The Benny Carter Sessions

~ Release by Sarah Vaughan (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1I Believe in You
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
3:06
2Honeysuckle Rose
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist) (on 1962-09-09)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-09-09)
cover recording of:
Honeysuckle Rose (on 1962-09-09)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
3:19
3Moonlight on the Ganges
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-08-15)
cover recording of:
Moonlight on the Ganges (on 1962-08-15)
lyricist:
Huntley Trevor and Chester Wallace
composer:
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
2:38
4The Lady’s in Love With You
cover recording of:
The Lady’s in Love With You
lyricist:
Frank Loesser
composer:
Burton Lane
2:15
5After You’ve Gone
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-08-15)
cover recording of:
After You’ve Gone (on 1962-08-15)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:40
6A Garden in the Rain
alto saxophone:
Bill Green (woodwind) (on 1962-08-14) and Paul Horn (on 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-14)
bass:
Joe Comfort (on 1962-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-14)
drums (drum set):
Earl Palmer (on 1962-08-14)
guitar:
Ulysses Livingston (on 1962-08-14)
piano:
Jimmy Rowles (on 1962-08-14)
tenor saxophone:
Buddy Collette (on 1962-08-14) and Plas Johnson (on 1962-08-14)
trombone:
Lou Blackburn (on 1962-08-14), Ed Kusby (on 1962-08-14) and Tommy Shepard (trombonist) (on 1962-08-14)
trumpet:
Don Fagerquist (on 1962-08-14), Carmell Jones (on 1962-08-14), Al Porcino (on 1962-08-14) and Shorty Sherock (on 1962-08-14)
tuba:
Red Callender (on 1962-08-14)
vocals:
Sarah Vaughan (on 1962-08-14)
conductor:
Benny Carter (on 1962-08-14)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-08-14)
cover recording of:
A Garden in the Rain (on 1962-08-14)
lyricist:
James Dyrenforth (in 1928)
composer:
Carroll Gibbons (in 1928)
3:18
7I Can’t Give You Anything but Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-08-15)
cover recording of:
I Can’t Give You Anything but Love, Baby (on 1962-08-15)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:11
8Trolly Song
alto saxophone:
Paul Horn (on 1962-09-09) and Wilbur Schwartz (on 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-09-09)
bass:
Joe Comfort (on 1962-09-09)
bass trombone:
Ken Shroyer (trombonist)
drums (drum set):
Earl Palmer (on 1962-09-09)
guitar:
Ulysses Livingston (on 1962-09-09)
piano:
Lou Levy (on 1962-09-09)
tenor saxophone:
Buddy Collette (on 1962-09-09), Plas Johnson (on 1962-09-09) and Dave Pell (on 1962-09-09)
trombone:
Lou Blackburn (on 1962-09-09), Ed Kusby (on 1962-09-09) and Tommy Shepard (trombonist) (on 1962-09-09)
trumpet:
Don Fagerquist (on 1962-09-09), Carmell Jones (on 1962-09-09), Al Porcino (on 1962-09-09) and Shorty Sherock (on 1962-09-09)
tuba:
Red Callender (on 1962-09-09)
vocals:
Sarah Vaughan (on 1962-09-09)
conductor:
Benny Carter (on 1962-09-09)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-09-09)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1962-09-09)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
2:40
9I’m Gonna Live Until I Die
alto saxophone:
Bill Green (woodwind) (on 1962-08-14) and Paul Horn (on 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-14)
bass:
Joe Comfort (on 1962-08-14)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-14)
drums (drum set):
Earl Palmer (on 1962-08-14)
guitar:
Ulysses Livingston (on 1962-08-14)
piano:
Jimmy Rowles (on 1962-08-14)
tenor saxophone:
Buddy Collette (on 1962-08-14) and Plas Johnson (on 1962-08-14)
trombone:
Lou Blackburn (on 1962-08-14), Ed Kusby (on 1962-08-14) and Tommy Shepard (trombonist) (on 1962-08-14)
trumpet:
Don Fagerquist (on 1962-08-14), Carmell Jones (on 1962-08-14), Al Porcino (on 1962-08-14) and Shorty Sherock (on 1962-08-14)
tuba:
Red Callender (on 1962-08-14)
vocals:
Sarah Vaughan (on 1962-08-14)
conductor:
Benny Carter (on 1962-08-14)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-08-14)
cover recording of:
I’m Gonna Live Till I Die (on 1962-08-14)
writer:
Mann Curtis, Al Hoffman and Walter Kent
2:07
10Falling in Love With Love
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-08-13)
cover recording of:
Falling in Love With Love (on 1962-08-13)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
11Great Day
cover recording of:
(It’s Gonna Be a) Great Day
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. and WC Music Corp.
