Witchcraft (stereo)

~ Release by Chris Connor (see all versions of this release, 3 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Witchcraft
recorded in:
New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin (on 1959-09-14) and Don Lamond (on 1959-09-14)
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
cover recording of:
Witchcraft (on 1959-09-14)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
3:11
A2I’ll Never Be Free
recorded in:
New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
I’ll Never Be Free (on 1959-09-21)
writer:
Bennie Benjamin and George David Weiss
publisher:
Abilene Music Inc. (in 1950, in 1977) and Claude A. Music Co. (in 1950, in 1977)
2:47
A3The Lady Sings the Blues
recorded in:
New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (multi-instrumentalist from Ann Arbor, MI, USA) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
cover recording of:
Lady Sings the Blues (on 1959-10-05)
lyricist:
William Engvick
composer:
Alec Wilder
3:47
A4Come Rain or Come Shine
recorded in:
New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
Come Rain or Come Shine (on 1959-09-21)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
2:50
A5When Sunny Gets Blue
recorded in:
New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (multi-instrumentalist from Ann Arbor, MI, USA) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
cover recording of:
When Sunny Gets Blue (on 1959-10-05)
lyricist:
Jack Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC
part of:
The Real Book (compilation of jazz standards, Volume I)
4:18
A6How Little We Know
recorded in:
New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
(How Little It Matters) How Little We Know (on 1959-09-21)
lyricist:
Carolyn Leigh
composer:
Philip Springer
publisher:
Carwin Music, Inc. and Tamir Music
2:38
B1I Hear the Music Now
recorded in:
New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin (on 1959-09-14) and Don Lamond (on 1959-09-14)
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
cover recording of:
I Hear the Music Now (on 1959-09-14)
writer:
Sammy Fain, Jerry Seelen and Ambroise Thomas (opera composer)
2:22
B2Baltimore Oriole
recorded in:
New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (multi-instrumentalist from Ann Arbor, MI, USA) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
cover recording of:
Baltimore Oriole (on 1959-10-05)
lyricist:
Paul Francis Webster (in 1942)
composer:
Hoagy Carmichael (in 1942)
3:33
B3Just in Time
recorded in:
New York, United States (on 1959-09-21)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-21)
drums (drum set):
Don Lamond (on 1959-09-21)
guitar:
Mundell Lowe (on 1959-09-21)
piano:
Hank Jones (piano) (on 1959-09-21)
saxophone:
Romeo Penque (on 1959-09-21), Jerry Sanfino (on 1959-09-21) and Hymie Shertzer (on 1959-09-21)
trombone:
Robert Alexander (trombone) (on 1959-09-21), Bob Ascher (trombonist) (on 1959-09-21), Mort Bullman (on 1959-09-21) and Chauncey Welsch (on 1959-09-21)
trumpet:
Joe Cabot (on 1959-09-21), Bernie Glow (on 1959-09-21), Jimmy Nottingham (on 1959-09-21) and Doc Severinsen (on 1959-09-21)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-21)
woodwind [saxophone, flute]:
George Berg (on 1959-09-21)
vocals:
Chris Connor (jazz singer) (on 1959-09-21)
conductor:
Richard Wess (on 1959-09-21)
arranger:
Richard Wess
cover recording of:
Just in Time (Bells Are Ringing) (on 1959-09-21)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
2:28
B4Like a Woman
recorded in:
New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin and Don Lamond
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
recording of:
Like a Woman (from The Most Happy Fella) (on 1959-09-14)
writer:
Frank Loesser
2:44
B5Skyscraper Blues
recorded in:
New York, United States (on 1959-10-05)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
bell [bells] and vibraphone:
Sol Gubin (on 1959-10-05)
cello:
Maurice Brown (jazz cellist) (on 1959-10-05) and Sidney Edwards (on 1959-10-05)
double bass:
Milt Hinton (on 1959-10-05)
drums (drum set):
Osie Johnson (on 1959-10-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1959-10-05) and Fred Klein (multi-instrumentalist from Ann Arbor, MI, USA) (on 1959-10-05)
guitar:
Mundell Lowe (on 1959-10-05)
piano:
Hank Jones (piano) (on 1959-10-05)
viola:
Henry Pakaln (on 1959-10-05) and Isadore Zir (aka Isadore Zit viola player) (on 1959-10-05)
violin:
Tony Bambino (on 1959-10-05), Hinda Barnett (on 1959-10-05), Max Cahn (on 1959-10-05), Mac Ceppos (on 1959-10-05), Arnold Eidus (on 1959-10-05), Felix Giglio (on 1959-10-05), Harry Katzman (on 1959-10-05), Leo Kruczek (on 1959-10-05), Harry Lookofsky (on 1959-10-05), Joe Malin (on 1959-10-05), David Montagu (on 1959-10-05) and Gene Orloff (on 1959-10-05)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-10-05)
woodwind [saxophone, flute]:
George Berg (on 1959-10-05)
vocals:
Chris Connor (jazz singer) (on 1959-10-05)
conductor:
Richard Wess (on 1959-10-05)
arranger:
Richard Wess
4:17
B6You Don’t Know What Love Is
recorded in:
New York, United States (on 1959-09-14)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Nesuhi Ertegun
double bass:
Milt Hinton (on 1959-09-14)
drums (drum set):
Sol Gubin (on 1959-09-14) and Don Lamond (on 1959-09-14)
guitar:
Mundell Lowe (on 1959-09-14)
piano:
Hank Jones (piano) (on 1959-09-14)
saxophone:
Al Klink (on 1959-09-14), Romeo Penque (on 1959-09-14) and Jerry Sanfino (on 1959-09-14)
trombone:
Robert Alexander (trombone) (on 1959-09-14), Mort Bullman (on 1959-09-14), Frank Rehak (on 1959-09-14) and Chauncey Welsch (on 1959-09-14)
trumpet:
Bernie Glow (on 1959-09-14), Jimmy Nottingham (on 1959-09-14), Bernie Privin (on 1959-09-14) and Ernie Royal (on 1959-09-14)
wind instruments [saxophone, flute, english horn]:
Phil Bodner (Woodwind player) (on 1959-09-14)
woodwind [saxophone, flute]:
George Berg (on 1959-09-14)
vocals:
Chris Connor (jazz singer) (on 1959-09-14)
conductor:
Richard Wess (on 1959-09-14)
arranger:
Richard Wess
cover recording of:
You Don’t Know What Love Is (on 1959-09-14)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:46

Credits