Jazz From A to Z, Part 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
▼ Digital Media 1
#TitleArtistRatingLength
1Abracadabra
Andy Narell6:36
2Blues March
Art Blakely6:18
3Crazy Rhythm
Bill Harris & Ben Webster4:57
4Do It Fluid
recording of:
Do It Fluid
writer:
Donald Byrd (American jazz trumpeter)
publisher:
Elgy Music
The Blackbyrds5:25
5Harlem River Drive
Bobbi Humphrey9:10
6Drive My Car
engineer:
Chris Tergesen
producer:
Linda Goldstein
vocals:
Bobby McFerrin
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, United States (in 1988)
cover recording of:
Drive My Car
writer:
John Lennon (The Beatles) (from 1965-09 until 1965-10) and Paul McCartney (The Beatles) (from 1965-09 until 1965-10)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部
written at:
Kenwood (John Lennon’s former house) in Weybridge (from 1965-09 until 1965-10)
Bobby McFerrin32:42
7Ginza Samba
double bass:
Scott LaFaro
drums (drum set):
Billy Higgins (US jazz drummer)
guitar:
Eddie Duran
piano:
Vince Guaraldi (pianist)
tenor saxophone:
Stan Getz
vibraphone:
Cal Tjader
Cal Tjader & Stan Getz Sextet11:01
8Lilly Was Here
guest saxophone:
Candy Dulfer
recording of:
Lily Was Here
composer:
Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. and Eligible Music Ltd.
Candy Dulfer & Dave Stewart4:26
9Better Get Hit in Your Soul
recorded in:
New York, United States (on 1959-05-05)
producer:
Teo Macero
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-05-05)
double bass:
Charles Mingus (on 1959-05-05)
drums (drum set):
Dannie Richmond (drummer) (on 1959-05-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1959-05-05)
tenor saxophone:
Curtis Porter (on 1959-05-05) and Booker Ervin (on 1959-05-05)
trombone:
Jimmy Knepper (Trombonist) (on 1959-05-05)
recording of:
Better Git It in Your Soul (on 1959-05-05)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus57:25
10Fables of Faubus
recorded in:
New York, United States (on 1959-05-05)
producer:
Teo Macero
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-05-05)
double bass:
Charles Mingus (on 1959-05-05)
drums (drum set):
Dannie Richmond (drummer) (on 1959-05-05)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1959-05-05)
tenor saxophone:
Curtis Porter (on 1959-05-05) and Booker Ervin (on 1959-05-05)
trombone:
Jimmy Knepper (Trombonist) (on 1959-05-05)
instrumental recording of:
Fables of Faubus (instrumental version) (on 1959-05-05)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
recording of:
Fables of Faubus (instrumental version)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus8:14
11Land of Make Believe
recording of:
Land of Make Believe
composer:
Chuck Mangione
Chuck Mangione & Esther Satterfield12:25
12Feels So Good
recording of:
Feel So Good
writer:
Chuck Mangione
Chuck Mangione59:43
13Caravan
producer:
Daddy-O Daylie (radio host)
bass:
Jimmy Woode (on 1957-07-26)
flute and saxophone:
Mike Simpson (saxophone, flute) (on 1957-07-26)
guitar:
Remo Biondi (on 1957-07-26)
membranophone:
Sam Woodyard (on 1957-07-26)
piano:
Willie Jones (piano) (on 1957-07-26)
trumpet:
Clark Terry (American swing trumpeter) (on 1957-07-26)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, United States (on 1957-07-26)
Clark Terry & Paul Gonsalves2:01
14Body and Soul
recording of:
Body and Soul (on 1939-07-01)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Coleman Hawkins3:03
15Blue Rondo a La Turk
alto saxophone:
Paul Desmond (on 1959-07-01)
double bass [bass]:
Eugene Wright (bass) (on 1959-07-01)
drums (drum set):
Joe Morello (on 1959-07-01)
piano:
Dave Brubeck (on 1959-07-01)
recorded at:
Columbia 30th Street Studio in Manhattan, United States (on 1959-07-01)
recording of:
Blue Rondo à la Turk (on 1959-07-01)
composer:
Dave Brubeck
publisher:
Budde Music France, Derry Music Company, Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
Dave Brubeck6:46
16Also Sprach Zarathustra
recording of:
Also sprach Zarathustra (2001) (arr. Deodato jazz-funk style)
composer:
Richard Strauss (German composer)
arranger:
Eumir Deodato
publisher:
EMI Full Keel Music and Publishing One's Music
version of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
Eumir Deodato9:02
17Manha de Carnaval
bass:
Bob Cranshaw (on 1965-05-28)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-05-28)
piano:
Barry Harris (Jazz pianist) (on 1965-05-28)
tenor saxophone:
Dexter Gordon (on 1965-05-28)
vibraphone:
Bobby Hutcherson (on 1965-05-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (on 1965-05-28)
