50 Essentials Of Louis Armstrong

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1La Vie en rose
cover recording of:
La Vie en rose (English translation)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
Louis Armstrong3:24
2When You Are Smiling
recording of:
When You’re Smiling (The Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong3:14
3C’est si bon
recording of:
C’est si bon (English version)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (in 1947)
translator:
Jerry Seelen (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
Louis Armstrong3:06
4Summertime
recorded in:
Los Angeles, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (in 1957, on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957, on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (in 1957, on 1957-08-18) and Ella Fitzgerald (American jazz singer) (in 1957, on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
performer:
Louis Armstrong and Ella Fitzgerald (American jazz singer)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong, Ella Fitzgerald & Russell Garcia and His Orchestra2.54:58
5Georgia on My Mind
recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:20
6When the Saints Go Marchin’ In
recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
Louis Armstrong2:46
7I Surrender Dear
recording of:
I Surrender Dear
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
Louis Armstrong & Les Hite & His Orchestra3:09
8After You’ve Gone
recording of:
After You’ve Gone
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Louis Armstrong3:23
9Dream a Little Dream of MeLouis Armstrong & Ella Fitzgerald3:03
10Blue Again
recorded in:
Chicago, United States (on 1931-04-20)
alto saxophone:
Lester Boone (on 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (on 1931-04-20)
drums (drum set):
Tubby Hall (on 1931-04-20)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-04-20)
piano:
Charlie Alexander (US jazz pianist) (on 1931-04-20)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-04-20)
trombone:
Preston Jackson (jazz trombonist) (on 1931-04-20)
trumpet:
Zilner Randolph and Louis Armstrong (on 1931-04-20)
vocals:
Louis Armstrong (on 1931-04-20)
recording of:
Blue Again (on 1931-04-20)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
Louis Armstrong & Zilner Randolph and His Orchestra3:12
11Makin’ WhoopeeLouis Armstrong & Ella Fitzgerald3:56
12Canal Street Blues
recording of:
Canal Street Blues
writer:
Louis Armstrong
composer:
Joseph Oliver (jazz cornetist)
Louis Armstrong & King Oliver and His Orchestra2:30
13A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong3:03
14Cold, Cold Heart
recording of:
Cold, Cold Heart
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
Louis Armstrong3:09
15Bessie Couldn’t Help It
recorded in:
New York, United States (on 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1930-02-01) and William Thornton Blue (American jazz reed player) (on 1930-02-01)
double bass:
George "Pops" Foster (on 1930-02-01)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1930-02-01)
guitar:
Will Johnson (jazz musician) (on 1930-02-01)
piano:
Luis Russell (on 1930-02-01)
tenor saxophone:
Teddy Hill (on 1930-02-01)
trombone:
J.C. Higginbotham (on 1930-02-01)
trumpet:
Henry “Red” Allen (jazz musician) (on 1930-02-01), Louis Armstrong (on 1930-02-01) and Otis Johnson (trumpet) (on 1930-02-01)
vocals:
Louis Armstrong (on 1930-02-01)
orchestra:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (on 1930-02-01)
writer:
Charles A. Bayha, Jacques Richmond (songwriter) and Byron Warner (active in the 1960's)
Louis Armstrong3:20
16Dinah
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
Louis Armstrong3:12
17When Your Lover Has Gone
recorded in:
Chicago, United States (on 1931-04-29)
alto saxophone and clarinet:
Lester Boone (on 1931-04-29) and George James (US jazz saxophonist) (on 1931-04-29)
double bass:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1931-04-29)
drums (drum set):
Tubby Hall (on 1931-04-29)
guitar:
Mike McKendrick (Jazz banjo and guitar) (on 1931-04-29)
piano:
Charlie Alexander (US jazz pianist) (on 1931-04-29)
tenor saxophone:
Albert Washington (jazz tenor sax) (on 1931-04-29)
trombone:
Preston Jackson (jazz trombonist) (on 1931-04-29)
trumpet:
Louis Armstrong (on 1931-04-29)
vocals:
Louis Armstrong (on 1931-04-29)
recording of:
When Your Lover Has Gone (on 1931-04-29)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
Louis Armstrong & Zilner Randolph and His Orchestra3:09
18Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:18
19Don’t Be That Way
recorded in:
Los Angeles, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (soundtrack of the 1977 film)
Louis Armstrong & Ella Fitzgerald4:58
20Fireworks
recorded in:
Chicago, United States (on 1928-06-27)
banjo and guitar:
Mancy "Peck" Carr (on 1928-06-27)
clarinet:
Jimmy Strong (on 1928-06-27)
cymbal:
Zutty Singleton (on 1928-06-27)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-06-27)
trombone:
Fred Robinson (American trombonist) (on 1928-06-27)
trumpet:
Louis Armstrong (on 1928-06-27)
vocals:
Louis Armstrong (on 1928-06-27)
recording of:
Fireworks (on 1928-06-27)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong3:05
21These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Louis Armstrong & Ella Fitzgerald7:41
22Froggie Moore
Louis Armstrong & King Oliver and His Orchestra3:06
23Saint James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong3:20
24I Ain’t Got Nobody
recording of:
I Ain’t Got Nobody (on 1929-12-10)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong & Luis Russell and His Orchestra2:46
25Stompin’ at the Savoy
cover recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Louis Armstrong & Ella Fitzgerald5:14
26I Get Ideas
recording of:
I Get Ideas
lyricist:
Dorcas Cochran (in 1951)
composer:
Julio César Sanders (in 1927)
version of:
Adiós, muchachos (tango)
Louis Armstrong3:27
27Blueberry Hill
recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Louis Armstrong2:56
28Shine
recorded in:
Los Angeles, United States (on 1931-03-09)
alto saxophone [alto sax]:
Les Hite (on 1931-03-09) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1931-03-09)
banjo:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
clarinet and tenor saxophone [tenor sax]:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass [bass] and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set):
Lionel Hampton (on 1931-03-09)
piano:
Henry Prince (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McLure "Red Mac" Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
recording of:
Shine (on 1931-03-09)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (, in 1910)
Louis Armstrong & Les Hite & His Orchestra3:22
29That Lucky Old Sun
recording of:
That Lucky Old Sun
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Robbins Music Corp.
Louis Armstrong3:07
30I’ll Walk AloneLouis Armstrong & Ella Fitzgerald3:11
31I’m Just a Lucky So and So
cover recording of:
I’m Just a Lucky So and So
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (ASCAP-affiliated publisher)
Louis Armstrong & Duke Ellington3:08
32Ko Ko Mo
recording of:
Ko Ko Mo (I Love You So)
writer:
Forest Gene Wilson (in 1954), Eunice Levy (Member of Gene and Eunice) (in 1954) and Jake Porter (in 1954)
publisher:
Chappell/Morris Ltd. and Meridian Music Corp. (in 1954)
Louis Armstrong2:52
33Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Louis Armstrong3:19
34St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong & Bessie Smith3:11
35Alligator Crawl
recorded in:
Chicago, United States (on 1927-05-10)
banjo:
Johnny St. Cyr (on 1927-05-10)
clarinet:
Johnny Dodds (on 1927-05-10)
cornet:
Louis Armstrong (on 1927-05-10)
drums (drum set):
Warren “Baby” Dodds (on 1927-05-10)
piano:
Lil Hardin Armstrong (on 1927-05-10)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-10)
tuba:
Pete Briggs (on 1927-05-10)
performer:
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Alligator Crawl (on 1927-05-10)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter) and Andy Razaf
composer:
Fats Waller
Louis Armstrong3:04
36Lazy River
recording of:
Lazy River
