In Time: The Best of R.E.M. 1988–2003

~ Release by R.E.M. (see all versions of this release, 19 available)

Tracklist

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▼ 12" Vinyl 1
#TitleRatingLength
A1Man on the Moon
additional engineer:
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
Scott Litt (producer and engineer) and Clif Norrell
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, United States, John Keane Studios in Athens, United States and Kingsway Studios (New Orleans) in New Orleans, United States
recorded at:
Bearsville Studios in Bearsville, United States and Criteria Studios in Miami, United States
mixed at:
Bad Animals Studio in Seattle, United States
recording of:
Man on the Moon
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
4.15?:??
A2The Great Beyond
producer:
Pat McCarthy
recording of:
The Great Beyond
writer:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
4.35?:??
A3Bad Day
recording engineer:
Jamie Candiloro
producer and mixer:
Pat McCarthy
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 3)
recording of:
Bad Day
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
4?:??
A4What’s the Frequency, Kenneth?
additional engineer:
David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
engineer:
Pat McCarthy
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Victor Janacua
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1994)
recorded at:
Criteria Studios in Miami, United States, Crossover Soundstage in Atlanta, United States, Kingsway Studios (New Orleans) in New Orleans, United States and Ocean Way Recording in Hollywood, United States
mixed at:
Louie’s Clubhouse in Los Angeles, United States
music videos:
What’s the Frequency, Kenneth? (music video) by R.E.M. (American rock band)
recording of:
What’s the Frequency, Kenneth?
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
4.25?:??
B1All the Way to Reno (You’re Gonna Be a Star)
producer:
Pat McCarthy and R.E.M. (American rock band)
recording of:
All the Way to Reno (You're Gonna Be a Star)
writer:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
3.3?:??
B2Losing My Religion
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and keyboard:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar and mandolin:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
arranger:
Mike Mills (R.E.M. bass player)
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991)
music videos:
Losing My Religion (music video) by R.E.M. (American rock band)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 112), Indie 88: Top 500 Indie Rock Songs (number: 115) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 169)
recording of:
Losing My Religion
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
4.35?:??
B3E‐Bow the Letter
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Adam Kasper
additional assistant engineer:
Victor Janacua
assistant engineer:
Sam Hofstedt and William “Billy” Field
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
ebow [e-bow guitar] and electric sitar:
Peter Buck (R.E.M. guitarist)
Moog [Moog synthesizer], bass guitar, mellotron and organ:
Mike Mills (R.E.M. bass player)
background vocals:
Patti Smith
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens, United States and Louie’s Clubhouse in Los Angeles, United States
recorded at:
Bad Animals Studio in Seattle, United States
mixed at:
John Keane Studios in Athens, United States and Louie’s Clubhouse in Los Angeles, United States
recording of:
E‐Bow the Letter
writer:
Peter Buck (R.E.M. guitarist), Michael Mills (R.E.M. bass player), Michael Stipe and William Berry (R.E.M. drummer)
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.65?:??
B4Orange Crush
additional engineer:
Thom Cadley, George Cowan (US engineer) and Tom Laune
assistant engineer:
Jeff Kahan and Chris Laidlaw
engineer and mixer:
Jay Healy and Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1988) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recorded at:
Ardent Studios in Memphis, United States
mixed at:
Bearsville Studios in Bearsville, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 273)
recording of:
Orange Crush
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Chappell Music Ltd. and Night Garden Music
4.3?:??
B5Imitation of Life
recording engineer and mixer:
Jamie Candiloro and Pat McCarthy
recording of:
Imitation of Life
writer:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
4.2?:??
▼ 12" Vinyl 2
#TitleRatingLength
C1Daysleeper
producer:
Pat McCarthy and R.E.M. (American rock band)
mixer:
Nigel Godrich (English record producer)
recording of:
Daysleeper
writer:
Peter Buck (R.E.M. guitarist), Michael Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
3.8?:??
C2Animal
recording engineer:
Jamie Candiloro
producer and mixer:
Pat McCarthy
recording of:
Animal
writer:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
3?:??
C3The Sidewinder Sleeps Tonite
additional engineer:
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, United States, John Keane Studios in Athens, United States and Kingsway Studios (New Orleans) in New Orleans, United States
recorded at:
Bearsville Studios in Bearsville, United States and Criteria Studios in Miami, United States
mixed at:
Bad Animals Studio in Seattle, United States
recording of:
The Sidewinder Sleeps Tonite
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
is based on:
The Lion Sleeps Tonight
3.85?:??
C4Stand
additional engineer:
Thom Cadley, George Cowan (US engineer) and Tom Laune
assistant engineer:
Jeff Kahan and Chris Laidlaw
engineer and mixer:
Jay Healy and Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1988) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recorded at:
Ardent Studios in Memphis, United States
mixed at:
Bearsville Studios in Bearsville, United States
recording of:
Stand
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
4?:??
C5Electrolite
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
banjo and bass guitar:
Peter Buck (R.E.M. guitarist)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
güiro:
Nathan December
piano:
Mike Mills (R.E.M. bass player)
violin:
Andy Carlson
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens, United States and Louie’s Clubhouse in Los Angeles, United States
recorded at:
Desert Sky Pavilion in Phoenix, United States (on 1995-11-04)
mixed at:
John Keane Studios in Athens, United States and Louie’s Clubhouse in Los Angeles, United States
recording of:
Electrolite
writer:
Peter Buck (R.E.M. guitarist), Michael Mills (R.E.M. bass player), Michael Stipe and William Berry (R.E.M. drummer)
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.5?:??
D1All the Right Friends
engineer:
Jamie Candiloro
producer:
Pat McCarthy
recording of:
All the Right Friends
writer:
Peter Buck (R.E.M. guitarist) and Michael Stipe
3.5?:??
D2Everybody Hurts
additional engineer:
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, United States, John Keane Studios in Athens, United States and Kingsway Studios (New Orleans) in New Orleans, United States
recorded at:
Bearsville Studios in Bearsville, United States and Criteria Studios in Miami, United States
mixed at:
Bad Animals Studio in Seattle, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 203)
recording of:
Everybody Hurts
writer:
Bill Berry (R.E.M. drummer), Mike Mills (R.E.M. bass player), Peter Buck (R.E.M. guitarist) and Michael Stipe
publisher:
Night Garden Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4.5?:??
D3At My Most Beautiful
producer:
Pat McCarthy and R.E.M. (American rock band)
mixer:
John Hanlon (recording engineer)
recording of:
At My Most Beautiful
writer:
Peter Buck (R.E.M. guitarist), Michael Mills (R.E.M. bass player) and Michael Stipe
publisher:
Temporary Music
3?:??
D4Nightswimming
additional engineer:
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, United States, John Keane Studios in Athens, United States and Kingsway Studios (New Orleans) in New Orleans, United States
recorded at:
Bearsville Studios in Bearsville, United States and Criteria Studios in Miami, United States
mixed at:
Bad Animals Studio in Seattle, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 160)
recording of:
Nightswimming
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
4.45?:??