Deluxe

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Her Unforgettable Classics
▼ CD 2: She’s Got the Whole World in Her Hands
#TitleRatingLength
1He Needs Me
recorded in:
New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
lyricist and composer:
Arthur Hamilton
publisher:
Warner Chappell North America
52:30
2Tomorrow (We Will Meet Once More)
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, United States (in 1959)
recording of:
Tomorrow (We Will Meet Once More) (in 1959)
writer:
Stephen Gale and Jerry Silverman
43:02
3It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
part of:
State Fair (1945 film soundtrack)
3:56
4Blue Prelude
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, United States (in 1959)
cover recording of:
Blue Prelude (in 1959)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
43:21
5Little Girl Blue
cover recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
4:18
6Good Bait
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
cover recording of:
Good Bait
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.655:28
7He’s Got the Whole World in His Hands
recorded in:
New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
3:10
8Theme (From the Middle of the Night)
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, United States (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
writer:
George Bassman and Paddy Chayefsky
32:30
9Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, United States (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
3.353:13
10That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, United States (in 1959)
cover recording of:
That’s Him Over There (in 1959)
lyricist:
Marilyn Bergman
composer:
Lew Spence
4.352:32
11Nobody Knows You When You’re Down and Out
cover recording of:
Nobody Knows You When You’re Down and Out
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:40
12Can’t Get Out of This Mood
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, United States (in 1959)
cover recording of:
Can’t Get Out of This Mood (in 1959)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
42:33
13African Mailman
recorded in:
New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
recording of:
African Mailman (in 1957-12)
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. Ltd.
3:10
14Plain Gold Ring
recorded in:
New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
recorded at:
Beltone Studios in New York, United States (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
lyricist:
George Stone (composer)
composer:
Blue Sky Black Death (US hip hop production duo), Earl Burroughs and George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) and Hank Snow Music (on 1959-09-21)
33:57
▶ CD 3: The Other Woman