2:05
12Nobody Else but Me
alto saxophone:
Bill Green (woodwind) (on 1962-08-13) and Paul Horn (on 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-13)
bass:
Joe Comfort (on 1962-08-13)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-13)
drums (drum set):
Earl Palmer (on 1962-08-13)
guitar:
Ulysses Livingston (on 1962-08-13)
piano:
Lou Levy (on 1962-08-13)
tenor saxophone:
Buddy Collette (on 1962-08-13) and Plas Johnson (on 1962-08-13)
trombone:
Lou Blackburn (on 1962-08-13), Ed Kusby (on 1962-08-13) and Tommy Shepard (trombonist) (on 1962-08-13)
trumpet:
Carmell Jones (on 1962-08-13), Reunald Jones (on 1962-08-13), Al Porcino (on 1962-08-13) and Shorty Sherock (on 1962-08-13)
tuba:
Red Callender (on 1962-08-13)
vocals:
Sarah Vaughan (on 1962-08-13)
conductor:
Benny Carter (on 1962-08-13)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1962-08-13)
cover recording of:
Nobody Else but Me (on 1962-08-13)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
3:14
13Lonely Hours
recording of:
Lonely Hours
writer:
Hy Glaser and Jerry Solomon (songwriter)
4:06
14I’ll Never Be the Same
bass:
Red Callender (on 1963-06-13)
drums (drum set):
Alvin Stoller (on 1963-06-13)
guitar:
Barney Kessel (on 1963-06-13) and Tommy Tedesco (guitar) (on 1963-06-13)
piano:
Jimmy Rowles (on 1963-06-13)
reeds:
Bill Green (woodwind) (on 1963-06-13), Buddy Collette (on 1963-06-13), Bill Hood (Jazz multi-instrumentalist) (on 1963-06-13), Plas Johnson (on 1963-06-13) and Wilbur Schwartz (on 1963-06-13)
trombone:
Ed Kusby (on 1963-06-13) and Dick Nash (on 1963-06-13)
trumpet:
Bobby Bryant (on 1963-06-13), Conrad Gozzo (on 1963-06-13), Carmell Jones (on 1963-06-13) and Shorty Sherock (on 1963-06-13)
vocals:
Sarah Vaughan (on 1963-06-13)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1963-06-13)
cover recording of:
I’ll Never Be the Same (on 1963-06-13)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP)
3:47
15If I Had You
bass:
Joe Comfort (on 1963-06-12)
drums (drum set):
Alvin Stoller (on 1963-06-12)
French horn:
Vincent DeRosa (from 1963-06-02 until 1963-06-12, on 1963-06-12), Jack Cave (on 1963-06-12), Dick Perissi (on 1963-06-12) and William Hinshaw (American horn player) (on 1963-06-12)
guitar:
Barney Kessel (on 1963-06-12)
piano:
Jimmy Rowles (on 1963-06-12)
tuba:
Red Callender (on 1963-06-12)
vocals:
Sarah Vaughan (on 1963-06-12)
conductor:
Benny Carter (on 1963-06-12)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1963-06-12)
cover recording of:
If I Had You (obscure Irving Berlin song) (on 1963-06-12)
lyricist and composer:
Irving Berlin
cover recording of:
If I Had You (jazz standard)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
3:56
16Friendless
3:13
17You’re Driving Me Crazy
bass:
Joe Comfort (on 1963-06-12)
drums (drum set):
Alvin Stoller (on 1963-06-12)
French horn:
Jack Cave (on 1963-06-12), Vincent DeRosa (on 1963-06-12), Dick Perissi (on 1963-06-12) and William Hinshaw (American horn player) (on 1963-06-12)