cover recording of:
Manhã de Carnaval (on 1965-05-28)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
Dexter Gordon8:25
▼ Digital Media 2
#TitleArtistRatingLength
1I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Dinah Washington5:20
2Lover Come Back to Me
vocals:
Dinah Washington (in 1954)
cover recording of:
Lover, Come Back to Me (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Dinah Washington9:54
3Cristo Redentor
Donald Byrd5:40
4The Black Disciple
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (on 1963-01-12)
recording of:
The Black Disciple
writer:
Donald Byrd (American jazz trumpeter)
Donald Byrd8:12
5Long Way From Brooklyn
Down to the Bone5:46
6Listen Here
recorded in:
New York, United States (on 1967-03-20)
producer:
Arif Mardin
bass:
Melvin Jackson (Chicago-born bassist and composer) (on 1967-03-20)
drums (drum set):
Richard Smith (drums) (on 1967-03-20)
percussion:
Ray Barretto (on 1967-03-20) and Joe Wohletz (on 1967-03-20)
piano:
Jodie Christian (on 1967-03-20)
saxophone:
Eddie Harris (saxophone, piano, vocals) (on 1967-03-20)
recording of:
Listen Here
composer:
Eddie Harris (saxophone, piano, vocals)
publisher:
Hargrove Music and Seventh House, Ltd.
Eddie Harris7:42
7It Don't Mean a Thing (If It Ain't Got That Swing)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Duke Ellington7:16
8First Light
recording engineer:
Rudy van Gelder (on 1971-09-16)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1971-09-16)
clarinet and flute:
George Marge (on 1971-09-16)
drums (drum set):
Jack DeJohnette (on 1971-09-16)
flute:
Hubert Laws (on 1971-09-16)
French horn:
Ray Alonge (french horn) (on 1971-09-16) and Jim Buffington (US jazz, studio and classical hornist) (on 1971-09-16)
guitar:
George Benson (jazz guitarist/singer) (on 1971-09-16)
harp:
Margaret Ross (harp) (on 1971-09-16)
percussion:
Airto Moreira (percussionist) (on 1971-09-16)
piano:
Richard Wyands (on 1971-09-16)
trumpet:
Freddie Hubbard (on 1971-09-16)
vibraphone:
Phil Kraus (on 1971-09-16)
violin:
Paul Gershman (on 1971-09-16), Emanuel Green (on 1971-09-16), Harold Kohon (on 1971-09-16), Joe Malin (on 1971-09-16), David Nadien (on 1971-09-16), Gene Orloff (on 1971-09-16), Matthew Raimondi (on 1971-09-16), Tosha Samaroff (on 1971-09-16) and Irving Spice (violinist, concertmaster and strings) (on 1971-09-16)
wind instruments:
Romeo Penque (on 1971-09-16)
conductor:
Don Sebesky (on 1971-09-16)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (in 1971-09, on 1971-09-16)
recording of:
First Light (on 1971-09-16)
composer:
Freddie Hubbard
publisher:
Hubtones Music Co. (Freddie Hubbard)
Freddie Hubbard11:08
9Breezin'
recording engineer:
Al Schmitt (from 1976-01-06 until 1976-01-08)
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
mixer:
Al Schmitt
bass guitar and guitar [rhythm guitar]:
Phil Upchurch (from 1976-01-06 until 1976-01-08)
clavinet and piano:
Jorge Dalto (from 1976-01-06 until 1976-01-08)
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-01-06 until 1976-01-08)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1976-01-06 until 1976-01-08)
Minimoog [mini-moog] and electric piano:
Ronnie Foster (from 1976-01-06 until 1976-01-08)
percussion:
Ralph MacDonald (from 1976-01-06 until 1976-01-08)
conductor:
Claus Ogerman (from 1976-01-06 until 1976-01-08)
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States (from 1976-01-06 until 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, United States
cover recording of:
Breezin’ (from 1976-01-06 until 1976-01-08)
composer:
Bobby Womack
publisher:
Unart Music Corp. (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and 日本アブコ音楽出版
George Benson45:40
10Love Ballad
producer:
Tommy LiPuma
bass:
Robert Popwell
clavinet, piano [acoustic piano] and Wurlitzer electric piano:
Jorge Dalto
drums (drum set):
Steve Gadd (drummer)
electric piano [Yamaha CP 30] and Moog [mini-moog, polymoog]:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer)
guitar [rhythm guitar]:
Phil Upchurch
percussion:
Ralph MacDonald
Rhodes piano [Fender Rhodes]:
Jorge Dalto and Ronnie Foster
vocals:
George Benson (jazz guitarist/singer)
conductor:
Mike Mainieri
orchestrator:
Mike Mainieri
cover recording of:
Love Ballad
lyricist and composer:
Skip Scarborough
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
George Benson4:17
11The Bottle
recording of:
The Bottle
lyricist and composer:
Gil Scott‐Heron
publisher:
Brouhaha Music Inc. and Castle Music Ltd.
