Chicago 17

~ Release by Chicago (see all versions of this release, 17 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Stay the Night
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Stay the Night (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
43:49
2We Can Stop the Hurtin’
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
additional background vocals:
Richard Marx and Donny Osmond
arranger:
David Foster (Canadian music producer, arranger and composer) and Robert Lamm
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recorded at:
Sunset Sound in Hollywood, United States, The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
We Can Stop the Hurtin’
lyricist and composer:
J. Parker (written by credit)
publisher:
Cheeky Kid Music (in 1984), Fin de Siècle Musique (US work publisher) (in 1984) and JSH Music (in 1984)
4:12
3Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:44
4Only You
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Bill Champlin and Robert Lamm
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Only You (in 1984)
writer:
David Foster (Canadian music producer, arranger and composer) (in 1984) and James Pankow (in 1984)
publisher:
Island Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Foster Frees Music Inc. (in 1984) and Make Me Smile Music (in 1984)
3:54
5Remember the Feeling
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Remember the Feeling (in 1984)
writer:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
publisher:
BMG Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Double Virgo Music (in 1984) and JSH Music (in 1984)
4:30
6Along Comes a Woman
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
vocals:
Peter Cetera (in 1984)
arranger:
Peter Cetera and Mark Goldenberg
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Along Comes a Woman (in 1984)
writer:
Peter Cetera (in 1984) and Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) and Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?) (in 1984)
3:48
7You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
3:50
8Please Hold On
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across)
recorded at:
Sunset Sound in Hollywood, United States, The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Please Hold On
writer:
Bill Champlin and Lionel Richie
publisher:
Brockman Music (in 1984), Foster Frees Music Inc. (in 1984) and JSH Music (in 1984)
3:43
9Prima Donna
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
Peter Cetera and Mark Goldenberg
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across)
recorded at:
Sunset Sound in Hollywood, United States (in 1983), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States (in 1983) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States (in 1983)
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Prima Donna (in 1983)
writer:
Peter Cetera (in 1983) and Mark Goldenberg (in 1983)
publisher:
Double Virgo Music (in 1983), Fleedleedle Music (in 1983) and Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?) (in 1983)
4:35
10Once in a Lifetime
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
arranger:
David Foster (Canadian music producer, arranger and composer) and James Pankow
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across)
recorded at:
Sunset Sound in Hollywood, United States, The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
mixed at:
Lion Share Recording Studios in Los Angeles, United States
recording of:
Once in a Lifetime
lyricist and composer:
James Pankow
publisher:
Make Me Smile Music (in 1984)
4:10

Credits

Release

manufactured in:West Germany
printed in:West Germany
art direction and design:Simon Levy (Graphic Art & Design)
photography:James Goble
Harry Langdon (American photographer)
assistant engineer:Terry Christian
Eddie DeLena
Laura Livingston
additional synthesizer programming:Erich Bulling
David Foster (Canadian music producer, arranger and composer)
Marcus Ryle
horn arranger:Jimmy Pankow
strings arranger:Jeremy Lubbock
mastering:George Marino (mastering engineer)
additional guitar:Mark Goldenberg
Paul Jackson (guitar)
Michael Landau
additional horn:Greg Adams (Tower of Power trumpeter)
Gary Grant (brass)
additional keyboard:David Foster (Canadian music producer, arranger and composer)
additional percussion:Paulinho da Costa (Brazilian percussionist)
bass:Peter Cetera
drums (drum set):Danny Seraphine
guitar:Bill Champlin
Chris Pinnick
keyboard:Bobby Lamm
Bill Champlin
trombone:Jimmy Pankow
trumpet:Lee Loughnane
woodwind:Walter Parazaider
additional background vocals:Bobby Lamm
Peter Cetera
Bill Champlin
Ken Cetera
vocals:Bobby Lamm
Peter Cetera
Bill Champlin
additional arranger:David Foster (Canadian music producer, arranger and composer)
concertmaster:Jerry Vinci (American violinist and strings conductor)
artwork:Larry Vigon (designer, art director)
manufactured by:PolyGram
copyrighted (©) by:Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
phonographic copyright (℗) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983, in 1984)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984)
recorded at:Sunset Sound in Hollywood, United States
The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, United States
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, United States
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, United States
Discogs:https://www.discogs.com/release/5499526 [info]