Messe in H-Moll

~ Release by J. S. Bach; Akademie für Alte Musik Berlin, René Jacobs (see all versions of this release, 1 available)

Annotation

Limited edition, 5000 copies

Annotation last modified on 2017-02-21 15:24 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Messe in H-Moll, I. Missa: 1. Kyrie eleison
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach10:11
2Messe in H-Moll, I. Missa: 2. Christe eleison
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
soprano vocals:
Bernarda Fink (mezzo-soprano) (in 1992-09) and Hillevi Martinpelto (soprano) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:21
3Messe in H-Moll, I. Missa: 3. Kyrie eleison
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:17
4Messe in H-Moll, I. Missa: 4. Gloria in excelsis Deo
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:49
5Messe in H-Moll, I. Missa: 5. Et in terra pax
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:41
6Messe in H-Moll, I. Missa: 6. Laudamus te
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
soprano vocals:
Bernarda Fink (mezzo-soprano) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:17
7Messe in H-Moll, I. Missa: 7. Gratias agimus tibi
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:32
8Messe in H-Moll, I. Missa: 8. Domine Deus
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
soprano vocals:
Hillevi Martinpelto (soprano) (in 1992-09)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:29
9Messe in H-Moll, I. Missa: 9. Qui tollis peccata mundi
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
alto vocals:
Axel Köhler (in 1992-09)
bass vocals:
Matthias Goerne (baritone) (in 1992-09) and Franz-Josef Selig (operatic bass) (in 1992-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
soprano vocals:
Bernarda Fink (mezzo-soprano) (in 1992-09) and Hillevi Martinpelto (soprano) (in 1992-09)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:30
10Messe in H-Moll, I. Missa: 10. Qui sedes ad dextram Patris
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
alto vocals:
Axel Köhler (in 1992-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:15
11Messe in H-Moll, I. Missa: 11. Quoniam tu solus sanctus
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
bass vocals:
Franz-Josef Selig (operatic bass) (in 1992-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:38
12Messe in H-Moll, I. Missa: 12. Cum Sancto Spiritu
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:48
▼ CD 2
#TitleArtistRatingLength
1Messe in H-Moll, II. Symbolum Nicenum (Credo): 1. Credo in unum Deum
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:42
2Messe in H-Moll, II. Symbolum Nicenum (Credo): 2. (Credo in unum Deum) Patrem omnipotentem
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:02
3Messe in H-Moll, II. Symbolum Nicenum (Credo): 3. Et in unum Dominum
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
alto vocals:
Axel Köhler (in 1992-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
soprano vocals:
Hillevi Martinpelto (soprano) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:59
4Messe in H-Moll, II. Symbolum Nicenum (Credo): 4. Et incarnatus est
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
alto vocals:
Axel Köhler (in 1992-09)
bass vocals:
Matthias Goerne (baritone) (in 1992-09) and Franz-Josef Selig (operatic bass) (in 1992-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
soprano vocals:
Bernarda Fink (mezzo-soprano) (in 1992-09) and Hillevi Martinpelto (soprano) (in 1992-09)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:37
5Messe in H-Moll, II. Symbolum Nicenum (Credo): 5. Crucifixus
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:18
6Messe in H-Moll, II. Symbolum Nicenum (Credo): 6. Et resurrexit
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
alto vocals:
Axel Köhler (in 1992-09)
bass vocals:
Matthias Goerne (baritone) (in 1992-09) and Franz-Josef Selig (operatic bass) (in 1992-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
soprano vocals:
Bernarda Fink (mezzo-soprano) (in 1992-09) and Hillevi Martinpelto (soprano) (in 1992-09)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:51
7Messe in H-Moll, II. Symbolum Nicenum (Credo): 7. Et in spiritum sanctum
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
bass vocals:
Matthias Goerne (baritone) (in 1992-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:57
8Messe in H-Moll, II. Symbolum Nicenum (Credo): 8. Confiteor unum baptisma
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:05
9Messe in H-Moll, II. Symbolum Nicenum (Credo): 9. Et experto resurrectionem
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:06
10Messe in H-Moll, III. Sanctus: Sanctus
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:17
11Messe in H-Moll, IV. Osanna, Benedictus, Agnus dei et dona nobis pacem: 1. Osanna in excelsis
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:34
12Messe in H-Moll, IV. Osanna, Benedictus, Agnus dei et dona nobis pacem: 2. Benedictus
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
tenor vocals:
Christoph Prégardien (tenor) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:16
13Messe in H-Moll, IV. Osanna, Benedictus, Agnus dei et dona nobis pacem: 3. Osanna in excelsis
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:34
14Messe in H-Moll, IV. Osanna, Benedictus, Agnus dei et dona nobis pacem: 4. Agnus Dei
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
soprano vocals:
Bernarda Fink (mezzo-soprano) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:59
15Messe in H-Moll, IV. Osanna, Benedictus, Agnus dei et dona nobis pacem: 5. Dona nobis pacem
recording engineer:
Horst-Dieter Kaeppler
producer:
Bernd Runge
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992-09)
orchestra:
Akademie für Alte Musik Berlin (in 1992-09)
conductor:
René Jacobs (conductor) (in 1992-09)
balance engineer:
Eberhard Hinz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1992-09)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1992-09)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:06

Credits

Release

manufactured in:Germany
printed in:Germany
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
manufactured by:Optimal Production
copyrighted (©) by:Edel Classics GmbH (in 2006)
phonographic copyright (℗) by:edel records GmbH (in 1993)
Discogs:https://www.discogs.com/release/5397430 [info]