Gil Scott‐Heron & Brian Jackson5:13
12Mambo Inn
recording engineer:
Rudy van Gelder (on 1962-04-26)
producer:
Alfred Lion
congas:
Carlos “Patato” Valdés (on 1962-04-26)
double bass:
Wendell Marshall (on 1962-04-26)
drums (drum set):
Willie Bobo (on 1962-04-26)
guitar:
Grant Green (jazz guitarist) (on 1962-04-26)
piano:
Johnny Acea (on 1962-04-26)
shekere [chekere]:
Garvin Masseaux (on 1962-04-26)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (on 1962-04-26)
recording of:
Mambo Inn (on 1962-04-26)
composer:
Edgar Sampson
Grant Green5:50
13Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
Grover Washington, Jr.57:24
14Bags' Groove
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-06-23)
drums (drum set):
Art Taylor (on 1957-06-23)
piano:
Sonny Clark (on 1957-06-23)
saxophone:
Curtis Porter (on 1957-06-23)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1957-06-23)
trumpet:
Bill Hardman (on 1957-06-23)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, United States (on 1957-06-23)
recording of:
Bags’ Groove (on 1957-06-23)
composer:
Milt Jackson
Hank Mobley5:59
15Chameleon
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and David Rubinson
agogô, balafon, cabasa, congas, gankogui, percussion [beer bottle], percussion [log drum], shekere, surdo, tambourine and whistle:
Bill Summers (in 1973-09)
alto flute, bass clarinet, soprano saxophone and tenor saxophone:
Bennie Maupin (in 1973-09)
bass, electric bass guitar and marímbula:
Paul Jackson (jazz bassist) (in 1973-09)
clavinet, Rhodes piano and synthesizer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1973-09)
drums (drum set):
Harvey Mason (jazz drummer) (in 1973-09)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1973)
recorded at:
Different Fur Studios in San Francisco, United States (in 1973-09) and Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, United States (in 1973-09)
recording of:
Chameleon (in 1973-09)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Paul Jackson (jazz bassist), Harvey Mason (jazz drummer) and Bennie Maupin
Herbie Hancock515:45
16Maiden Voyage
recording engineer:
Rudy van Gelder (on 1965-03-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
bass:
Ron Carter (US jazz double-bassist) (on 1965-03-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-03-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-03-17)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1965-03-17)
trumpet:
Freddie Hubbard (on 1965-03-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (on 1965-03-17)
recording of:
Maiden Voyage (on 1965-03-17)
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:58
17Hijack
recording of:
Hi-Jack
lyricist and composer:
Fernando Arbex
Herbie Mann5:12
▼ Digital Media 3
#TitleArtistRatingLength
1Grazing in the Grass
recording of:
Grazing in the Grass (instrumental)
composer:
Philemon Hou
Hugh Masekela2:37
2Cafe Reggio's
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell
electric piano, organ, piano and vibraphone:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
recording of:
Café Regio’s
composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
Shaft (1971 film soundtrack)
Isaac Hayes6:00
3I've Got a Woman
Jimmy McGriff4:35
4(I'm Your) Hoochie Coochie Man
organ:
Jimmy Smith (US jazz organist) (on 1966-06-14)
Jimmy Smith6:00
5Fungii Mama
guitar:
Kenny Burrell (on 1986-01-03)
organ:
Jimmy Smith (US jazz organist) (on 1986-01-03)
percussion:
Crusher Bennett (on 1986-01-03)
tenor saxophone:
Stanley Turrentine (on 1986-01-03)
recording of:
Fungii Mama (on 1986-01-03)
composer:
Blue Mitchell (American trumpet player)
Jimmy Smith4:51
6Got My Mojo Working
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1965-12-17)
baritone saxophone:
Jerome Richardson (on 1965-12-17)
bass guitar and double bass:
George Duvivier (on 1965-12-17)
drums (drum set):
Grady Tate (on 1965-12-17)
guitar:
Kenny Burrell (on 1965-12-17)
organ:
Jimmy Smith (US jazz organist) (on 1965-12-17)
tenor saxophone and woodwind:
Romeo Penque (on 1965-12-17)
trumpet:
Ernie Royal (on 1965-12-17)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1965-12-17)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Got My Mojo Working (Muddy Waters arrangement) (on 1965-12-17)
additional writer:
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Dare Music Co.
