Now That’s What I Call a Decade 1990s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Vision of Love
percussion programming:
Ren Klyce
programming:
Ben Margulies
engineer:
Patrick Dillett
additional producer:
Narada Michael Walden
producer:
Rhett Lawrence
mixer:
David Frazer (engineer)
bass guitar:
Marcus Miller (jazz musician)
drums (drum set):
Ben Margulies
guitar:
Jimmy Rip
keyboard:
Rhett Lawrence
background vocals:
Mariah Carey
arranger:
Mariah Carey, Ben Margulies and Christopher W. Toland
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1990)
recorded at:
Skyline Recording Studio in New York, United States
mixed at:
Oakshire Recorders in Los Angeles, United States and Tarpan Studios in San Rafael, United States
music videos:
Vision of Love by Mariah Carey
recording of:
Vision of Love
writer:
Mariah Carey and Ben Margulies
publisher:
Been Jammin' Music, Sony Songs Inc. and Vision of Love Songs
Mariah Carey4.353:26
2All I Wanna Do
engineer:
Blair Lamb
producer:
Bill Bottrell
recording of:
All I Wanna Do
writer:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) and Kevin Gilbert (singer–songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Reservoir One America, Sony/ATV Tunes LLC, WB Music Corp. (1929–2019) and Zen of Iniquity
Sheryl Crow3.854:31
3No Rain
assistant engineer:
Mr. Jon Plum
engineer:
Rick Parashar
producer and mixer:
Blind Melon and Rick Parashar
recorded at:
London Bridge Studios in Seattle, United States
music videos:
No Rain by Blind Melon
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 414)
recording of:
No Rain
writer:
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens and Christopher Thorn
publisher:
EMI April Music Inc. and Heavy Melon Music
Blind Melon4.43:34
4You Get What You Give
producer:
Gregg Alexander
bass:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
membranophone:
Gary Ferguson (Session drummer)
percussion:
Juliet Prater
piano:
Rick Nowels
arranger:
Gregg Alexander
additional vocals arranger:
Richard Podolor
part of:
Indie 88: Top 500 Indie Rock Songs (number: 390)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals4.64:55
5American Woman
programming, engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
lead vocals:
Lenny Kravitz
arranger:
Lenny Kravitz
cover recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
Cirrus Musik and Dunbar Music Inc.
Lenny Kravitz4.254:19
6Little Miss Can’t Be Wrong
engineer:
Peter Denenberg
producer and mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion and background vocals:
Aaron Comess
vocals:
Chris Barron
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1991)
recording of:
Little Miss Can’t Be Wrong
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3.83:52
7All Star
artist & repertoire support:
Tom Whalley
assistant engineer:
Trevor Adkinson (engineer for Smash Mouth)
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional editor:
Jacquire King
additional keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar:
Paul De Lisle
drums (drum set):
Kevin Coleman
electronic instruments:
Mark Camp (Smash Mouth collaborator) and Chris Racine
guitar:
Greg Camp
keyboard:
Michael Klooster
background vocals:
Greg Camp and Paul De Lisle
lead vocals:
Steve Harwell
music videos:
All Star by Smash Mouth (US rock band from San Jose, CA)
recording of:
All Star
lyricist and composer:
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
Smash Mouth4.73:18
8…Baby One More Time
recording engineer, producer and mixer:
Max Martin and Rami (Rami Yacoub)
bass:
Tomas Lindberg (Swedish bass player)
guitar:
Johan Carlberg
background vocals:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) and Zomba Recording LLC (in 1999)
mixed for and produced for:
Cheiron Productions
recorded at and mixed at:
Cheiron Studios in Stockholm
music videos:
…Baby One More Time by Britney Spears, …Baby One More Time (official music video) by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 205)
recording of:
…Baby One More Time
lyricist and composer:
Max Martin
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. and ヤマハミュージックEH(CM)
part of:
Freaky Friday (2003)
Britney Spears4.053:29
9Gettin’ Jiggy Wit It
recording engineer:
Ken "DURO" Ifill (mix engineer Ken Ifill)
co-producer:
L.E.S. (QB hip hop producer)
producer:
Poke and Tone
assistant mixer:
Chris Ribando
