The Platinum Collection

~ Release by Blondie (see all versions of this release, 5 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleRatingLength
1Union City Blue
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, United States
recording of:
Union City Blue (from 1979-05 until 1979-06)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Blue, BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated) and Monster Island Music Publishing Corporation
33:20
2The Hardest Part
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, United States
recording of:
The Hardest Part (Blondie) (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
23:41
3Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
43:49
4Die Young Stay Pretty
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Jimmy Destri (from 1979-05 until 1979-06) and Frank Infante (from 1979-05 until 1979-06)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, United States
recording of:
Die Young Stay Pretty (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
23:33
5Slow Motion
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Deborah Harry (from 1979-05 until 1979-06) and Lorna Luft (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979) and Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, United States
recording of:
Slow Motion (Blondie) (from 1979-05 until 1979-06)
writer:
Ann Davis (Student Teachers) and Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
33:27
6Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
4.23:32
7The Tide Is High
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980)
recorded at:
United Western Recorders in Hollywood, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
4.453:53
8Susie and Jeffrey
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980)
recording of:
Susie and Jeffrey
writer:
Nigel Harrison and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Songs and Monster Island Music Publishing Corporation
34:08
9Rapture
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
United Western Recorders in Hollywood, United States (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
3.64:58
10Walk Like Me
assistant engineer:
Gary Boatner (Engineer) and Doug Schwartz
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1981), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (in 1980) and United Western Recorders in Hollywood, United States (in 1980)
recording of:
Walk Like Me (in 1980)
writer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher) and Rare Blue Music Inc
43:50
11Island of Lost Souls
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981-12)
drums (drum set):
Clem Burke (in 1981-12)
guest horn:
Rick Davies (US trombonist, member of Grupo Sabor) (in 1981-12), Mac Gollehon (in 1981-12), Ray Maldonado (in 1981-12) and Luis “Perico” Ortiz (in 1981-12)
guitar:
Frank Infante (in 1981-12) and Chris Stein (in 1981-12)
keyboard:
Jimmy Destri (in 1981-12)
lead vocals:
Deborah Harry (in 1981-12)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1982) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982)
recorded at:
The Hit Factory in Manhattan, United States (in 1981-12)
recording of:
Island of Lost Souls (in 1981-12)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
3.153:50
12Dragonfly
engineer:
Markie Iannello and Doug Schwartz
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, United States (in 1981-12)
mixed at:
United Western Recorders in Hollywood, United States
recording of:
Dragonfly (Blondie) (in 1981)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
35:58
13War Child
engineer:
Markie Iannello and Doug Schwartz
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
The Hit Factory in Manhattan, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, United States
recording of:
War Child (in 1981)
lyricist:
Deborah Harry
composer:
Nigel Harrison
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Songs, Monster Island Music Publishing Corporation, Rare Blue Music Inc (in 1982) and Red Admiral Music Inc. (publisher) (in 1982)
14:00
14Little Caesar
engineer:
Markie Iannello and Doug Schwartz
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1981)
drums (drum set):
Clem Burke (in 1981)
guest saxophone:
Robert Aaron (in 1981)
guitar:
Frank Infante (in 1981) and Chris Stein (in 1981)
keyboard:
Jimmy Destri (in 1981)
lead vocals:
Deborah Harry (in 1981)
instruments arranger:
Robert Aaron
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1982), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982)
recorded at:
The Hit Factory in Manhattan, United States (in 1981)
mixed at:
United Western Recorders in Hollywood, United States
recording of:
Little Caesar (in 1981)
lyricist:
Deborah Harry
composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1982)
3:01
15Out in the Streets
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
phonographic copyright (℗) by:
Shake Records (in 1975)
cover recording of:
Out in the Streets (in 1975)
writer:
Jeff Barry and Ellie Greenwich
publisher:
Malt Shoppe Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Steeplechase Music, Tender Tunes Inc., Tender Tunes Music Co., Inc., Trio Music Co., Inc. and Universal–Songs of PolyGram International, Inc.
2:22
16Platinum Blonde
phonographic copyright (℗) by:
Shake Records (in 1975)
recording of:
Platinum Blonde
writer:
Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher) and Monster Island Music Publishing Corporation
2:19
17The Thin Line
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
phonographic copyright (℗) by:
Shake Records (in 1975)
recording of:
The Thin Line (Blondie) (in 1975)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Monster Island Music Publishing Corporation
2:27
18Puerto Rico
phonographic copyright (℗) by:
Shake Records (in 1975)
recording of:
Puerto Rico
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Monster Island Music Publishing Corporation
2:07
19Once I Had a Love
engineer:
Rob Freeman (engineer)
producer:
Alan Betrock (Alan Betrock (1950-2000) was a New York music critic, magazine publisher, author and record producer.)
bass guitar and guitar:
Frank Infante (in 1975-06) and Chris Stein (in 1975-06)
drums (drum set):
Clem Burke (in 1975-06)
electric guitar [lead guitar] and vibraphone:
Chris Stein (in 1975-06)
electric guitar [rhythm guitar]:
Frank Infante (in 1975-06)
farfisa, grand piano, keyboard, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (in 1975-06)
background vocals:
Clem Burke (in 1975-06) and Jimmy Destri (in 1975-06)
lead vocals:
Deborah Harry (in 1975-06)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!), Capitol Records (imprint of Capitol Records, Inc.) (in 1975), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975) and Shake Records (in 1975)
recorded at:
Plaza Sound Studios in New York, United States (in 1975-06)
recording of:
Once I Had a Love (in 1975-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Monster Island Music Publishing Corporation
23:58
20Atomic (Diddy remix)
engineer:
Republica (UK alternative rock band)
additional producer:
Diddy (UK electronic producer/DJ Richard Dearlove)
producer:
Mike Chapman (Australian producer and songwriter)
remixer:
Diddy (UK electronic producer/DJ Richard Dearlove)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979, in 1994) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1994)
remix of:
Atomic (single version) by Blondie (US rock band)
recording of:
Atomic
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
4.54:03
21Rapture (K-Klass remix)
additional producer:
K‐Klass
remixer:
K‐Klass
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1994)
remix of:
Rapture by Blondie (US rock band)
recording of:
Rapture
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
3.354:22