guitar:
Barney Kessel (on 1963-06-12)
piano:
Jimmy Rowles (on 1963-06-12)
tuba:
Red Callender (on 1963-06-12)
vocals:
Sarah Vaughan (on 1963-06-12)
conductor:
Benny Carter (on 1963-06-12)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1963-06-12)
cover recording of:
You’re Driving Me Crazy (on 1963-06-12)
lyricist and writer:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
3:01
18Always on My Mind
bass:
Joe Comfort (on 1963-06-12)
drums (drum set):
Alvin Stoller (on 1963-06-12)
French horn:
Jack Cave (on 1963-06-12), Vincent DeRosa (on 1963-06-12), Dick Perissi (on 1963-06-12) and William Hinshaw (American horn player) (on 1963-06-12)
guitar:
Barney Kessel (on 1963-06-12)
piano:
Jimmy Rowles (on 1963-06-12)
tuba:
Red Callender (on 1963-06-12)
vocals:
Sarah Vaughan (on 1963-06-12)
conductor:
Benny Carter (on 1963-06-12)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1963-06-12)
recording of:
Always on My Mind (on 1963-06-12)
lyricist:
Norman Newell
composer:
Philip Green (British conductor, composer and instrumentalist)
3:04
19Look for Me, I’ll Be Around
recording of:
Look for Me (I’ll Be Around)
writer:
Sylvia Dee (American lyricist) and Guy Wood
3:21
20What’ll I Do
cover recording of:
What’ll I Do?
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
2:54
21Solitude
bass:
Red Callender (on 1963-06-13)
drums (drum set):
Alvin Stoller (on 1963-06-13)
guitar:
Barney Kessel (on 1963-06-13) and Tommy Tedesco (guitar) (on 1963-06-13)
piano:
Jimmy Rowles (on 1963-06-13)
reeds:
Bill Green (woodwind) (on 1963-06-13), Buddy Collette (on 1963-06-13), Bill Hood (Jazz multi-instrumentalist) (on 1963-06-13), Plas Johnson (on 1963-06-13) and Wilbur Schwartz (on 1963-06-13)
trombone:
Ed Kusby (on 1963-06-13) and Dick Nash (on 1963-06-13)
trumpet:
Bobby Bryant (on 1963-06-13), Conrad Gozzo (on 1963-06-13), Carmell Jones (on 1963-06-13) and Shorty Sherock (on 1963-06-13)
vocals:
Sarah Vaughan (on 1963-06-13)
conductor:
Benny Carter (on 1963-06-13)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1963-06-13)
cover recording of:
(In My) Solitude (on 1963-06-13)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
3:50
22These Foolish Things Remind Me of You
cover recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
3:48
23The Man I Love
bass:
Red Callender (on 1963-06-14)
drums (drum set):
Earl Palmer (on 1963-06-14)
guitar:
Bobby Gibbons (on 1963-06-14)
piano:
Jimmy Rowles (on 1963-06-14)
trombone:
Bob Knight (Trombonist) (on 1963-06-14), Ed Kusby (on 1963-06-14), Dick Nash (on 1963-06-14) and Tommy Shepard (trombonist) (on 1963-06-14)
vocals:
Sarah Vaughan (on 1963-06-14)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, United States (on 1963-06-14)
cover recording of:
The Man I Love (on 1963-06-14)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
4:06
24So Long My Love
recording of:
So Long, My Love
lyricist:
Sammy Cahn
composer:
Lew Spence
2:39

Credits

Release

ASIN:US: B000005GX5 [info]