mixer:
Rich Travali
bass guitar:
Lanar "Kern" Brantley (US bassist)
guitar [lead guitar]:
David Foreman
keyboard [keyboards]:
Timothy "Tyme" Riley (US drummer Timothy Riley)
turntable [scratches]:
DJ Jazzy Jeff (DJ/turntablist)
recorded at:
Right Track Studios in Manhattan, United States
mixed at:
The Hit Factory in Manhattan, United States
samples:
He’s the Greatest Dancer by Sister Sledge and Sang and Dance by The Bar‐Kays
recording of:
Gettin’ Jiggy Wit It
writer:
Samuel Barnes, Bernard Edwards, Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers and Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC, Treball Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith4.253:47
10This Is How We Do It
samples:
Children’s Story by Slick Rick
recording of:
This Is How We Do It
writer:
Montell Jordan, Oji Pierce and Ricky Walters (US rapper Slick Rick)
publisher:
Chrysalis Music Ltd. (music publisher), Songs of Universal, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Montell Jordan4.53:54
11I’ll Make Love to You
drums (drum set) programming:
Rayford Griffin
assistant engineer:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg and Jamie Seyberth
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
bass:
Reggie Hamilton
synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
recorded at:
Larrabee Sound Studios in North Hollywood, United States and The Enterprise (aka Enterprise Studios) in Burbank, United States
mixed at:
Encore Recording Studios in Burbank, United States
recording of:
I’ll Make Love to You
lyricist and composer:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:55
12I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:30
13I Swear
All‐4‐One4:16
14I Don’t Want to Miss a Thing
assistant engineer:
Alex Dejonge (engineer) and Rob Murphy (Engineer)
engineer and mixer:
Dave Thoener
producer:
Matt Serletic
strings arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at and mixed at:
The Hit Factory in Manhattan, United States
part of:
The Downloader’s Music Source Book (number: 228)
recording of:
I Don’t Want to Miss a Thing
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs (ended), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 71st Academy Award for Best Original Song (number: 2)
Aerosmith4.154:57
15Hold On
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (Engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
additional guitar:
Joe Walsh (Eagles/James Gang)
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa (Brazilian percussionist)
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (1989-07-24–present) (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips4.654:23
16One of Us
recording of:
One of Us
lyricist and composer:
Eric Bazilian
Joan Osborne5:02
17Run-Around
additional assistant recording engineer:
Brian Sperber
assistant recording engineer:
Todd Vos
engineer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
producer and mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional assistant mixer:
Jay Ryan (recording engineer)
assistant mixer:
Eric Thompson (Sound and mixing engineer)
acoustic guitar, electric guitar and mandolin:
Chan Kinchla
bass and fretless bass:
Bobby Sheehan
drums (drum set) and percussion:
Brendan Hill (Blues Traveler)
harmonica and background vocals and lead vocals:
John Popper
keyboard and piano:
Chuck Leavell
percussion:
Bashiri Johnson
arranger:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Blues Traveler and Steve Thompson (producer)
music videos:
Run-Around by Blues Traveler
recording of:
Run-Around
lyricist and composer:
John Popper
publisher:
Blues Traveler Publishing Corporation
Blues Traveler4.454:36
18What I Got
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
acoustic guitar:
Michael "Miguel" Happoldt
organ:
David Kahne
turntable:
Marshall Goodman
samples:
Have Your Ass Home by 11:00 by Richard Pryor, It’s a New Day by Skull Snaps and Life Is… Too $hort by Too $hort
part of:
Indie 88: Top 500 Indie Rock Songs (number: 81)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
Sublime4.452:50

Credits

Release

purchase for mail-order:https://earwaxrecords.net/UPC/602435973883 [info]

Release group

part of:Now That's What I Call A Decade (US) (number: 3)
NOW That's What I Call… (USA compilations outside the main numbered series) (order: 74)