version of:
Got My Mojo Working (original version)
instrumental cover recording of:
Got My Mojo Working (original version) (on 1965-12-17)
lyricist and composer:
Preston Foster
publisher:
Dare Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jimmy Smith8:03
7If I Were a Bell
cover recording of:
If I Were a Bell (Guys and Dolls)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (full musical)
John Coltrane & Miles Davis8:31
8A Love Supreme (Acknowledgemen)
recording engineer:
Rudy van Gelder (on 1964-12-09)
producer:
Bob Thiele (producer & songwriter)
double bass [bass]:
Jimmy Garrison (on 1964-12-09)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-12-09)
piano:
McCoy Tyner (jazz pianist) (on 1964-12-09)
tenor saxophone:
John Coltrane (on 1964-12-09)
vocals:
John Coltrane (in 1964-12)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (on 1964-12-09)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 315)
recording of:
A Love Supreme, Part 1: Acknowledgement (on 1964-12-09)
composer:
John Coltrane
part of:
A Love Supreme
John Coltrane7:45
9Giant Steps
recording engineer:
Tom Dowd and Phil Iehle
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Warner Music France (in 2010) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2022)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane3.64:47
10Da-Duh-Dah
King Curtis5:11
11Is It You
recording of:
Is It You?
lyricist:
Bill Champlin and Eric Tagg
composer:
Lee Ritenour
publisher:
Budde Music Inc. (US publisher), Captain Fingers Productions, Downtown DLJ Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and Rit of Habeas Music
Lee Ritenour4:25
12Compared to What
Les McCann & Eddie Harris8:57
13Expansions
Lonnie Liston Smith & The Cosmic Echoes6:09
14Alligator Boogaloo
recording of:
Alligator Bogaloo
writer:
Lou Donaldson
Lou Donaldson6:56
15Duke's Place
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, United States (from 1961-04-03 until 1961-04-04)
recording of:
Duke’s Place (in 1961-04)
lyricist:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
“C” Jam Blues
Louis Armstrong & Duke Ellington5:08
16Garvey's Ghost
recorded in:
New York, United States (in 1961-08)
producer:
Max Roach (20th century US jazz drummer & composer)
bass:
Art Davis (US jazz double bassist) (in 1961-08)
congas:
Carlos “Patato” Valdés (in 1961-08)
cowbell:
Carlos "Totico" Eugenio (in 1961-08)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1961-08)
piano:
Mal Waldron (American jazz pianist) (in 1961-08)
tenor saxophone:
Clifford Jordan (in 1961-08)
trombone:
Julian Priester (in 1961-08)
trumpet:
Booker Little (in 1961-08)
woodwind:
Eric Dolphy (in 1961-08)
vocals:
Abbey Lincoln (in 1961-08)
Max Roach7:54
17In Walked Bud
bass:
Avery Sharpe (Jazz bassist) (from 1991-02-27 until 1991-02-28)
drums (drum set):
Aaron Scott (US jazz composer & drummer) (from 1991-02-27 until 1991-02-28)
piano:
McCoy Tyner (jazz pianist) (from 1991-02-27 until 1991-02-28)
phonographic copyright (℗) by:
enja (German jazz label)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, United States (from 1991-02-27 until 1991-02-28)
recording of:
In Walked Bud (in 1991-02)
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
McCoy Tyner6:51
▼ Digital Media 4
#TitleArtistRatingLength
1Jumping at the Woodside
Milt Hinton5:11
2The Israelites
cover recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc. and Sparta Music (publisher) (in 1978)
Monty Alexander & Ernest Ranglin4:16
3Hoe-Down
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (on 1961-02-23)
