up on the Roof (on 1962-06-28)
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Drifters52:38
8Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles
bass guitar:
James Jamerson
drums (drum set):
Marvin Gaye
guitar:
Joe Messina, Robert White (US funk/soul guitarist) and Eddie Willis
other instruments [tire iron]:
Ivy Jo Hunter
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
tenor saxophone:
Henry Cosby
trombone:
George Bohanon and Paul Riser
trumpet:
Russell Conway (trumpet player) and Herbert Williams (trumpet player)
background vocals:
Rosalind Ashford, Ivy Jo Hunter, Betty Kelly and William Stevenson (Motown songwriter)
lead vocals:
Martha Reeves
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 130)
recording of:
Dancing in the Street
writer:
Marvin Gaye, Ivy Jo Hunter and William Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Martha Reeves and the Vandellas3.62:41
9Papa's Got a Brand New Bag
producer:
James Brown (The Godfather of Soul)
alto saxophone and organ:
Nat Jones (in 1965-02)
baritone saxophone and tenor trombone:
Maceo Parker (US funk/jazz saxophonist) (in 1965-02)
bass:
Bernard Odum (in 1965-02) and Sam Thomas (US rockabilly artist) (in 1965-02)
guitar:
Jimmy Nolen (in 1965-02)
membranophone:
Melvin Parker (in 1965-02)
tenor saxophone:
Al Brisco Clark (in 1965-02), St. Clair Pinckney (in 1965-02) and Eldee Williams (in 1965-02)
trombone:
Wilmer Milton (in 1965-02) and Levi Rasbury (in 1965-02)
trumpet:
Joe Dupars (in 1965-02) and Ron Tooley (American trumpeter) (in 1965-02)
lead vocals:
James Brown (The Godfather of Soul) (in 1965-02)
performer:
The James Brown Band
recorded at:
Arthur Smith Studios in Charlotte, United States (in 1965-02)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 34) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 72)
partial recording of:
Papa’s Got a Brand New Bag (in 1965-02)
lyricist and composer:
James Brown (The Godfather of Soul)
recording of:
Papa’s Got a Brand New Bag
lyricist and composer:
James Brown (The Godfather of Soul)
James Brown3.652:09
10Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:25
11Stand!
Sly & the Family Stone3:09
12Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.153:01
13Take Me to the River
recording of:
Take Me to the River
writer:
Al Green (US soul singer, songwriter, pastor and record producer) and Mabon Hodges ("Teenie", soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated), Burlington Music, Irving Music, Inc. and JEC Publishing
Al Green4.153:44
14Wake Up Everybody
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (in 1975)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
recorded at:
Sigma Sound Studios in Philadelphia, United States (in 1975)
recording of:
Wake Up Everybody (in 1975)
writer:
Victor Carstarphen, Gene McFadden and John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.57:34
15Inner City Blues (Make Me Wanna Holler)
recording of:
Inner City Blues (Make Me Wanna Holler)
composer:
Marvin Gaye and James Nyx
publisher:
Jobete Music (UK) Ltd.
Marvin Gaye43:07
16That's the Way of the World
engineer:
George Massenburg
co-producer:
Charles Stepney
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 329)
recording of:
That’s the Way of the World
writer:
Charles Stepney, Maurice White (Earth, Wind & Fire) and Verdine White
publisher:
Embassy Music Corporation and EMI April Music Inc.
Earth, Wind & Fire3.355:49
17Bring the Noise
producer:
Carl Ryder, Eric Sadler and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Get Off Your Ass and Jam by Funkadelic and It's My Thing, Part 1 by Marva Whitney
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 90), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 160) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 397)
recording of:
Bring the Noise
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
publisher:
Island Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Public Enemy3.853:48
18The World Is Yours
Nas4:51

Credits

Release group

Wikipedia:en: Promised Land (TV series) [info]
Wikidata:Q449857 [info]