Complete 1939-1951 Blue Note Master Takes

~ Release by Sidney Bechet (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Summertime
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08)
soprano saxophone:
Sidney Bechet (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-533-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1939-06-08)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sidney Bechet Quintet4:14
2Blues for Tommy
recorded in:
New York, United States (on 1939-06-08)
clarinet, clarinet and soprano saxophone and soprano saxophone:
Sidney Bechet (on 1939-06-08)
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sidney Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08, on 1939-08-06)
trombone:
J.C. Higginbotham (on 1939-06-08)
trumpet:
Frankie Newton (on 1939-06-08)
part of:
Blue Note (by matrix number) (number: GM-532-X-12)
recording of:
Blues for Tommy Ladnier (on 1939-06-08)
composer:
Sidney Bechet
Port of Harlem Seven4:25
3Pounding Heart Blues
clarinet, clarinet and soprano saxophone and soprano saxophone:
Sidney Bechet (on 1939-06-08)
double bass:
Johnny Williams (jazz bassist) (on 1939-06-08)
double bass [bass]:
John Williams (jazz bassist) (on 1939-06-08)
drums (drum set):
Sid Catlett (on 1939-06-08)
guitar:
Teddy Bunn (on 1939-06-08)
piano:
Meade Lux Lewis (on 1939-06-08, on 1939-08-06)
trombone:
J.C. Higginbotham (on 1939-06-08)
trumpet:
Frankie Newton (on 1939-06-08)
recording of:
Pounding Heart Blues (on 1939-06-08)
composer:
Sidney Bechet
Port of Harlem Seven4:04
4Careless Love (Blues)
double bass:
Wilson Myers (on 1940-03-07)
guitar:
Teddy Bunn (on 1940-03-07) and Josh White (American folk-blues singer/songwriter) (on 1940-03-07)
soprano saxophone:
Sidney Bechet (on 1940-03-07)
vocals:
Josh White (American folk-blues singer/songwriter) (on 1940-03-07)
recording of:
Careless Love (on 1940-03-07)
writer:
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig and Spencer Williams (US jazz composer, pianist & singer)
version of:
Careless Love
Josh White Trio3:45
5Milk Cow Blues
double bass:
Wilson Myers (on 1940-03-07)
guitar:
Josh White (American folk-blues singer/songwriter) (on 1940-03-07)
soprano saxophone:
Sidney Bechet (on 1940-03-07)
vocals:
Josh White (American folk-blues singer/songwriter) (on 1940-03-07)
recording of:
Milk Cow Blues (Kokomo Arnold's version) (on 1940-03-07)
lyricist and arranger:
Kokomo Arnold
composer:
[traditional] (special purpose artist) and Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Corp. (USA, affiliated with ASCAP)
version of:
Milk Cow Blues
Josh White Trio4:10
6Lonesome Blues
double bass:
George "Pops" Foster (on 1940-03-27)
drums (drum set):
Sid Catlett (on 1940-03-27)
guitar:
Teddy Bunn (on 1940-03-27)
soprano saxophone:
Sidney Bechet (on 1940-03-27)
part of:
Blue Note (by matrix number) (number: RS-709-B)
Sidney Bechet’s Blue Note Quartet4:08
7Dear Old Southland
clarinet and soprano saxophone:
Sidney Bechet (on 1940-03-27)
double bass:
George "Pops" Foster (on 1940-03-27)
drums (drum set):
Sid Catlett (on 1940-03-27)
guitar:
Teddy Bunn (on 1940-03-27)
part of:
Blue Note (by matrix number) (number: RS-710-A)
instrumental recording of:
Dear Old Southland (1921 Layton/Creamer jazz standard) (on 1940-03-27)
lyricist:
Henry Creamer (in 1921)
composer:
Ray Bloch (French-born composer/bandleader) and Turner Layton (in 1921)
Sidney Bechet’s Blue Note Quartet4:05
8Bechet's Steady Rider
clarinet and soprano saxophone:
Sidney Bechet (on 1940-03-27)
double bass:
George "Pops" Foster (on 1940-03-27)
drums (drum set):
Sid Catlett (on 1940-03-27)
guitar:
Teddy Bunn (on 1940-03-27)
part of:
Blue Note (by matrix number) (number: RS-711-A)
Sidney Bechet’s Blue Note Quartet2:56
9Saturday Night Blues
clarinet and soprano saxophone:
Sidney Bechet (on 1940-03-27)
double bass:
George "Pops" Foster (on 1940-03-27)
drums (drum set):
Sid Catlett (on 1940-03-27)
guitar:
Teddy Bunn (on 1940-03-27)
reeds:
Sidney Bechet (on 1940-03-20)
part of:
Blue Note (by matrix number) (number: RS-712-A)
Sidney Bechet’s Blue Note Quartet2:56
10St. Louis Blues
double bass:
George "Pops" Foster (on 1944-12-20)
drums (drum set):
Manzie Johnson (on 1944-12-20)
piano:
Art Hodes (on 1944-12-20)
soprano saxophone:
Sidney Bechet (on 1944-12-20)
trombone:
Vic Dickenson (on 1944-12-20)
trumpet:
Sidney De Paris (on 1944-12-20)
recording of:
St. Louis Blues (on 1944-12-20)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
Sidney Bechet’s Blue Note Jazzmen4:50
11Jazz Me Blues
double bass:
George "Pops" Foster (on 1944-12-20)
drums (drum set):
Manzie Johnson (on 1944-12-20)
piano:
Art Hodes (on 1944-12-20)
soprano saxophone:
Sidney Bechet (on 1944-12-20)
trombone:
Vic Dickenson (on 1944-12-20)
trumpet:
Sidney De Paris (on 1944-12-20)
recording of:
Jazz Me Blues (on 1944-12-20)
composer:
Tom Delaney
Sidney Bechet’s Blue Note Jazzmen4:19
12Blue Horizon
double bass:
George "Pops" Foster (on 1944-12-20)
drums (drum set):
Manzie Johnson (on 1944-12-20)
piano:
Art Hodes (on 1944-12-20)
soprano saxophone:
Sidney Bechet (on 1944-12-20)
trombone:
Vic Dickenson (on 1944-12-20)
trumpet:
Sidney De Paris (on 1944-12-20)
recording of:
Blue Horizon (on 1944-12-20)
composer:
Sidney Bechet
Sidney Bechet’s Blue Note Jazzmen4:29
13Muskrat Ramble
double bass:
George "Pops" Foster (on 1944-12-20)
drums (drum set):
Manzie Johnson (on 1944-12-20)
piano:
Art Hodes (on 1944-12-20)
soprano saxophone:
Sidney Bechet (on 1944-12-20)
trombone:
Vic Dickenson (on 1944-12-20)
trumpet:
Sidney De Paris (on 1944-12-20)
recording of:
Muskrat Ramble (1926 original instrumental version) (on 1944-12-20)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Sidney Bechet’s Blue Note Jazzmen3:43
14Hight Society
double bass:
George "Pops" Foster (on 1945-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
piano:
Art Hodes (on 1945-01-21)
soprano saxophone:
Sidney Bechet (on 1945-01-21)
trombone:
George Lugg (Jazz trombonist) (on 1945-01-21)
trumpet:
Max Kaminsky (on 1945-01-21)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (on 1945-01-21)
lyricist:
Walter Melrose
composer:
Porter Steele (in 1901-04)
is based on:
High Society (march composed by Porter Steele in 1901)
Sidney Bechet’s Blue Note Jazzmen3:39
15Salty Dog
double bass:
George "Pops" Foster (on 1945-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
piano:
Art Hodes (on 1945-01-21)
soprano saxophone:
Sidney Bechet (on 1945-01-21)
trombone:
George Lugg (Jazz trombonist) (on 1945-01-21)
trumpet:
Max Kaminsky (on 1945-01-21)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
recording of:
Salty Dog (on 1945-01-21)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Bill Williams (blues musician)
part of:
Roud Folk Song Index (number: 11661)
Sidney Bechet’s Blue Note Jazzmen4:03
16Weary Blues
double bass:
George "Pops" Foster (on 1945-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
piano:
Art Hodes (on 1945-01-21)
soprano saxophone:
Sidney Bechet (on 1945-01-21)
trombone:
George Lugg (Jazz trombonist) (on 1945-01-21)
trumpet:
Max Kaminsky (on 1945-01-21)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
recording of:
Weary Blues (on 1945-01-21)
lyricist:
George Cates and Mort Greene
composer:
Artie Matthews
Sidney Bechet’s Blue Note Jazzmen4:23
17Jackass Blues
double bass:
George "Pops" Foster (on 1945-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
piano:
Art Hodes (on 1945-01-21)
soprano saxophone:
Sidney Bechet (on 1945-01-21)
trombone:
George Lugg (Jazz trombonist) (on 1945-01-21)
trumpet:
Max Kaminsky (on 1945-01-21)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-01-21)
recording of:
Jackass Blues (on 1945-01-21)
writer:
Art Kassel and Mel Stitzel
Sidney Bechet’s Blue Note Jazzmen4:45
▼ CD 2
#TitleArtistRatingLength
1Milenberg Joys
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass and double bass [bass]:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Milenberg Joys (on 1945-03-10)
composer:
Ferdinand Morton, Paul Mares and Leon Roppolo
