Columbia Country Classics, Volume 1: The Golden Age

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Can the Circle Be Unbroken (Bye & Bye)
autoharp:
Sara Carter (of the Carter Family) (on 1935-05-06)
guitar:
Mother Maybelle Carter (on 1935-05-06)
vocals:
A.P. Carter (on 1935-05-06), Mother Maybelle Carter (on 1935-05-06) and Sara Carter (of the Carter Family) (on 1935-05-06)
recorded at:
American Record Corporation Studios in New York, United States (on 1935-05-06)
recording of:
Can the Circle Be Unbroken (By and By) (on 1935-05-06)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (on 1907-04-30)
additional lyricist and additional composer:
A.P. Carter
lyricist:
Ada Ruth Habershon (in 1907)
composer:
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1935-06-22)
version of:
Will the Circle Be Unbroken?
The Carter Family3:08
2Great Speckled Bird
recording of:
The Great Speckled Bird (on 1936-10-20)
lyricist:
Guy Smith (Reverend)
composer:
Roy Carter (country songwriter)
publisher:
Duchess Music Corporation (BMI-affiliated)
Roy Acuff and His Crazy Tennesseans2:52
3After the Sunrise
The Chuck Wagon Gang2:47
4You Are My Sunshine
recording of:
You Are My Sunshine (on 1941-06-18)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Gene Autry2:24
5I Want to Be a Cowboy's Sweetheart
recorded in:
New York, United States (on 1935-08-16)
bass:
Jack Taylor (bassist) (on 1935-08-16)
guitar:
Salty Holmes (on 1935-08-16)
mandola:
Chick Hurt (on 1935-08-16)
violin:
Shelby David "Tex" Atchison (on 1935-08-16)
vocals:
Rubye Blevins (on 1935-08-16)
orchestra:
The Prairie Ramblers (on 1935-08-16)
recording of:
I Want to Be a Cowboy’s Sweetheart (on 1935-08-16)
lyricist and composer:
Patsy Montana
Patsy Montana & The Prairie Ramblers43:06
6Pistol Packin' Mama
accordion:
Paul Sells (on 1942-03-20)
bass:
Fred Whiting (US double bassist) (on 1942-03-20)
guitar:
Johnny Bond (on 1942-03-20), Al Dexter (on 1942-03-20) and Dick Reinhart (on 1942-03-20)
steel guitar:
Frankie Marvin (US country musician) (on 1942-03-20)
trumpet:
Harry Hollinger (on 1942-03-20)
lead vocals:
Al Dexter
recorded at:
CBS Columbia Square Recording Studios (KNX and Columbia Broadcasting System) in Hollywood, United States
part of:
V Disc (by matrix number) (number: VP 39)
recording of:
Pistol Packin’ Mama (on 1942-03-20)
publisher:
Albert Poindexter (on 1942-02-16)
lyricist and composer:
Al Dexter
publisher:
Universal–Songs of PolyGram International, Inc.
Al Dexter and His Troopers42:46
7Back in the Saddle Again
lead vocals:
Gene Autry (“The Singing Cowboy”)
recorded at:
CBS Columbia Square (KNX and Columbia Broadcasting System) in Hollywood, United States
recording of:
Back in the Saddle (on 1939-04-18)
writer:
Gene Autry (“The Singing Cowboy”) and Ray Whitley (Country & western singer/songwriter)
publisher:
Gene Autry’s Western Music Publishing Co. and Western Music Publishing Co., Inc. (on 1939-07-24)
Gene Autry42:36
8New San Antonio Rose
bass:
Son Lansford (on 1940-04-16)
fiddle:
Jesse Ashlock (American violin player and songwriter) (on 1940-04-16), Louis Tierney (on 1940-04-16) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1940-04-16)
guitar:
Herman Arnspiger (on 1940-04-16) and Eldon Shamblin (on 1940-04-16)
piano:
Al Stricklin (on 1940-04-16)
saxophone:
Joe Ferguson (on 1940-04-16), Don Harlan (on 1940-04-16), Wayne Johnson (saxophonist) (on 1940-04-16), Zeb McNally (on 1940-04-16) and Tiny Mott (on 1940-04-16)
steel guitar:
Leon McAuliffe (on 1940-04-16)
trumpet:
Tubby Lewis (on 1940-04-16) and Everett Stover (played trumpet for Bob Wills & His Texas Playboys) (on 1940-04-16)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (on 1940-04-16)
part of:
V Disc (by matrix number) (number: VP 315 (2))
recording of:
San Antonio Rose (on 1940-04-16)
lyricist and composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Irving Berlin Inc. (on 1940-06-05)
Bob Wills and His Texas Playboys42:35
9Time Changes Everything
bass:
Son Lansford (on 1940-04-15)
fiddle:
Jesse Ashlock (American violin player and songwriter) (on 1940-04-15), Louis Tierney (on 1940-04-15) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1940-04-15)
guitar:
Herman Arnspiger (on 1940-04-15) and Eldon Shamblin (on 1940-04-15)
piano:
Al Stricklin (on 1940-04-15)
steel guitar:
Leon McAuliffe (on 1940-04-15)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (on 1940-04-15)
recording of:
Time Changes Everything (on 1940-04-15)
lyricist and composer:
Tommy Duncan (Western swing vocalist, songwriter and pianist)
Bob Wills and His Texas Playboys42:40
10It Makes No Difference Now
part of:
V Disc (by matrix number) (number: VP 701 (2))
recording of:
It Makes No Difference Now (on 1941-06-18)
publisher:
Floyd Tillman (on 1938-05-25)
lyricist and composer:
Jimmie Davis (American politician, singer and songwriter) and Floyd Tillman
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1939-01-02)
Gene Autry2:43
11Take Me Back to Tulsa
bass:
Son Lansford (on 1941-02-25)
clarinet:
Don Harlan (on 1941-02-25)
clarinet and saxophone:
Wayne Johnson (saxophonist) (on 1941-02-25)
fiddle:
Louis Tierney (on 1941-02-25) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1941-02-25)
guitar:
Eldon Shamblin (on 1941-02-25)
membranophone:
Gene Tomlins (on 1941-02-25)
piano:
Al Stricklin (on 1941-02-25)
saxophone:
Zeb McNally (on 1941-02-25)
steel guitar:
Leon McAuliffe (on 1941-02-25)
trumpet:
Tubby Lewis (on 1941-02-25) and Jamie MacIntosh (on 1941-02-25)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (on 1941-02-25)
recording of:
Take Me Back to Tulsa (on 1941-02-25)
lyricist and composer:
Tommy Duncan (Western swing vocalist, songwriter and pianist) and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Peer International Corporation (BMI) (on 1941-06-18)
Bob Wills and His Texas Playboys2:40
12Don't Let That Man Get You Down
Texas Ruby2:32
13Shame on You
fiddle:
Spade Cooley
recording of:
Shame on You (on 1944-12-04)
lyricist and composer:
Spade Cooley
writer:
Donnell Clyde Cooley, Jr.
Spade Cooley32:52
14Born to Lose
part of:
V Disc (by matrix number) (number: VP 700 (2))
recording of:
Born to Lose (on 1942-02-20)
lyricist and composer:
Frankie Brown
publisher:
Peer International Corporation (BMI) (on 1943-05-29)
Ted Daffan’s Texans42:41
15When My Blue Moon Turns to Gold Again
recording of:
When My Blue Moon Turns to Gold Again (on 1941-03-09)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
Wiley Walker & Gene Sullivan2:36
16Wreck on the Highway
recording of:
Wreck on the Highway (aka I Didn't Hear Nobody Pray)
lyricist and composer:
Dorsey Dixon
Roy Acuff and His Smoky Mountain Boys2:45
