Messiah / Saul / Alexander's Feast / Ode on St Cecilia's day / Belshazzar

~ Release by Handel; Nikolaus Harnoncourt, Concentus Musicus Wien (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Messiah, HWV 56: Part II: XXIV: Chorus "Surely he hath borne our griefs and carried our sorrows"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:08
2Messiah, HWV 56: Part II: XXV: Chorus "And with his stripes we are healed"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:58
3Messiah, HWV 56: Part II: XXVI: Chorus "All we like sheep have gone astray"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:53
4Messiah, HWV 56: Part II: XXVII: Recitative "All they that see him laugh him to scorn" (tenor)
tenor vocals:
Werner Hollweg (tenor) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:52
5Messiah, HWV 56: Part II: XXVIII: Chorus "He trusted in God that he would deliver him"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:31
6Messiah, HWV 56: Part II: XXIX: Recitative "Thy rebuke hath broken his heart" (soprano)
soprano vocals:
Elizabeth Gale (soprano) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:45
7Messiah, HWV 56: Part II: XXX: Air "Behold, and see if there be any sorrow like unto his sorrow" (soprano)
soprano vocals:
Elizabeth Gale (soprano) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:29
8Messiah, HWV 56: Part II: XXXI: Recitative "He was cut off out of the land of the living" (tenor)
tenor vocals:
Werner Hollweg (tenor) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:31
9Messiah, HWV 56: Part II: XXXII: Air "But thou didst not leave his soul in hell" (tenor)
tenor vocals:
Werner Hollweg (tenor) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:45
10Messiah, HWV 56: Part II: XXXIII: Chorus "Lift up your heads, o ye gates"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
11Messiah, HWV 56: Part II: XXXIV: Recitative "Unto which of the angels said he at any time" (tenor)
tenor vocals:
Werner Hollweg (tenor) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:15
12Messiah, HWV 56: Part II: XXXV: Chorus "Let all the angels of God worship him"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:35
13Messiah, HWV 56: Part II: XXXVI: Air "Though art gone up on high, thou hast led captivity captive" (alto)
alto vocals:
Marjana Lipovšek (mezzo soprano) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:18
14Messiah, HWV 56: Part II: XXXVII: Chorus "The Lord gave the word: great was the company of the preachers"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:15
15Messiah, HWV 56: Part II: XXXVIII: Air "How beautiful are the feet of them that preach the gospel of peace" (soprano)
soprano vocals:
Elizabeth Gale (soprano) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:13
16Messiah, HWV 56: Part II: XXXIX: Chorus "Their sound is gone out into all lands"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:25
17Messiah, HWV 56: Part II: XL: Air "Why do the nations so furiously rage together" (bass)
bass vocals:
Roderick Kennedy (operatic bass) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:07
18Messiah, HWV 56: Part II: XLI: Chorus "Let us break their bonds asunder"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:44
19Messiah, HWV 56: Part II: XLII: Recitative "He that dwelleth in heaven shall laugh them to scorn" (tenor)
tenor vocals:
Werner Hollweg (tenor) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:14
20Messiah, HWV 56: Part II: XLIII: Air "Thou shalt break them with a rod of iron" (tenor)
tenor vocals:
Werner Hollweg (tenor) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:59
21Messiah, HWV 56: Part II: XLIV: Chorus "Hallelujah"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
vocals and performer:
Concentus Musicus Wien
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:42
22Messiah, HWV 56: Part III: XLV: Air "I know that my Redeemer liveth" (soprano)
soprano vocals:
Elizabeth Gale (soprano) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:01
23Messiah, HWV 56: Part III: XLVI: Chorus "Since by man came death"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:59
24Messiah, HWV 56: Part III: XLVII: Recitative: "Behold, I tell you a mystery" (bass)
bass vocals:
Roderick Kennedy (operatic bass) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:38
25Messiah, HWV 56: Part III: XLVIII: Air "The trumpet shall sound" (bass)
bass vocals:
Roderick Kennedy (operatic bass) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel9:12
26Messiah, HWV 56: Part III: XLIX: Recitative"Then shall be brought to pass the saying that is written" (alto)
alto vocals:
Marjana Lipovšek (mezzo soprano) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:19
27Messiah, HWV 56: Part III: L: Duet "O death, where is thy sting?" (alto, tenor)
alto vocals:
Marjana Lipovšek (mezzo soprano) (in 1982-11)
tenor vocals:
Werner Hollweg (tenor) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:00
28Messiah, HWV 56: Part III: LI: Chorus "But thanks be to God, who giveth us the victory"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:06
29Messiah, HWV 56: Part III: LII: Air "If God be for us, who can be against us?" (soprano)
soprano vocals:
Elizabeth Gale (soprano) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:54
30Messiah, HWV 56: Part III: LIII: Chorus "Worthy is the Lamb that was slain"
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir) (in 1982-11)
orchestra:
Concentus Musicus Wien (in 1982-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1982-11)
chorus master:
Eric Ericson (in 1982-11)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1982-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:32
▶ CD 3
▶ CD 4
▶ CD 5
▶ CD 6
▶ CD 7
▶ CD 8
▶ CD 9