Messe H-Moll, BWV 232

~ Release by J.S. Bach; Isabelle Poulenard, Guillemette Laurens, René Jacobs, John Elwes, Max van Egmond, Harry van der Kamp, Collegium Musicum Van de Nederlandse Bachvereging, La Petite Bande, Gustav Leonhardt (see all versions of this release, 3 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Messe H-moll, BWV 232: Teil II. Credo. Chor "Credo unum Deum"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:27
2Messe H-moll, BWV 232: Teil II. Credo. Chor "Patrem omnipotentem"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:04
3Messe H-moll, BWV 232: Teil II. Credo. Duetto "Et in unum Dominum"
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
soprano vocals:
Isabelle Poulenard (soprano) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:56
4Messe H-moll, BWV 232: Teil II. Credo. Chor "Et incarnatus est"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:16
5Messe H-moll, BWV 232: Teil II. Credo. Chor "Crucifixus"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:52
6Messe H-moll, BWV 232: Teil II. Credo. Chor "Et resurrexit"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:05
7Messe H-moll, BWV 232: Teil II. Credo. Arie "Et in Spiritum Sanctum"
bass vocals:
Max van Egmond (bass-baritone) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:34
8Messe H-moll, BWV 232: Teil II. Credo. Chor "Confiteor"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:09
9Messe H-moll, BWV 232: Teil II. Credo. Chor "Et expecto"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:11
10Messe H-moll, BWV 232: Teil II. Sanctus. Chor "Sanctus"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:20
11Messe H-moll, BWV 232: Teil II. Sanctus. Doppelchor "Osanna" (1)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
12Messe H-moll, BWV 232: Teil II. Sanctus. Arie "Benedictus"
tenor vocals:
John Elwes (tenor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:11
13Messe H-moll, BWV 232: Teil II. Sanctus. Doppelchor: Osanna" (2)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
14Messe H-moll, BWV 232: Teil II. Agnus dei. Arie "Agnus Dei"
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:39
15Messe H-moll, BWV 232: Teil II. Agnus dei. Chor "Dona nobis pacem"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:04