Bunk Johnson and Sidney Bechet4:20
2Lord, Let Me in the Lifeboat
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass and double bass [bass]:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Lord, Let Me in the Lifeboat (on 1945-03-10)
composer:
Sidney Bechet
Bunk Johnson and Sidney Bechet3:34
3Days Beyond Recall
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Days Beyond Recall (on 1945-03-10)
composer:
Sidney Bechet
Bunk Johnson and Sidney Bechet4:53
4Porto Rico
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
Bunk Johnson and Sidney Bechet3:13
5Up in Sidney's Flat
clarinet and soprano saxophone:
Sidney Bechet (on 1945-03-10)
double bass and double bass [bass]:
George "Pops" Foster (on 1945-03-10)
drums (drum set):
Manzie Johnson (on 1945-03-10)
piano:
Cliff Jackson (jazz pianist) (on 1945-03-10)
solo trombone and trombone:
Sandy Williams (American jazz trombonist) (on 1945-03-10)
trumpet:
Bunk Johnson (on 1945-03-10)
recording of:
Up in Sidney's Flat (on 1945-03-10)
composer:
Sidney Bechet
Bunk Johnson and Sidney Bechet4:22
6Save It Pretty Mama
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
instrumental recording of:
Save It, Pretty Mama (on 1945-10-12)
writer:
Paul Denniker, Joseph M. Davis (US lyricist, producer, publisher & promoter) and Don Redman
Art Hodes' Hot Five3:12
7Way Down Yonder in New Orleans
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
’Way Down Yonder in New Orleans (on 1945-10-12)
lyricist:
Henry Creamer
composer:
Turner Layton
Art Hodes' Hot Five3:10
8Memphis Blues
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
The Memphis Blues (on 1945-10-12)
lyricist:
George A. Norton (in 1913)
composer:
William Christopher Handy (in 1912)
Art Hodes' Hot Five2:58
9Shine
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
Shine (on 1945-10-12)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (, in 1910)
Art Hodes' Hot Five2:59
10St. James Infirmary
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1945-10-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Art Hodes' Hot Five3:21
11Darktown Strutters' Ball
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
Darktown Strutters’ Ball (on 1945-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:03
12Blame It On the Blues (Quincy Street Stomp)
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
recording of:
Blame It on the Blues (on 1946-02-12)
composer:
Doc Cook
Bechet-Nicholas Blue Five2:59
13Old Stack O'lee Blues
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
recording of:
Old Stack O'Lee Blues (on 1946-02-12)
composer:
Sidney Bechet
Bechet-Nicholas Blue Five4:16
14Bechet's Fantasy
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
Bechet-Nicholas Blue Five3:50
15Weary Way Blues
clarinet:
Albert Nicholas (on 1946-02-12)
double bass:
George "Pops" Foster (on 1946-02-12)
drums (drum set):
Danny Alvin (on 1946-02-12)
piano:
Art Hodes (on 1946-02-12)
soprano saxophone:
Sidney Bechet (on 1946-02-12)
recording of:
Weary way blues (on 1946-02-12)
composer:
Ida Cox and Lovie Austin
Bechet-Nicholas Blue Five3:13
16Sister Kate
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
instrumental recording of:
I Wish I Could Shimmy Like My Sister Kate (on 1949-01-21)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Sidney Bechet’s Blue Note Jazzmen3:05
17Tiger Rag
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1949-01-21)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Sidney Bechet’s Blue Note Jazzmen3:08
18Tin Roof Blues
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
recording of:
Tin Roof Blues (original instrumental version) (on 1949-01-21)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
is based on:
Tin Roof Blues
Sidney Bechet’s Blue Note Jazzmen2:59
19I've Found a New Baby
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
instrumental recording of:
I’ve Found a New Baby (on 1949-01-21)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
