Mad About Mad About

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD-R 1
#TitleArtistRatingLength
1Thus Spake Zarathustra - Sunrise
producer:
Wolfgang Stengel
orchestra:
New York Philharmonic (in 1987-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-05)
balance engineer:
Klaus Hiemann (German audio) (in 1987-05) and Wolfgang Mitlehner (in 1987-05)
recorded at:
Manhattan Center in Midtown Manhattan, United States (in 1987-05)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1987-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:56
2William Tell Overture - FinaleGioachino Rossini3:26
3Eine kleine Nachtmusik - 1. AllegroWolfgang Amadeus Mozart5:26
4Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1982-11-18 until 1982-11-21)
conductor:
Herbert von Karajan (conductor) (from 1982-11-18 until 1982-11-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-11-18 until 1982-11-21)
recorded at:
Berliner Philharmonie in Mitte (from 1982-11-18 until 1982-11-21)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1982-11-18 until 1982-11-21)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:19
5The Four Seasons - 'Spring' - 1. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans-Peter Schweigmann (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:20
6Adagio in G minor
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni7:18
7Nessun Dorma
producer:
Michel Glotz
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1981-05-11 until 1981-05-18)
tenor vocals [Calaf]:
Plácido Domingo (tenor) (from 1981-05-11 until 1981-05-18)
orchestra:
Wiener Philharmoniker (from 1981-05-11 until 1981-05-18)
conductor:
Herbert von Karajan (conductor) (from 1981-05-11 until 1981-05-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-05-11 until 1981-05-18)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (from 1981-05-11 until 1981-05-18)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1981-05-11 until 1981-05-18)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini3:25
8Sempre Libera
soprano vocals:
Cheryl Studer (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
Giuseppe Verdi3:30
9The Ride of the Valkyries
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Werner Mayer (classical producer) (in 1983-01)
orchestra:
Orchestre de Paris (in 1983-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1983-01)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-01)
recorded at:
Salle Pleyel (1927-) in Paris (in 1983-01)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (in 1983-01)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:55
10Zigeunerweisen (Gypsy Airs)
violin:
Gil Shaham (violinist)
orchestra:
London Symphony Orchestra
conductor:
Lawrence Foster (conductor)
recording of:
Zigeunerweisen, op. 20 (for violin and orchestra)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate8:59
11Symphonic Dances From 'West Side Story' - Prologue
orchestra:
Los Angeles Philharmonic
conductor:
Leonard Bernstein
recording of:
Symphonic Dances from West Side Story: I. Prologue. Allegro moderato
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein4:14
12The Blue Danube - Excerpt
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
partial recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II4:27
13Intermezzo
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09)
recording of:
Cavalleria rusticana: Intermezzo (from 1989-06 until 1989-09)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni4:03
14Una Furtiva Lagrima (The Elixir of Love)
co-producer:
Claudia Hamann
producer:
Cord Garben (pianist and conductor)
editor:
Jürgen Bulgrin (Sound engineer) (in 1989-09)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (in 1989-09)
orchestra:
Metropolitan Opera Orchestra (in 1989-09)
conductor:
James Levine (US conductor and pianist) (in 1989-09)
balance engineer:
Wolfgang Mitlehner
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Manhattan Center in Midtown Manhattan, United States (in 1989-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:16
15Un bel di (Madama Butterfly)
producer:
Wolfgang Stengel
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:59
CD-R 2
#TitleArtistRatingLength
1A Midsummer Night's Dream
miscellaneous support:
Claudia Hamann (task: coordination)
producer:
Cord Garben (pianist and conductor)
orchestra:
Chicago Symphony Orchestra (in 1984-07)
conductor:
James Levine (US conductor and pianist) (in 1984-07)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Symphony Center: Orchestra Hall in Chicago, United States (in 1984-07)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (in 1984-07)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn4:31
2Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
baroque trumpet:
Michael Laird (classical trumpeter) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
oboe:
David Reichenberg (oboist) (from 1982-03 until 1982-05)
treble recorder / alto recorder:
Philip Pickett (musician) (from 1982-03 until 1982-05)
violin:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach3:04
3Canon
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, United States (in 1989-04)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (in 1989-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel54:12
4Sanctus XIIПётр Ильич Чайковский1:23
5Cavatina
engineer:
Keith Grant (classical recording engineer)
producer:
Stanley Myers
classical guitar:
John Williams (classical guitarist)
orchestra:
Stanley Myers and His Orchestra
arranger:
Stanley Myers
phonographic copyright (℗) by:
Lotus Records (production in both UK & Sweden, associated with K-Tel) (in 1979)
engineered at:
Olympic Studios (1966-2009) in Barnes
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
John Williams53:36
6Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto
piano:
Emil Gilels (pianist) (from 1980-09-09 until 1980-09-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1980-09-09 until 1980-09-17)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1980-09-09 until 1980-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:06
7Rhapsody in Blue (Andante and finale)
partial recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin6:34
8The Nutcracker - Waltz of the Flowers
recording engineer:
Klaus Behrens (Engineer) (in 1990-12)
producer:
Alison Ames and Christian Gansch (conductor)
editor:
Mark Buecker (Engineer of classical recordings)
orchestra:
Boston Symphony Orchestra (in 1990-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-12)
balance engineer:
Hans-Peter Schweigmann (in 1990-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-12)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (in 1990-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers) (in 1990-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский6:59
9Carol of the Bells
choir vocals:
Musica Sacra (New York based choir & orchestra)
conductor:
Richard Westenburg (choral conductor and founder of Musica Sacra Chorus and Orchestra in New York)
recording of:
Carol of the Bells
lyricist:
Peter J. Wilhousky
composer:
Микола Дмитрович Леонтович
is based on:
Щедрик
Пётр Ильич Чайковский1:18
10Grande Valse BrillanteFrédéric Chopin5:37
11Clair De Lune
producer:
Werner Mayer (classical producer)
piano:
Alexis Weissenberg (from 1985-01 until 1985-02)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Friedrich-Ebert-Halle in Hamburg (from 1985-01 until 1985-02)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (from 1985-01 until 1985-02)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy5:07
12Horn Concerto No. 4 in E-flat major, K. 495: III. Rondo
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
horn:
David Jolley (French horn) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, United States (in 1987-03)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:40
13Largo Al Factotum (The Barber of Seville)Gioachino Rossini4:49
14Anvil Chorus
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1984)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1984)
conductor:
Carlo Maria Giulini (conductor) (in 1984)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1984)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:55
151812 Overture - Finale
instruments:
Gothenburg Symphony Brass Band
choir vocals:
Gothenburg Symphony Chorus
orchestra:
Gothenburg Symphony Orchestra
conductor:
Neeme Järvi (Estonian conductor)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
Пётр Ильич Чайковский54:12
16Peter and the Wolf (finale)
spoken vocals:
Sting (singer, songwriter & member of The Police)
orchestra:
Chamber Orchestra of Europe
conductor:
Claudio Abbado (conductor)
partial recording of:
Peter and the Wolf, op. 67
composer and librettist:
Сергей Сергеевич Прокофьев (Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Сергей Сергеевич Прокофьев6:38

Credits

Release

part of:Mad About (Deutsche Grammophon) (order: 25)
ASIN:US: B000001GPA [info]
Allmusic:https://www.allmusic.com/album/release/mr0002847280 [info]