I'm In A Dancing Mood

~ Release by Phil Kelsall (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Modern Ballroom Quickstep: I'm In A Dancing Mood / So What's New
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
I'm in a Dancing Mood
composer:
Al Goodhart, Al Hoffman and Maurice Sigler
medley including a recording of:
So What’s New?
lyricist:
Peggy Lee (jazz vocalist)
composer:
John Pisano
is based on:
So What’s New? (instrumental version)
2:28
2Modern Ballroom Quickstep: I Love You, Samantha / C'est Magnifique
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier])
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
medley including a recording of:
I Love You, Samantha (High Society musical romantic comedy film)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Chappell & Co Ltd.
2:26
3Modern Waltz: Ramona / Always
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Always
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
medley including a recording of:
Ramona (English version)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
3:28
4Modern Waltz: If / Everywhere
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Everywhere (1955 song)
lyricist:
Larry Kahn (Lyricist)
composer:
Tolchard Evans
medley including a recording of:
If (Song, popular in the 1950s)
lyricist:
Stanley J. Damerell and Robert Hargreaves (songwriter)
composer:
Tolchard Evans
3:25
5Slow Foxtrot: September Song / Deep Purple
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Deep Purple
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
medley including a recording of:
September Song (catch‐all for arrangements)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Hampshire House Publishing Corp., Kurt Weill Foundation for Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
arrangement of:
Knickerbocker Holiday: September Song
3:35
6Slow Foxtrot: Alone / The Touch Of Your Lips
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Alone (from the film: "A Night at the Opera")
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
medley including a recording of:
The Touch of Your Lips
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
4:09
7Rumba: Cuban Love Song / Perfidia
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Cuban Love Song
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and Herbert Stothart (composer)
medley including a recording of:
Perfidia
lyricist and composer:
Alberto Domínguez
3:48
8Rumba: A Woman In Love / Feelings
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
A Woman in Love (1955 film "Guys and Dolls")
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (full musical)
medley including a recording of:
Feelings
lyricist:
Morris Albert
composer:
Louis Gasté
publisher:
Bucks Music Ltd, Fermata International Melodies, Inc. and Peter Maurice Music Co. Ltd.
version of:
Pour toi
3:48
9Cha Cha Cha: About A Quarter To Nine / Toy Balloons
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
About a Quarter to Nine
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
medley including a recording of:
Toy Balloons
composer:
Billy Mure
2:37
10Samba: Copacabana / Eso Beso
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Copacabana
lyricist:
João de Barro
composer:
Alberto Ribeiro da Vinha (Brazilian singer and composer)
medley including a recording of:
Eso Beso
writer:
Joe Sherman and Noel Sherman
3:12
11Mayfair Quickstep: California Here I Come / I'm Stitting On Top Of The World
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
California Here I Come
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer (US songwriter)
publisher:
M. Witmark & Sons (on 1924-01-07)
medley including a recording of:
I’m Sitting on Top of the World (First line: “Don’t want any millions, I’m getting my share…”)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ray Henderson
publisher:
EMI Music Publishing (do not use as a release label!) and Leo Feist, Inc.
2:45
12Mayfair Quickstep: Alexander's Ragtime Band / Yes, We Have No Bananas
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
medley including a recording of:
Yes! We Have No Bananas
writer:
Irving Cohn and Frank Silver (American songwriter and jazz drummer)
publisher:
Rondor Music (London) Ltd. and Salabert
2:44
13Saunter Together: Auf Wiedersehen Sweetheart / At Sundown
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
At Sundown
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
medley including a recording of:
Auf Wiederseh’n Sweetheart
lyricist and composer:
Eberhard Storch
translator:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
publisher:
Corso Editions
arrangement of:
Auf Wiederseh’n
3:11
14Saunter Together: Together / So Tired / Time On My Hands
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
So Tired
writer:
Russ Morgan (Big Band orchestra leader) and Jack Stuart
medley including a recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
medley including a recording of:
Together
lyricist:
Lew Brown (in 1928) and Buddy DeSylva (in 1928)
composer:
Ray Henderson (in 1928)
publisher:
Chappell & Co., Inc. (USA), DeSylva, Brown and Henderson, Inc., Stephen Ballentine Music Publishing Co. and The Songwriters Guild
3:42
15Bossa Nova: April In Portugal / Petticoats Of Portugal
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
April in Portugal
lyricist:
José Galhardo and Jimmy Kennedy (Irish songwriter)
composer:
Raul Ferrão
arrangement of:
Coimbra
medley including a recording of:
Petticoats of Portugal
writer:
Michael Durso, Murl Kahn and Mel Mitchell (songwriter)
2:07
16Bossa Nova: Moving South / Valley Of A Thousand Palms
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Moving South (credited to Johnson/Pugh)
medley including a recording of:
Valley Of A Thousand Palms
writer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
3:15
17Ballroom Tango: At The Balalaika / Hernando's Hideaway
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Balalaika: At the Balalaika
composer:
George Posford (English Composer)
part of:
Balalaika
medley including a recording of:
Hernando’s Hideaway (The Pajama Game)
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music Corp. (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
3:10
18Ballroom Tango: The Gypsy / Tango Taquin
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Tango Taquin
composer:
P. R. Barratt and Edrich Siebert
medley including a recording of:
The Gypsy
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:13
19Barn Dance: On Mother Kelly's Doorstep / For Me And My Girl / You Must Have Been A Beautiful Baby
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
For Me and My Gal
lyricist:
E. Ray Goetz (in 1917) and Edgar Leslie (in 1917)
composer:
George W. Meyer (Tin Pan Alley songwriter) (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Mills Music Inc. (ASCAP-affiliated) and Redwood Music Ltd. (Carlin)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
For Me and My Gal (1942 movie)
medley including a recording of:
On Mother Kelly's Doorstep
composer:
George Alex Stevens (music hall song composer)
medley including a recording of:
You Must Have Been a Beautiful Baby
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
3:09
20Barn Dance: On A Slow Boat To China / Ain't Misbehavin'
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
medley including a recording of:
On a Slow Boat to China
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
2:27
21Gay Gordons: Cock Of The North / I Love A Lassie / A Hundred Pipers / Marie's Wedding / Oh I Do Like To Be Beside The Seaside
recording engineer:
Peter Vince (engineer, producer)
engineer:
Graham Kirkby (engineer)
producer:
Bob Barratt (songwriter & producer Denis Mervyn Barratt)
theatre organ:
Phil Kelsall (UK organist)
arranger:
Phil Kelsall (UK organist)
recorded at:
Tower Ballroom, Blackpool in Blackpool (in 1999)
medley including a recording of:
A Hundred Pipers
writer:
[traditional] (special purpose artist)
medley including a recording of:
Cock o’ the North
writer:
[traditional] (special purpose artist)
medley including a recording of:
I Do Like to Be Beside the Seaside
lyricist and composer:
John A. Glover-Kind
medley including a recording of:
I Love a Lassie
writer:
Gerald Grafton and Sir Harry Lauder
medley including a recording of:
Mairi's Wedding
lyricist and composer:
John Roderick Bannerman (in 1934)
2:59

Credits

Release

mastering:Tony Bridge (mastering engineer)
Discogs:https://www.discogs.com/release/11960363 [info]