80s on the Edge

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: EMI/Capitol
Note: Promotion item given away with subscriptions to Entertainment Weekly


Label: EMI/Capitol
Note: Promotion item given away with subscriptions to Entertainment Weekly

Annotation last modified on 2013-10-16 20:01 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Is There Something I Should Know
co-producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
producer:
Duran Duran (English rock band) and Ian Little (producer, engineer, songwriter)
mixer:
Ian Little (producer, engineer, songwriter) and Alex Sadkin
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
Is There Something I Should Know?
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.154:07
2Doctor! Doctor!
recording of:
Doctor! Doctor!
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
Thompson Twins4:39
3Promises, Promises
recording of:
Promises, Promises
writer:
Pete Byrne and Rob Fisher (British keyboardist and half of the 80s synthpop duo Naked Eyes)
Naked Eyes4:01
4It's a Miracle
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London) (in 1983) and Red Bus Studios in London (Greater London) (in 1983)
music videos:
It’s a Miracle by Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.753:26
5Mirror ManThe Human League23:53
6Kiss Me
recording of:
Kiss Me
lyricist and composer:
Stephen Duffy
publisher:
EMI Music Ltd. (in 1985)
Stephen Duffy3:29
7Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:36
8Let Me Go
recording of:
Let Me Go!
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174:17
9Locomotion
engineer:
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) and Brian Tench
producer:
Orchestral Manoeuvres in the Dark and Brian Tench
piano:
Gordian Troeller (band manager)
performer:
Orchestral Manoeuvres in the Dark
brass arranger:
Tony Visconti
recording of:
Locomotion (OMD)
writer:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey and Gordian Troeller (band manager)
publisher:
Virgin Music, Inc. (The American arm of Virgin's publishing company)
Orchestral Manoeuvres in the Dark33:55
10Destination UnknownMissing Persons4.653:34
11Da Da Da
engineer:
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
producer:
Klaus Voormann (in 1982-01)
bass guitar:
Klaus Voormann (in 1982-01)
castanets:
Hans‐Joachim Behrendt (in 1982-01)
drums (drum set):
Peter Behrens (in 1982-01)
keyboard:
Stephan Remmler (in 1982-01)
background vocals:
Annette Humpe (in 1982-01)
lead vocals:
Stephan Remmler (in 1982)
performer:
Kralle Krawinkel (in 1982-01)
engineered at:
Audio Studios in Berlin (in 1982-01) and Powerplay Studios in Maur (in 1982-01)
edit of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha by Trio (80s German band)
music videos:
Da Da Da (I Don't Love You) by Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982)
lyricist and composer:
Kralle (in 1981) and Stephan Remmler (in 1981)
translator:
Kralle and Stephan Remmler
publisher:
Just Us Music Production GmbH
translated version of:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:28
1219
producer:
Paul Hardcastle
music videos:
19 (music video) by Paul Hardcastle
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
Paul Hardcastle3.63:37
CD 2
#TitleArtistRatingLength
1We Close Our Eyes
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West3:44
2Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recorded at:
The Town House in Shepherd's Bush
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd.
Frankie Goes to Hollywood3.953:57
3Alive and Kicking
producer:
Bob Clearmountain and Jimmy Iovine
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Publishing Ltd.
Simple Minds3.54:48
4Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie43:51
5I Know What Boys Like
recording of:
I Know What Boys Like
lyricist and composer:
Chris Butler (US musician, writer and artist, led The Waitresses)
The Waitresses3:17
6Mexican Radio
recording of:
Mexican Radio
writer:
Marc Moreland and Stan Ridgway
Wall of Voodoo4:11
7Love My Way
recording of:
Love My Way
lyricist and composer:
John Ashton, Richard Butler (singer), Tim Butler and Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd. and EMI Songs Musikverlag GmbH
The Psychedelic Furs3:35
8Only the Lonely
producer:
Val Garay
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
recording of:
Only the Lonely
lyricist and composer:
Martha Davis (of The Motels)
The Motels4.53:15
9Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use!)
The Specials3.93:41
10Just Got Lucky
recording of:
Just Got Lucky
writer:
Chris Bostock and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1983)
JoBoxers4:48
11The Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Jambo Music Limited and Metric Music Ltd.
Re-Flex3:58
12Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
membranophone:
John Keeble (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:50

Credits

Release

ASIN:US: B000FI4KK8 [info]