recording of:
Hoe‐Down (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer)
publisher:
Noslen Music Company (Oliver Nelson)
Oliver Nelson4:43
4Dat Dere
producer:
Al Ham
double bass:
Joe Benjamin (US jazz bassist) (on 1960-10-14), Frank Carroll (US bass player) (on 1960-10-14) and George Duvivier (on 1960-10-14)
drums (drum set):
George Devens (on 1960-10-14), Panama Francis (US swing jazz drummer) (on 1960-10-14), Osie Johnson (on 1960-10-14) and Bobby Rosengarden (on 1960-10-14)
guitar:
Don Arnone (on 1960-10-14), Everett Barksdale (on 1960-10-14) and Al Chernet (on 1960-10-14)
piano:
Bernie Leighton (on 1960-10-14), Alonzo Levister (on 1960-10-14) and Floyd Morris (on 1960-10-14)
saxophone:
Phil Bodner (Woodwind player) (on 1960-10-14), Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1960-10-14) and Joe Soldo (on 1960-10-14)
trumpet:
Billy Butterfield (on 1960-10-14) and Joe Wilder (on 1960-10-14)
lead vocals:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) (on 1960-10-14)
recording of:
Dat Dere (on 1960-10-14)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Bobby Timmons
Oscar Brown Jr.2:52
5Parkside Shuffle
engineer and mixer:
Richard Sadler (bass player, Neil Cowley Trio)
producer:
Stuart Wade (UK acid jazz DJ)
additional guitar:
Ian Crabtree
bass:
Julian Crampton
clavinet, piano, Rhodes piano and synthesizer:
Neil Angilley (pianist)
guitar:
Tony Rémy
horn:
The D.C. Horns
membranophone:
Adam Riley
solo saxophone:
Paul "Shilts" Wiemar
horn arranger:
Stuart Wade (UK acid jazz DJ)
additional arranger:
The D.C. Horns
arranger:
Stuart Wade (UK acid jazz DJ)
recorded at and mixed at:
Down to the Bone Studios (New Haw) in Surrey
Down to the Bone6:12
6Cool Aid
Paul Humphrey & His Cool Aid Chemists2:39
7Hum-Allah-Hum-Allah-Hum Allah
producer:
Ed Michel
bass:
Richard Davis (American jazz bassist) (on 1969-10-20) and Cecil McBee (on 1969-10-20)
bell, contrabass clarinet, percussion and tenor saxophone:
Pharoah Sanders (US jazz saxophonist) (on 1969-10-20)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1969-10-20)
drums (drum set) and percussion:
Idris Muhammad (on 1969-10-20)
flute [African flute], mbira [African thumb piano], percussion and piano:
Lonnie Liston Smith (on 1969-10-20)
percussion:
Leon Thomas (American jazz vocalist) (on 1969-10-20)
vocals:
Leon Thomas (American jazz vocalist) (on 1969-10-20)
recorded at:
Plaza Sound Studios in New York, United States (on 1969-10-20)
recording of:
Hum-Allah-Hum-Allah-Hum Allah (on 1969-10-20)
composer:
Lonnie L. Smith and Pharoah Sanders (US jazz saxophonist)
Pharoah Sanders & Leon Thomas15:10
8Gula Matari
Quincy Jones & Valerie Simpson13:02
9Killer Joe
recording of:
Killer Joe
composer:
Benny Golson
Quincy Jones25:13
10Icy
Rafe Gomez3:04
11Ain't No Sunshine
engineer:
Lew Hahn
producer:
Joel Dorn
bass:
Henry Pearson (on 1971-08-31)
congas:
Richard Landrum (on 1971-08-31)
drums (drum set):
Khalil Mhdri (on 1971-08-31)
grand piano [baby grand piano]:
Sonelius Smith
guitar:
Billy Butler (jazz guitarist) (on 1971-08-31)
percussion:
Joe Habad Texidor (on 1971-08-31)
piano:
Sonelius Smith (on 1971-08-31)
woodwind:
Roland Kirk (on 1971-08-31)
vocals:
Rahsaan Roland Kirk (on 1971-08-31)
remixer:
Lew Hahn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, United States (on 1971-08-31)
cover recording of:
Ain’t No Sunshine (on 1971-08-31)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Rahsaan Roland Kirk42:27
12Jam on the Groove
Ralph MacDonald6:53
13Hang on Sloopy
