Die Zauberflöte

~ Release by Mozart; Wilhelm Furtwängler, Lipp, Seefried, Oravez, Greindl, Schmitt‐Walter, Schöffler (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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1Die Zauberflöte: Erster Aufzug. Ouvertüre
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Ouvertüre (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart7:13
2Die Zauberflöte: Erster Aufzug. “Zu Hilfe! Zu Hilfe!” (Tamino · Drei Damen)
alto vocals [3. Dame]:
Elisabeth Höngen (mezzosoprano / contralto) (on 1949-07-27)
soprano vocals [1. Dame]:
Gertrude Grob-Prandl (soprano) (on 1949-07-27)
soprano vocals [2. Dame]:
Sieglinde Wagner (contralto) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:39
3Die Zauberflöte: Erster Aufzug. “Wo bin ich? — Der Vogelfänger bin ich ja” (Tamino · Papageno)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:36
4Die Zauberflöte: Erster Aufzug. “Heda! — Was da?” (Tamino · Papageno · Drei Damen)
alto vocals [3. Dame]:
Elisabeth Höngen (mezzosoprano / contralto) (on 1949-07-27)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [1. Dame]:
Gertrude Grob-Prandl (soprano) (on 1949-07-27)
soprano vocals [2. Dame]:
Sieglinde Wagner (contralto) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. Dialog „He da!” … „Was da!” (Tamino, Papageno) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:52
5Die Zauberflöte: Erster Aufzug. “Dies Bildnis ist bezaubernd schön” (Tamino)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:36
6Die Zauberflöte: Erster Aufzug. “Rüste dich mit Mut” (Drei Damen · Tamino)
alto vocals [3. Dame]:
Elisabeth Höngen (mezzosoprano / contralto) (on 1949-07-27)
soprano vocals [1. Dame]:
Gertrude Grob-Prandl (soprano) (on 1949-07-27)
soprano vocals [2. Dame]:
Sieglinde Wagner (contralto) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. Dialog „Rüste dich mit Mut und Standhaftigkeit, schöner Jüngling” (Drei Damen, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:32
7Die Zauberflöte: Erster Aufzug. “Es verkündet die Ankunft — O zittre nicht” (Drei Damen · Königin der Nacht)
alto vocals [3. Dame]:
Elisabeth Höngen (mezzosoprano / contralto) (on 1949-07-27)
soprano vocals [1. Dame]:
Gertrude Grob-Prandl (soprano) (on 1949-07-27)
soprano vocals [2. Dame]:
Sieglinde Wagner (contralto) (on 1949-07-27)
soprano vocals [Königin der Nacht]:
Wilma Lipp (soprano) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:22
8Die Zauberflöte: Erster Aufzug. “Hm! hm! hm! hm! hm! hm! hm!” (Papageno · Tamino · Drei Damen · Monostatos)
alto vocals [3. Dame]:
Elisabeth Höngen (mezzosoprano / contralto) (on 1949-07-27)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [1. Dame]:
Gertrude Grob-Prandl (soprano) (on 1949-07-27)
soprano vocals [2. Dame]:
Sieglinde Wagner (contralto) (on 1949-07-27)
tenor vocals [Monostatos]:
Peter Klein (tenor) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart9:24
9Die Zauberflöte: Erster Aufzug. “Du feines Täubchen, nur herein!” (Monostatos · Pamina · Papageno)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Monostatos]:
Peter Klein (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:50
10Die Zauberflöte: Erster Aufzug. “Mutter! — Bin ich nicht ein Narr” (Pamina · Papageno)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. Monolog „Mutter! Mutter!” … „Wie? Noch schlägt dies Herz?” (Pamina) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:23
11Die Zauberflöte: Erster Aufzug. “Bei Männern, welche Liebe fühlen” (Pamina · Papageno)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:29
12Die Zauberflöte: Erster Aufzug. Finale: “Zum Ziele führt dich diese Bahn” (Drei Knaben)
soprano vocals [1. Knabe]:
Elisabeth Rutgers (operatic soprano) (on 1949-07-27)
soprano vocals [2. Knabe]:
Ruthilde Boesch (soprano) (on 1949-07-27)
soprano vocals [3. Knabe]:
Polly Batic (austrian operatic mezzo-soprano) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
partial recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:07
13Die Zauberflöte: Erster Aufzug. Finale: “Die Weisheitslehre dieser Knaben” (Tamino · Sprecher · Priester · Stimmen)
bass vocals [Sprecher]:
Paul Schöffler (bass-baritone) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
partial recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart9:36
14Die Zauberflöte: Erster Aufzug. Finale: “Wie stark ist nicht dein Zauberton” (Tamino)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
