Tracklist

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Hybrid SACD (CD layer) 1
#TitleArtistRatingLength
1Orphée et Eurydice : Acte III. « J’ai perdu mon Eurydice »
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals [Orphée]:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-03-31)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-03-31)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck (composer)
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:29
2Alceste : Acte I. « Divinités du Styx »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:27
3Carmen : Acte I. « L’amour est un oiseau rebelle » (Habanera)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1961-03-28 until 1961-04-05)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:05
4Carmen : Acte I. « Près des remparts de Séville » (Séguedille)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1961-03-28 until 1961-04-05)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:05
5Samson et Dalila : Acte I. « Printemps qui commence »
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (in 1961)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:18
6Samson et Dalila : Acte II. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! »
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns4:13
7Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:21
8Romeo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve »
soprano vocals [Juliette]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (from 1961-03-28 until 1961-04-05)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles Gounod3:41
9Mignon : Acte II. « Ah, pour ce soir » … « Je suis Titania » (Polonaise)
soprano vocals and soprano vocals [Sopran]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Mignon: Acte II, no. 12ter. Polonaise "Oui! Pour ce soir" ... "Je suis Titania" (Philine) (from 1961-03-28 until 1961-04-05)
composer:
Ambroise Thomas (opera composer)
part of:
Mignon : Acte II
Ambroise Thomas5:11
10Le Cid : Acte III. « De cet affreux combat » … « Pleurez, mes yeux ! »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (from 1961-03-28 until 1961-04-05)
composer:
Jules Massenet (French Romantic composer) (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:09
11Louise : Acte III. « Depuis le jour »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise) (from 1961-03-28 until 1961-04-05)
composer:
Gustave Charpentier (composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier4:47
Hybrid SACD (SACD layer, 2 channels) 2
#TitleArtistRatingLength
1Orphée et Eurydice : Acte III. « J’ai perdu mon Eurydice »
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals [Orphée]:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-03-31)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-03-31)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck (composer)
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:29
2Alceste : Acte I. « Divinités du Styx »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste) (from 1961-03-28 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:27
3Carmen : Acte I. « L’amour est un oiseau rebelle » (Habanera)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1961-03-28 until 1961-04-05)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:05
4Carmen : Acte I. « Près des remparts de Séville » (Séguedille)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1961-03-28 until 1961-04-05)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:05
5Samson et Dalila : Acte I. « Printemps qui commence »
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (in 1961)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:18
6Samson et Dalila : Acte II. « Samson, recherchant ma présence » … Amour, viens aider ma faiblesse ! »
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 1. « Samson, recherchant ma présence … Amour, viens aider ma faiblesse ! » (Dalila) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns4:13
7Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (from 1961-03-28 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:21
8Romeo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve »
soprano vocals [Juliette]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) (from 1961-03-28 until 1961-04-05)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles Gounod3:41
9Mignon : Acte II. « Ah, pour ce soir » … « Je suis Titania » (Polonaise)
soprano vocals and soprano vocals [Sopran]:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Mignon: Acte II, no. 12ter. Polonaise "Oui! Pour ce soir" ... "Je suis Titania" (Philine) (from 1961-03-28 until 1961-04-05)
composer:
Ambroise Thomas (opera composer)
part of:
Mignon : Acte II
Ambroise Thomas5:11
10Le Cid : Acte III. « De cet affreux combat » … Pleurez, mes yeux ! »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) (from 1961-03-28 until 1961-04-05)
composer:
Jules Massenet (French Romantic composer) (from 1884 until 1885)
part of:
Le Cid : Acte III
Jules Massenet6:09
11Louise : Acte III. « Depuis le jour »
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion française (RTF / ORTF / Radio France) (from 1961-03-28 until 1961-04-05)
conductor:
Georges Prêtre (conductor) (from 1961-03-28 until 1961-04-05)
recorded at:
Salle Wagram in Paris (from 1961-03-28 until 1961-04-05)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise) (from 1961-03-28 until 1961-04-05)
composer:
Gustave Charpentier (composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier4:47