Ramsey Lewis3:18
14The 'In' Crowd
instrumental recording of:
The “In” Crowd
orchestrator:
Gene Page
lyricist and composer:
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
Ramsey Lewis5:51
15Little Brown Jug
accordion:
Gil Goldstein
bass:
Matthew Parrish
clarinet:
Paquito D’Rivera
membranophone:
Alvester Garnett
piano:
Xavier Davis
violin:
Regina Carter (jazz violinist)
Regina Carter4:47
16The Groove
Rodney Franklin4:59
▼ Digital Media 5
#TitleArtistRatingLength
1Clear-Cut Boogie
Sonny Rollins7:09
2Mambo Bounce
recording of:
Mambo Bounce
composer:
Sonny Rollins
Sonny Rollins2:26
3The Girl From Ipanema
Stan Getz & Astrud Gilberto5:16
4Desifinado
Stan Getz & Charlie Byrd5:55
5I Got Rhythm
assistant engineer:
Stéphane Reichart
engineer:
Claude Ermelin (a.k.a. Claude Battistini)
producer:
Yves Chamberland and Francis Dreyfus
grand piano [Steinway Piano D Model]:
Michel Petrucciani (from 1995-06-15 until 1995-06-17)
violin:
Stéphane Grappelli (jazz violinist) (from 1995-06-15 until 1995-06-17)
Stéphane Grappelli, McCoy Tyner & Michel Petrucciani5:51
6Flamingo
cover recording of:
Flamingo
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
Terry Gibbs4:42
7Country Preacher
alto saxophone:
Cannonball Adderley (in 1975)
bass:
Walter Booker (in 1975)
congas:
Airto Moreira (percussionist) (in 1975)
cornet:
Nat Adderley (in 1975)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1975)
keyboard:
Michael Wolff (American jazz pianist) (in 1975)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
recording of:
Country Preacher (in 1975)
composer:
Joe Zawinul (jazz and fusion keyboard player)
The Cannonball Adderley Quintet4:29
8Don't Let It Get You Down
The Jazz Crusaders3:23
9The First Time Ever I Saw Your Face
drums (drum set):
Robert Manigault (US drummer and songwriter)
The Jimmy Castor Bunch6:28
10Flying Home
Lionel Hampton Big Band feat. Illinois Jacquet3:14
11Liza (All the Clouds'll Roll Away)
producer:
Teo Macero
double bass [bass]:
Larry Gales (on 1964-10-06)
drums (drum set):
Ben Riley (American jazz drummer) (on 1964-10-06)
piano:
Thelonious Monk (on 1964-10-06)
tenor saxophone:
Charlie Rouse (on 1964-10-06)
recorded at:
CBS 30th Street Studio in Manhattan, United States (on 1964-10-06)
instrumental recording of:
Liza (All the Clouds’ll Roll Away) (on 1964-10-06)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
part of:
An American in Paris (2015 Broadway musical)
Thelonious Monk4:39
12Cantaloop Flip Fantasia
Us34:39
13Cast Your Fate to the Wind
Vince Guaraldi3:06
14Adam's Apple
recording of:
Adam's Apple
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter6:46
15Etcetera
recording engineer:
Rudy van Gelder (on 1965-06-14)
producer:
Alfred Lion
bass:
Cecil McBee (on 1965-06-14)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1965-06-14)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-06-14)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-06-14)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, United States (on 1965-06-14)
recording of:
Etcetera (on 1965-06-14)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter6:21
16Birdland
Weather Report6:00
17Little Tracy
producer:
Creed Taylor
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1963-11-14)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1963-11-14)
guitar:
Kenny Burrell (on 1963-11-14)
piano:
Wynton Kelly (on 1963-11-14)
conductor:
Claus Ogerman (on 1963-11-14)
arranger:
Claus Ogerman
phonographic copyright (℗) by:
Verve Label Group
Wynton Kelly2:38