Best of Mozart Operas (Highlights From Your Favourite Mozart Operas)

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Annotation

This is a Re-Release of the 1995 edition.

Annotation last modified on 2023-12-14 17:38 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Le nozze di Figaro: Overture
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
4:20
2Le nozze di Figaro: “Non più andrai” (Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Figaro] and bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
3:46
3Le nozze di Figaro: “Giunse alfin il momento”
orchestra:
Orchester der Deutschen Oper Berlin
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
1:24
4Le nozze di Figaro: “Deh vieni, non tardar” (Susanna)
soprano vocals [Susanna]:
Edith Mathis (soprano)
orchestra:
Orchester der Deutschen Oper Berlin
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
3:40
5Così fan tutte: “Un’aura amorosa” (Ferrando)
tenor vocals [Ferrando]:
Peter Schreier (German tenor and conductor)
orchestra:
Wiener Philharmoniker
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
5:22
6Die Entführung aus dem Serail: »Hier soll ich dich denn sehen« (Belmonte)
recording engineer:
Hans-Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
tenor vocals [Belmonte]:
Peter Schreier (German tenor and conductor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Dresden) in Dresden (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:45
7Die Entführung aus dem Serail: »Durch Zärtlichkeit und Schmeicheln« (Blonde)
recording engineer:
Hans-Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
soprano vocals [Blonde]:
Reri Grist (American soprano) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Dresden) in Dresden (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:18
8Die Entführung aus dem Serail: »Wenn der Freude Tränen fließen« (Belmonte)
recording engineer:
Hans-Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
tenor vocals [Belmonte]:
Peter Schreier (German tenor and conductor) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Dresden) in Dresden (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
5:06
9Die Entführung aus dem Serail: »Ha, wie will ich triumphieren« (Osmin)
recording engineer:
Hans-Peter Schweigmann and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Dresden) in Dresden (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:26
10La clemenza di Tito: Overture
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recording of:
La clemenza di Tito, K. 621: Ouverture
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
4:52
11Don Giovanni: “Là ci darem la mano” (Don Giovanni, Zerlina)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto] and soprano vocals [Zerlina]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:45
12Don Giovanni: “Fin ch’han dal vino” (Don Giovanni)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:33
13Don Giovanni: “Il mio tesoro intanto” (Don Ottavio)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor)
orchestra:
Wiener Philharmoniker
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:48
14Idomeneo: “Fuor del mar ho un mar in seno” (Idomeneo)
orchestra:
Berliner Philharmoniker
conductor:
Karl Böhm (Austrian conductor)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
4:25
15Die Zauberflöte: »Der Vogelfänger bin ich ja« (Papageno)
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:39
16Die Zauberflöte: »Dies Bildnis ist bezaubernd schön« (Tamino)
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:39
17Die Zauberflöte: »Der Hölle Rache kocht in meinem Herzen« (Die Königin der Nacht)
producer:
Wolfgang Lohse
soprano vocals [Königin der Nacht]:
Roberta Peters (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:00
18Die Zauberflöte: »In diesen heil’gen Hallen« (Sarastro)
producer:
Wolfgang Lohse
bass vocals [Sarastro]:
Franz Crass (operatic bass) (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:06