17When God Comes and Gathers His Jewels
Molly O’Day & The Cumberland Mountain Folks2:47
18The Tramp on the Street
Molly O’Day & The Cumberland Mountain Folks2:46
19I Saw the Light
recording of:
I Saw the Light
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Ltd. (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1948-11-16)
translated version of:
I Saw the Light - Lodní zvon
Roy Acuff and His Smoky Mountain Boys2:41
20Are You Walking and A-Talking for the Lord
Wilma Lee, Stoney Cooper and The Clinch Mountain Clan2:06
21Molly and Tenbrooks (The Race Horse Song)
producer:
Art Satherly
banjo:
Earl Scruggs (on 1947-10-28)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1947-10-28)
fiddle:
Chubby Wise (on 1947-10-28)
guitar:
Lester Flatt (on 1947-10-28)
mandolin and lead vocals:
Bill Monroe (on 1947-10-28)
recorded at:
WBBM Studio (radio/tv station) in Chicago, United States (on 1947-10-28)
recording of:
Molly and Tenbrooks (on 1947-10-28)
composer:
Bill Monroe
publisher:
Bill Monroe Music
is based on:
Molly and Tenbrooks
Bill Monroe and the Bluegrass Boys2:45
22Poor Ellen Smith
Molly O’Day & The Cumberland Mountain Folks2:40
23Wabash Cannonball
recorded in:
Hollywood, United States (on 1947-01-28)
bass:
Joe Zinkan (on 1947-01-28)
fiddle:
Tommy Magness (on 1947-01-28)
guitar:
Lonnie Wilson (US country guitarist, performed with Roy Acuff) (on 1947-01-28)
harmonica:
Jimmie Riddle (on 1947-01-28)
resonator guitar [dobro]:
Pete Kirby (on 1947-01-28)
vocals:
Roy Acuff (on 1947-01-28)
recording of:
Wabash Cannonball (on 1947-01-28)
composer:
A.P. Carter and William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
part of:
Roud Folk Song Index (number: 4228)
Roy Acuff and His Smoky Mountain Boys2:34
24Blue Eyes Crying in the Rain
Roy Acuff and His Smoky Mountain Boys2:41
25Blue Moon of Kentucky
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, United States (on 1946-09-16)
recording of:
Blue Moon of Kentucky (on 1946-09-16)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Japan, subsidiary of Nichion)
Bill Monroe and the Bluegrass Boys3:05
26The Fields Have Turned Brown
producer:
Don Law and Art Satherly
banjo and tenor vocals:
Ralph Stanley (on 1949-11-20)
double bass:
Ernie Newton (contrabassist) (on 1949-11-20)
fiddle:
Les Woodie (on 1949-11-20)
guitar and lead vocals:
Carter Stanley (on 1949-11-20)
mandolin and baritone vocals [high baritone vocals]:
Darrell "Pee Wee" Lambert (on 1949-11-20)
recorded at:
Castle Studio in Nashville, United States (on 1949-11-20)
recording of:
The Fields Have Turned Brown (on 1949-11-20)
writer:
Carter Stanley and Ralph Stanley
The Stanley Brothers & The Clinch Mountain Boys2:32
27Don't Get Above Your Raisin'
banjo:
Earl Scruggs (on 1951-05-09)
double bass [string bass]:
Jody Rainwater (American bluegrass bassist) (on 1951-05-09)
fiddle:
Chubby Wise (on 1951-05-09)
guitar:
Lester Flatt (on 1951-05-09)
mandolin:
Everett Lilly (on 1951-05-09)
vocals:
Lester Flatt (on 1951-05-09)
recorded at:
Castle Studio in Nashville, United States (on 1951-05-09)
recording of:
Don't Get Above Your Raising (on 1951-05-09)
writer:
Lester Flatt and Earl Scruggs
Lester Flatt & Earl Scruggs & The Foggy Mountain Boys2:41

Credits

Release

ASIN:US: B00000271Y [info]

Release group

part of:Columbia Country Classics (number: 1) (order: 2)