partial recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:38
15Die Zauberflöte: Erster Aufzug. Finale: “Schnelle Fuße, rascher Mut” (Pamina · Papageno · Monostatos · Chor)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
choir vocals:
Chor der Wiener Staatsoper (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Monostatos]:
Peter Klein (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:22
16Die Zauberflöte: Erster Aufzug. Finale: “Herr, ich bin zwar Verbrechein” (Pamina · Sarastro · Monostatos · Tamino · Chor)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
choir vocals:
Chor der Wiener Staatsoper (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Monostatos]:
Peter Klein (tenor) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart7:39
▼ CD 2
#TitleArtistRatingLength
1Die Zauberflöte: Zweiter Aufzug. Marsch der Priester
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:37
2Die Zauberflöte: Zweiter Aufzug. “Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro · Priester · Sprecher)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
bass vocals [Sprecher]:
Paul Schöffler (bass-baritone) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:01
3Die Zauberflöte: Zweiter Aufzug. “O Isis und Osiris” (Sarastro · Chor)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
choir vocals:
Chor der Wiener Staatsoper (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:04
4Die Zauberflöte: Zweiter Aufzug. “Eine schreckliche Nacht!” (Tamino · Papageno · Sprecher · Zweiter Priester)
baritone vocals [2. Priester]:
Karl Dönch (light bass-baritone) (on 1949-07-27)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
bass vocals [1. Priester]:
Hermann Gallos (tenor) (on 1949-07-27)
bass vocals [Sprecher]:
Paul Schöffler (bass-baritone) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:17
5Die Zauberflöte: Zweiter Aufzug. “Bewahret euch vor Weibertücken” (Sprecher · Zweiter Priester)
baritone vocals [2. Priester]:
Karl Dönch (light bass-baritone) (on 1949-07-27)
bass vocals [1. Priester]:
Hermann Gallos (tenor) (on 1949-07-27)
bass vocals [Sprecher]:
Paul Schöffler (bass-baritone) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:06
6Die Zauberflöte: Zweiter Aufzug. “He, Lichter her! — Wie? Wie? Wie?” (Papageno · Tamino · Drei Damen · Priester)
alto vocals [3. Dame]:
Elisabeth Höngen (mezzosoprano / contralto) (on 1949-07-27)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [1. Dame]:
Gertrude Grob-Prandl (soprano) (on 1949-07-27)
soprano vocals [2. Dame]:
Sieglinde Wagner (contralto) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:44
7Die Zauberflöte: Zweiter Aufzug. “Heil dir, Jüngling!” (Sprecher · Zweiter Priester · Papageno)
baritone vocals [2. Priester]:
Karl Dönch (light bass-baritone) (on 1949-07-27)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
bass vocals [1. Priester]:
Hermann Gallos (tenor) (on 1949-07-27)
bass vocals [Sprecher]:
Paul Schöffler (bass-baritone) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:09
8Die Zauberflöte: Zweiter Aufzug. “Ha, da find ich ja die spröde Schöne! Alles fühlt der Liebe Freuden” (Monostatos · Königin der Nacht · Pamina)
soprano vocals [Königin der Nacht]:
Wilma Lipp (soprano) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Monostatos]:
Peter Klein (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:05
9Die Zauberflöte: Zweiter Aufzug. “Der Hölle Rache kocht in meinem Herzen” (Königin der Nacht)
soprano vocals [Königin der Nacht]:
Wilma Lipp (soprano) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:16
10Die Zauberflöte: Zweiter Aufzug. “Morden soll ich?” (Pamina · Monostatos · Sarastro)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Monostatos]:
Peter Klein (tenor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:10
11Die Zauberflöte: Zweiter Aufzug. “In diesen heil’gen Hallen” (Sarastro)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:45
12Die Zauberflöte: Zweiter Aufzug. “Hier seid ihr euch beide allein überlassen” (Papageno · Papagena)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [Papagena]:
Edith Oravez (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
13Die Zauberflöte: Zweiter Aufzug. “Seid uns zum zweitenmal willkommen” (Drei Knaben)
soprano vocals [1. Knabe]:
Elisabeth Rutgers (operatic soprano) (on 1949-07-27)
soprano vocals [2. Knabe]:
Ruthilde Boesch (soprano) (on 1949-07-27)
soprano vocals [3. Knabe]:
Polly Batic (austrian operatic mezzo-soprano) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:41
14Die Zauberflöte: Zweiter Aufzug. “Tamino, wollen wir nicht speisen?” (Papageno · Pamina · Tamino)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte,: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:37
15Die Zauberflöte: Zweiter Aufzug. “Ach, ich fühl’s, es ist verschwunden” (Pamina)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:13
16Die Zauberflöte: Zweiter Aufzug. “Nicht wahr, Tamino” (Papageno)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:52
▼ CD 3
#TitleArtistRatingLength
1Die Zauberflöte: Zweiter Aufzug. “O Isis und Osiris, welche Wonne!” (Chor)
choir vocals:
Chor der Wiener Staatsoper (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:47
2Die Zauberflöte: Zweiter Aufzug. “Prinz, dein Betragen” (Sarastro · Pamina · Tamino)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:59
3Die Zauberflöte: Zweiter Aufzug. “Soll ich dich, Teurer, nicht mehr sehn?” (Pamina · Sarastro · Tamino)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:46
4Die Zauberflöte: Zweiter Aufzug. “Tamino!” (Papageno · Stimme · Sprecher)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
bass vocals [Sprecher]:
Paul Schöffler (bass-baritone) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:50
5Die Zauberflöte: Zweiter Aufzug. “Ein Mädchen oder Weibchen” (Papageno · Papagena · Sprecher)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
bass vocals [Sprecher]:
Paul Schöffler (bass-baritone) (on 1949-07-27)
soprano vocals [Papagena]:
Edith Oravez (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:45
6Die Zauberflöte: Zweiter Aufzug. Finale: “Bald prangt, den Morgen zu verkünden” (Drei Knaben · Pamina)
soprano vocals [1. Knabe]:
Elisabeth Rutgers (operatic soprano) (on 1949-07-27)
soprano vocals [2. Knabe]:
Ruthilde Boesch (soprano) (on 1949-07-27)
soprano vocals [3. Knabe]:
Polly Batic (austrian operatic mezzo-soprano) (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:59
7Die Zauberflöte: Zweiter Aufzug. Finale: “Der, welcher wandert diese Straße” (Geharnischte · Tamino)
bass vocals [2. Geharnischter]:
Hermann Uhde (on 1949-07-27)
tenor vocals [1. Geharnischter]:
Ernst Haefliger (tenor) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:36
8Die Zauberflöte: Zweiter Aufzug. Finale: “Tamino mein!” (Pamina · Tamino · Geharnischte)
bass vocals [2. Geharnischter]:
Hermann Uhde (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [1. Geharnischter]:
Ernst Haefliger (tenor) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:11
9Die Zauberflöte: Zweiter Aufzug. Finale: “Wir wandelten durch Feuergluten” (Pamina · Tamino · Chor)
choir vocals:
Chor der Wiener Staatsoper (on 1949-07-27)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (on 1949-07-27)
tenor vocals [Tamino]:
Walther Ludwig (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:41
10Die Zauberflöte: Zweiter Aufzug. Finale: “Papagena! Papagena!” (Papageno · Drei Knaben · Papagena)
baritone vocals [Papageno]:
Karl Schmitt-Walter (baritone) (on 1949-07-27)
soprano vocals [1. Knabe]:
Elisabeth Rutgers (operatic soprano) (on 1949-07-27)
soprano vocals [2. Knabe]:
Ruthilde Boesch (soprano) (on 1949-07-27)
soprano vocals [3. Knabe]:
Polly Batic (austrian operatic mezzo-soprano) (on 1949-07-27)
soprano vocals [Papagena]:
Edith Oravez (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart8:12
11Die Zauberflöte: Zweiter Aufzug. Finale: “Nur stille, stille, stille, stille!” (Königin der Nacht · Drei Damen · Monostatos)
alto vocals [3. Dame]:
Elisabeth Höngen (mezzosoprano / contralto) (on 1949-07-27)
soprano vocals [1. Dame]:
Gertrude Grob-Prandl (soprano) (on 1949-07-27)
soprano vocals [2. Dame]:
Sieglinde Wagner (contralto) (on 1949-07-27)
soprano vocals [Königin der Nacht]:
Wilma Lipp (soprano) (on 1949-07-27)
tenor vocals [Monostatos]:
Peter Klein (tenor) (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:15
12Die Zauberflöte: Zweiter Aufzug. Finale: “Die Strahlen der Sonne” (Sarastro · Chor)
bass vocals:
Josef Greindl (operatic bass) (on 1949-07-27)
choir vocals:
Chor der Wiener Staatsoper (on 1949-07-27)
orchestra:
Wiener Philharmoniker (on 1949-07-27)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-07-27)
recorded at:
Felsenreitschule in Salzburg (on 1949-07-27)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (on 1949-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:41