Blossom Dearie (expanded edition)

~ Release by Blossom Dearie (see all versions of this release, 5 available)

Annotation

Countries excluded (iTunes + Deezer + Spotify)

(As of 2022-08-17).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Annotation last modified on 2022-08-17 09:36 UTC.

Tracklist

▼ Digital Media 1
#TitleRatingLength
1’Deed I Do
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
’Deed I Do (from 1956-09-11 until 1956-09-12)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
2:14
2Lover Man (Oh Where Can You Be)
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Lover Man (from 1956-09-11 until 1956-09-12)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
2:47
3Everything I’ve Got
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Ev’rything I’ve Got (from 1956-09-11 until 1956-09-12)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:30
4Comment allez‐vous
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Comment allez vous (from 1956-09-11 until 1956-09-12)
composer:
Murray Grand
2:13
5More Than You Know
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
instrumental recording of:
More Than You Know (from 1956-09-11 until 1956-09-12)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
3:29
6Thou Swell
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Thou Swell (from 1956-09-11 until 1956-09-12)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises and Warner Bros. (holding: File NO Releases)
3:02
7It Might as Well Be Spring
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
C’est le printemps (from 1956-09-11 until 1956-09-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
translator:
Jean Geiringer and Jean Sablon (French actor, songwriter, jazz singer)
3:12
8Tout doucement
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Tout doucement (from 1956-09-11 until 1956-09-12)
writer:
René Albert Clausier and Jean Mercadier
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it)
2:24
9You for Me
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
You for Me (Blossom Dearie song) (from 1956-09-11 until 1956-09-12)
lyricist and composer:
Bob Haymes
publisher:
JATAP Publishing Co.
2:16
10Now at Last
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Now at Last (from 1956-09-11 until 1956-09-12)
lyricist and composer:
Bob Haymes
3:23
11I Hear Music
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
I Hear Music (Dancing on a Dime) (from 1956-09-11 until 1956-09-12)
lyricist:
Frank Loesser
composer:
Burton Lane
2:08
12Wait Till You See Him
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Wait Till You See Her (from 1956-09-11 until 1956-09-12)
lyricist:
Lorenz Hart (in 1942)
writer:
Lorenz Hart and Richard Rodgers (composer)
composer:
Richard Rodgers (composer) (in 1942)
3:22
13I Won’t Dance
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (from 1956-09-11 until 1956-09-12)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
32:47
14A Fine Spring Morning
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
A Fine Spring Morning (from 1956-09-11 until 1956-09-12)
lyricist and composer:
Bob Haymes
3:07
15They Say It’s Spring
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1989)
recording of:
They Say It's Spring (from 1956-09-11 until 1956-09-12)
writer:
Marty Clarke and Bob Haymes
3:24
16Johnny One Note
recorded in:
New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (US jazz drummer) (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (jazz guitarist) (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1989)
recording of:
Johnny One Note (from 1956-09-11 until 1956-09-12)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
2:13
17Blossom’s Blues
recorded in:
New York, United States (from 1959-04-08 until 1959-04-09)
producer:
Norman Granz
double bass [bass]:
Ray Brown (jazz bassist) (from 1959-04-08 until 1959-04-09)
drums (drum set):
Jo Jones (US jazz drummer) (from 1959-04-08 until 1959-04-09)
guitar:
Herb Ellis (jazz guitarist) (from 1959-04-08 until 1959-04-09)
piano:
Blossom Dearie (from 1959-04-08 until 1959-04-09)
vocals:
Blossom Dearie (from 1959-04-08 until 1959-04-09)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1989)
recording of:
Blossom’s Blues (from 1959-04-08 until 1959-04-09)
lyricist and composer:
Blossom Dearie
3:09

Credits

Release

copyrighted (©) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1989)
phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1957)
purchase for download and streaming page:https://music.apple.com/us/album/1434883212 [info]
stream for free:https://open.spotify.com/album/6Qmn8cqmmJIjuwjXiUF4n6 [info]
https://www.deezer.com/album/72059452 [info]