# | Title | Rating | Length |
---|
A1 | Chapter 24 | | 3:36 |
A2 | Mathilda Mother | | 3:03 |
A3 | Arnold Layne | 3.2 | 2:51 |
A4 | Candy and a Currant Bun | | 2:38 |
A5 | The Scarecrow | 3.5 | 2:07 |
B1 | Apples and Oranges | 2 | 3:01 |
B2 | It Would Be So Nice | | 3:39 |
B3 | Paint Box | 3 | 3:27 |
B4 | Julia Dream | 3 | 2:28 |
B5 | See Emily Play- recording engineer:
- Peter Bown (on 1967-05-21)
- engineer:
- John Woods
- producer and phonographic copyright (℗) by:
- Norman Smith (in 1967)
- bass guitar:
- Roger Waters (on 1967-05-21)
- drums (drum set):
- Nick Mason (on 1967-05-21)
- electric guitar, slide guitar and lead vocals:
- Syd Barrett (on 1967-05-21)
- farfisa, harpsichord [Baldwin Spinet electric harpsichord], piano and tack piano:
- Richard Wright (on 1967-05-21)
- background vocals:
- Roger Waters (on 1967-05-21) and Richard Wright (on 1967-05-21)
- conductor:
- Norman Smith
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1967, in 1974, in 2007)
- recorded at:
- Abbey Road Studios in St John's Wood (on 1967-05-21) and Sound Techniques in Chelsea (on 1967-05-21)
- recording of:
- See Emily Play (on 1967-05-21)
- lyricist and composer:
- Syd Barrett
- publisher:
- Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc. and Westminster Music Ltd.
| 4 | 2:50 |