Surround Sounds: A Musical and Sonic Spectacular in Surround

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1A Touch of Sonic Madness
arranger:
Michael Bishop (Telarc engineer/producer)
Michael Bishop6:46
2Giuseppe Verdi: "La donna è mobile" From Rigoletto
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (from 1994-01-17 until 1994-01-18)
conductor:
Erich Kunzel (conductor)
orchestrator:
Crafton Beck and Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, United States (from 1994-01-17 until 1994-01-18)
instrumental recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Kunzel / Cincinnati Pops Orchestra2:09
3Johann Sebastian Bach: Sinfonia in D Major (From Cantata No. 29)
engineer and producer:
Wendy Carlos
arranger:
Wendy Carlos
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Wendy Carlos3:37
4You Don't Miss Your Water
instruments:
The Memphis Horns
vocals:
William Bell
recording of:
You Don’t Miss Your Water
lyricist and composer:
William Bell
publisher:
Irving Music, Inc.
The Memphis Horns / William Bell5:24
5Hopper Dance
Empire Brass Quintet5:51
6Heitor Villa-Lobos: Coral (Canto do Sertão) From Bachianas Brasileiras No. 4
orchestra:
Cincinnati Symphony Orchestra (from 1995-04-23 until 1995-04-24)
conductor:
Jesús López Cobos (from 1995-04-23 until 1995-04-24)
recording of:
Bachianas Brasileiras nº 4, W424: II. Coral (Canto do sertão) (for orchestra) (from 1995-04-23 until 1995-04-24)
orchestrator:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
version of:
Bachianas Brasileiras nº 4, W264: II. Coral (Canto do sertão) (for piano)
part of:
Bachianas Brasileiras nº 4, W424 (for orchestra)
López-Cobos / Cincinnati Symphony Orchestra4:18
7A Day in Tunisia (Tut's Strut)
Spies5:57
8Tambourin
arranger:
Rolf Smedvig
Empire Brass Quintet1:40
9Chiller - Opening Sequence
[no artist]0:49
10Andrew Lloyd Webber: Overture to The Phantom of the Opera
organ:
Robert Muckenfuss
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
Kunzel / Cincinnati Pops Orchestra / Robert Muckenfuss2:16
11Richard Wagner: Prelude to Tristan und Isolde (excerpt)
orchestra:
Cincinnati Symphony Orchestra (from 1994-03-21 until 1994-03-22)
conductor:
Jesús López-Cobos (from 1994-03-21 until 1994-03-22)
recorded at:
Music Hall (Cincinnati) in Cincinnati, United States (from 1994-03-21 until 1994-03-22)
recording of:
Tristan und Isolde: Prelude and Liebestod (concert piece) (from 1994-03-21 until 1994-03-22)
composer:
Richard Wagner (composer)
arrangement of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
arrangement of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
López-Cobos / Cincinnati Symphony Orchestra7:42
12Salve Virgo
Ensemble P.A.N.2:31
13Use Me
Junior Wells5:19
14Cybergenesis
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) and Rosalind Ilett (Telarc editor)
additional performer:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
performer:
Michael Bishop (Telarc engineer/producer)
[no artist]1:22
15Terminator: Theme
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) and Rosalind Ilett (Telarc editor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
additional performer:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
performer:
Michael Bishop (Telarc engineer/producer)
recorded at:
Music Hall (Cincinnati) in Cincinnati, United States (from 1993-11-01 until 1994-01-16)
cover recording of:
Theme (The Terminator)
composer:
Brad Fiedel
part of:
The Terminator (film soundtrack)
Kunzel / Cincinnati Pops Orchestra53:31
16Jurassic Lunch
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) and Rosalind Ilett (Telarc editor)
additional performer:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
performer:
Michael Bishop (Telarc engineer/producer)
recording of:
Jurassic Lunch
composer:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer)
[no artist]1:14
17Transient Response Test
[no artist]0:58
18Surround Position Tests: Left Front
[no artist]1:00
19Surround Position Tests: Center Front
[no artist]1:00
20Surround Position Tests: Right Front
[no artist]1:00
21Surround Position Tests: Right Surround
[no artist]0:59
22Surround Position Tests: Surround
[no artist]1:00
23Surround Position Tests: Left Surround
[no artist]1:00
24Surround Position Tests: Interior
[no artist]1:00