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Louis Armstrong3:05
37Trouble in Mind
recording of:
Trouble in Mind
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
Louis Armstrong & Velma Middleton2:40
38Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Louis Armstrong & Gus Arnheim's Cocoanut Grove Orchestra3:13
39Maybe It’s BecauseLouis Armstrong3:12
40Moments to Remember
Louis Armstrong3:10
41Nobody Knows the Trouble I’ve Seen
recording of:
Nobody Knows the Trouble I’ve Seen
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
Louis Armstrong & Russell Garcia and His Orchestra4:52
42Once in a While
recording of:
Once in a While
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (soundtrack of the 1977 film)
Louis Armstrong3:16
43When It’s Sleepy Time Down SouthLouis Armstrong & Les Hite & His Orchestra3:25
44Just a Gigolo
recorded in:
Los Angeles, United States (on 1931-03-09)
celesta [celeste] and piano:
Henry Prince (on 1931-03-09)
clarinet:
Les Hite (on 1931-03-09) and Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
double bass and tuba:
Joe Bailey (US double bassist and songwriter) (on 1931-03-09)
drums (drum set) and vibraphone:
Lionel Hampton (on 1931-03-09)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1931-03-09)
tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1931-03-09)
trombone:
Luther Craven (on 1931-03-09)
trumpet:
Louis Armstrong (on 1931-03-09), McClure Morris (on 1931-03-09) and Harold Scott (on 1931-03-09)
vocals:
Louis Armstrong (on 1931-03-09)
conductor:
Les Hite (on 1931-03-09)
recording of:
Just a Gigolo (English version) (on 1931-03-09)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
Louis Armstrong & Les Hite & His Orchestra3:21
45West End Blues
recorded in:
New York, United States (on 1939-04-05)
double bass:
George "Pops" Foster (on 1939-04-05)
drums (drum set):
Sid Catlett (on 1939-04-05)
guitar:
Lee Blair (on 1939-04-05)
piano:
Luis Russell (on 1939-04-05)
reeds:
Rupert Cole (swing era jazz clarinetist and saxophonist) (on 1939-04-05), Joe Garland (saxophonist, composer) (on 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1939-04-05) and Bingie Madison (on 1939-04-05)
trombone:
Wilbur de Paris (on 1939-04-05), J.C. Higginbotham (on 1939-04-05) and George Washington (jazz trombonist) (on 1939-04-05)
trumpet:
Henry “Red” Allen (jazz musician) (on 1939-04-05), Louis Armstrong (on 1939-04-05), Shelton "Scad" Hemphill (on 1939-04-05) and Otis Johnson (trumpet) (on 1939-04-05)
vocals:
Louis Armstrong (on 1939-04-05)
orchestra:
Louis Armstrong and His Orchestra (in 1939) and Louis Armstrong & His Orchestra (on 1939-04-05)
recording of:
West End Blues (Armstrong recording) (on 1939-04-05)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong3:13
46I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Louis Armstrong3:26
47Cotton Tail
recording of:
Cotton Tail
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Louis Armstrong & Duke Ellington3:44
48The Peanut Vendor
recorded in:
Los Angeles, United States (on 1930-12-23)
alto saxophone:
Les Hite (on 1930-12-23) and Marvin Johnson (US jazz saxophonist and bandleader) (on 1930-12-23)
clarinet and tenor saxophone:
Charlie Jones (jazz clarinet/sax) (on 1930-12-23)
double bass:
Joe Bailey (US double bassist and songwriter) (on 1930-12-23)
drums (drum set):
Lionel Hampton (on 1930-12-23)
guitar:
Bill Perkins (jazz guitar and banjo) (on 1930-12-23)
percussion:
Henry Prince (on 1930-12-23)
trombone:
Luther Craven (on 1930-12-23)
trumpet:
Louis Armstrong (on 1930-12-23), McClure Morris (on 1930-12-23) and Harold Scott (on 1930-12-23)
vocals:
Louis Armstrong (on 1930-12-23)
conductor:
Les Hite (on 1930-12-23)
recording of:
The Peanut Vendor (on 1930-12-23)
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
Louis Armstrong & Les Hite & His Orchestra3:31
49Sincerely
recording of:
Sincerely
writer:
Alan Freed (American disc jockey) (until 1954-10) and Harvey Fuqua (until 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) and ロックンロール ミュージック
Louis Armstrong2:56
50You Rascal You
Louis Armstrong & Les Hite & His Orchestra3:15