Atlantic Records 50 Years: The Gold Anniversary Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ HDCD 1
#TitleArtistRatingLength
1Yakety Yak
recording of:
Yakety Yak
lyricist:
Jerry Leiber
writer:
Jerry Leiber and Mike Stoller
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
part of:
Twins (1988)
The Coasters31:50
2What’d I Say
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.56:29
3Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:08
4Stand by Me
recorded in:
New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.62:57
5In the Midnight Hour
recorded in:
Memphis, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:40
6I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music and Cotillion Music (BMI)
Sonny & Cher4.153:12
7When a Man Loves a Woman
recorded in:
Muscle Shoals, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
8Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.92:25
9Soul Man
producer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd.
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:41
10(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:45
11Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (company, do not use as label) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, United States (from 1967-04 until 1967-05)
part of:
NME: 50 Greatest Guitar Riffs Of All Time: pub_2012-10-25 (number: 11) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65)
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.34:12
12Suite: Judy Blue Eyes
recording engineer:
Bill Halverson
producer:
David Crosby, Graham Nash and Stephen Stills
mixer:
David Crosby, Bill Halverson, Graham Nash and Stephen Stills
bass guitar, guitar and percussion:
Stephen Stills (in 1969)
vocals:
David Crosby (in 1969), Graham Nash (in 1969) and Stephen Stills (in 1969)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
recorded at:
Wally Heider Recording Studio 3 in Hollywood, United States (in 1969)
mixed at:
Wally Heider Recording Studio 3 in Hollywood, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 222) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 418)
recording of:
Suite: Judy Blue Eyes (in 1969)
lyricist and composer:
Stephen Stills
publisher:
Gold Hill Music (BMI)
Crosby, Stills & Nash4.757:28
13Whole Lotta Love
engineer:
George Chkiantz
executive producer:
Peter Grant (manager)
producer:
Jimmy Page
mixer:
Eddie Kramer (engineer)
bongos and drums (drum set):
John Bonham
electric bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
electric guitar and theremin:
Jimmy Page
background vocals and lead vocals:
Robert Plant (of Led Zeppelin)
additionally recorded at:
A&M Recording Studios in Hollywood, United States, Mystic Sound Studio in Hollywood, United States and Morgan Studios (Morgan Sound Studios) in Willesden (in 1969-06)
recorded at:
Olympic Studios (1966-2009) in Barnes (in 1969-04)
mixed at:
A&R Recording Studio, room A-1 (second location, 799 7th Avenue) in Midtown Manhattan, United States (from 1969-08-29 until 1969-08-30)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 75) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 128)
recording of:
Whole Lotta Love (from 1969-04 until 1969-08)
additional lyricist:
Willie Dixon
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
You Need Love
Led Zeppelin4.45:34
14Brown Sugar
engineer:
Glyn Johns
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
mixer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
acoustic guitar and guitar:
Keith Richards (Rolling Stones guitarist)
bass guitar:
Bill Wyman
drums (drum set):
Charlie Watts (drummer in The Rolling Stones)
guitar:
Mick Taylor
percussion:
Mick Jagger
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Bobby Keys (American saxophonist)
vocals:
Mick Jagger
recorded at:
Muscle Shoals Sound Studio in Sheffield, United States and Olympic Studios (1966-2009) in Barnes
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 490)
recording of:
Brown Sugar (in 1969-12)
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
The Rolling Stones43:48
▼ HDCD 2
#TitleArtistRatingLength
1Layla
executive producer:
Tom Dowd
producer:
Derek and the Dominos
bass guitar:
Carl Radle (on 1970-09-09)
drums (drum set) and percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1970-09-09)
electronic organ and piano:
Bobby Whitlock (on 1970-09-09)
guitar:
Duane Allman (on 1970-09-09) and Eric Clapton (on 1970-09-09)
lead vocals:
Eric Clapton (on 1970-09-09)
vocals:
Bobby Whitlock (on 1970-09-09)
arranger:
Derek and the Dominos
phonographic copyright (℗) by:
RSO Records Ltd., London (in 1970) and Universal International Music B.V. (company, do not use as label) (in 1970)
recorded at:
Criteria Studios in Miami, United States (on 1970-09-09)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 27) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 224)
