Don Giovanni

~ Release by Mozart; Eberhard Wächter, Joan Sutherland, Elisabeth Schwarzkopf, Giuseppe Taddei, Luigi Alva, Piero Cappuccilli, Graziella Sciutti, Gottlob Frick, Philharmonia Chorus & Orchestra, Carlo Maria Giulini (see all versions of this release, 9 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:00
2Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Zerlina]:
Graziella Sciutti (soprano) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
3Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:34
4Don Giovanni, K. 527: Act I, Scene XVII. "Presto, presto, pria ch'ei venga"
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:49
5Don Giovanni, K. 527: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:30
6Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elivira, Don Ottavio, Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:08
7Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:21
8Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
9Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:13
10Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
11Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:09
12Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:06
13Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:35
14Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:51
15Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:47
16Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Don Giovanni]:
Eberhard Wächter (baritone) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:51
17Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:06
18Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:13
19Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / Act II, Scene VI. Recitativo "Ahi ahi! la testa mia" (Masetto, Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:39
20Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:15
21Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:21
22Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:24
23Don Giovanni, K. 527: Act II, Scene II. Quintetto "Mille torbidi pensieri" (Donna Elvira, Donna Anna, Leporello, Masetto, Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:24
24Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:19
25Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:52
26Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:30
27Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Don Ottavio]:
Luigi Alva (tenor) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:38
28Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1]
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:48
29Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2]
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:46
▶ CD 3