recording of:
Layla (on 1970-09-09)
writer:
Eric Clapton and Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and ワーナー・チャペル音楽出版 Synch事業部
Derek and the Dominos4.557:06
2Roundabout
assistant engineer:
Gary Martin (Sound Engineer)
engineer:
Eddy Offord
producer:
Eddy Offord and Yes (British progressive rock band)
bass guitar:
Chris Squire (Yes bassist) (in 1971-09)
drums (drum set):
Bill Bruford (in 1971-09)
guitar:
Steve Howe (in 1971-09)
keyboard:
Rick Wakeman (in 1971-09)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1971-09)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recorded at:
Advision Studios in Fitzrovia (in 1971-09)
recording of:
Roundabout (in 1971-09)
writer:
Jon Anderson (Yes/Jon & Vangelis) and Steve Howe
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: File NO Releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Yes4.558:32
3Le Freak
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:35
4We Are Family
recording of:
We Are Family
writer:
Bernard Edwards and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge4.43:37
5Stop Draggin’ My Heart Around
engineer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Stan Lynch
guitar:
Michael Campbell (Tom Petty and the Heartbreakers guitarist) and Tom Petty
organ:
Benmont Tench
percussion:
Phil Jones (Percussionist)
lead vocals:
Stevie Nicks and Tom Petty
guest performer:
Tom Petty and the Heartbreakers
performer:
Tom Petty
phonographic copyright (℗) by:
Modern Records, Inc. (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2016)
recording of:
Stop Draggin’ My Heart Around
lyricist:
Tom Petty
composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
publisher:
Gone Gator Music (ASCAP affiliated) and Wild Gator Music
Stevie Nicks with Tom Petty4.454:04
6In the Air Tonight
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
recording of:
In the Air Tonight
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishers) Limited, Imagem Music, Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins4:59
7I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, United States
recorded at:
The Hit Factory in Manhattan, United States
mixed at:
Right Track Recording in Manhattan, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.95:06
8Wind Beneath My Wings
Bette Midler4:22
9Silent All These Years
additional recording engineer:
Leslie Ann Jones (recording engineer)
recording engineer:
John Beverly Jones
producer:
Davitt Sigerson
mixer:
Ross Cullum
finger cymbals:
Philly (finger cymbalist) (from 1990 until 1990-06)
piano and background vocals and lead vocals:
Tori Amos (from 1990 until 1990-06)
conductor:
Nick de Caro (from 1990 until 1990-06)
orchestrator:
Nick de Caro
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (from 1990 until 1990-06)
recording of:
Silent All These Years (from 1990 until 1990-06)
lyricist and composer:
Tori Amos
publisher:
Sword and Stone (in 1991)
Tori Amos3.84:14
10Baby
recording engineer and producer:
Keith Crouch
mixer:
Booker T. Jones III and Keith Crouch
guitar:
Glenn McKinney
keyboard [All Keyboards] and membranophone:
Keith Crouch
background vocals:
Brandy Norwood (US R&B singer), Rahsaan Patterson and Sherree Ford Payne
arranger:
Keith Crouch
vocals arranger:
Keith Crouch, Kipper Jones and Rahsaan Patterson
recorded at:
Human Rhythm Studios in Los Angeles, United States
mixed at:
Sound Castle Recording Studios (former LA location) in Silver Lake, United States
recording of:
Baby
lyricist:
Kevin Todd Jones and Rahsaan Patterson
composer:
Keith Crouch
publisher:
BMG Monarch, Ecstasoul Music, Human Rhythm Music, Pecot Music Co. and Young Legend Songs
Brandy35:15
11Hold My Hand
assistant engineer:
Wade Norton
engineer, producer and mixer:
Don Gehman
assistant mixer:
Liz Sroka
acoustic guitar and percussion:
Mark Bryan and Darius Rucker
bass guitar and clavinet:
Dean Felber
drums (drum set) [drums]:
Jim "Soni" Sonefeld
electric guitar:
Mark Bryan
background vocals:
David Crosby
vocals:
Mark Bryan, Dean Felber and Jim "Soni" Sonefeld
recorded at:
N.R.G. Recording Services in North Hollywood, United States
mixed at:
Scream Studios in Studio City, United States
recording of:
Hold My Hand
writer:
Mark Bryan, Dean Felber, Darius Rucker and Jim Sonefeld
Hootie & the Blowfish4.54:18
12Who Will Save Your Soul
assistant engineer:
John Hausmann
engineer:
Tim Mulligan and John Nowland
producer:
Ben Keith
assistant mixer:
John Dixon (engineer)
mixer:
Gene Eichelberger
bass:
Tim Drummond
drums (drum set):
Oscar Butterworth
keyboard:
Spooner Oldham
piano:
Robbie Buchanan (Canadian producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recorded at:
Redwood Digital in Woodside, United States
recording of:
Who Will Save Your Soul
lyricist and composer:
Jewel (singer-songwriter Jewel Kilcher)
publisher:
Wiggly Tooth Music (in 1994)
Jewel3.754:03