Sidney Bechet’s Blue Note Jazzmen3:10
20Darktown Strutters' Ball (alt. take)
cornet:
Wild Bill Davison (on 1945-10-12)
double bass:
George "Pops" Foster (on 1945-10-12)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
piano:
Art Hodes (on 1945-10-12)
soprano saxophone:
Sidney Bechet (on 1945-10-12)
vocals:
Freddie Moore (american jazz drummer and singer) (on 1945-10-12)
recording of:
Darktown Strutters’ Ball (on 1949-10-12)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
Art Hodes' Hot Five3:07
▼ CD 3
#TitleArtistRatingLength
1Nobody Knows You When You're Down and Out
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
instrumental recording of:
Nobody Knows You When You’re Down and Out (on 1949-01-21)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Sidney Bechet’s Blue Note Jazzmen3:08
2When the Saint Go Marching In
cornet:
Wild Bill Davison (on 1949-01-21)
double bass:
Walter Page (on 1949-01-21)
drums (drum set):
Freddie Moore (american jazz drummer and singer) (on 1949-01-21)
piano:
Art Hodes (on 1949-01-21)
soprano saxophone:
Sidney Bechet (on 1949-01-21)
instrumental recording of:
When the Saints Go Marching In (on 1949-01-21)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
Sidney Bechet’s Blue Note Jazzmen3:00
3Basin Street Blues
cornet:
Wild Bill Davison (on 1949-03-23)
double bass:
Walter Page (on 1949-03-23)
drums (drum set):
Slick Jones (on 1949-03-23)
piano:
Art Hodes (on 1949-03-23)
soprano saxophone:
Sidney Bechet (on 1949-03-23)
trombone:
Ray Diehl (on 1949-03-23)
instrumental recording of:
Basin Street Blues (on 1949-03-23)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sidney Bechet’s Blue Note Jazzmen3:18
4Cake Walking Babies from Home
cornet:
Wild Bill Davison (on 1949-03-23)
double bass:
Walter Page (on 1949-03-23)
drums (drum set):
Slick Jones (on 1949-03-23)
piano:
Art Hodes (on 1949-03-23)
soprano saxophone:
Sidney Bechet (on 1949-03-23)
trombone:
Ray Diehl (on 1949-03-23)
instrumental recording of:
Cake Walking Babies from Home (on 1949-03-23)
writer:
Chris Smith (Ragtime composer), Henry Troy and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Sidney Bechet’s Blue Note Jazzmen2:40
5Tailgate Ramble
cornet:
Wild Bill Davison (on 1949-03-23)
double bass:
Walter Page (on 1949-03-23)
drums (drum set):
Slick Jones (on 1949-03-23)
piano:
Art Hodes (on 1949-03-23)
soprano saxophone:
Sidney Bechet (on 1949-03-23)
trombone:
Ray Diehl (on 1949-03-23)
instrumental recording of:
The Tailgate Ramble (on 1949-03-23)
lyricist:
Johnny Mercer
composer:
Wingy Manone
publisher:
Michael H. Goldsen Inc.
Sidney Bechet’s Blue Note Jazzmen2:54
6At the Jazz Band Ball
cornet:
Wild Bill Davison (on 1949-03-23)
double bass:
Walter Page (on 1949-03-23)
drums (drum set):
Slick Jones (on 1949-03-23)
piano:
Art Hodes (on 1949-03-23)
soprano saxophone:
Sidney Bechet (on 1949-03-23)
trombone:
Ray Diehl (on 1949-03-23)
instrumental recording of:
At the Jazz Band Ball (on 1949-03-23)
composer:
Nick LaRocca and Larry Shields
Sidney Bechet’s Blue Note Jazzmen3:04
7Joshua Fit the Battle O'jericho
cornet:
Wild Bill Davison (on 1949-03-23)
double bass:
Walter Page (on 1949-03-23)
drums (drum set):
Slick Jones (on 1949-03-23)
piano:
Art Hodes (on 1949-03-23)
soprano saxophone:
Sidney Bechet (on 1949-03-23)
trombone:
Ray Diehl (on 1949-03-23)
instrumental recording of:
Joshua Fit the Battle (trad. arr. Elvis) (on 1949-03-23)
writer:
[traditional] (special purpose artist)
arranger:
Elvis Presley (“The King of Rock and Roll”)
arrangement of:
Joshua Fit the Battle of Jericho
Sidney Bechet’s Blue Note Jazzmen3:22
8Fidgety Feet
cornet:
Wild Bill Davison (on 1949-03-23)
double bass:
Walter Page (on 1949-03-23)
drums (drum set):
Slick Jones (on 1949-03-23)
piano:
Art Hodes (on 1949-03-23)
soprano saxophone:
Sidney Bechet (on 1949-03-23)
trombone:
Ray Diehl (on 1949-03-23)
instrumental recording of:
Fidgety Feet (on 1949-03-23)
composer:
Nick LaRocca and Larry Shields
Sidney Bechet’s Blue Note Jazzmen3:01
9Copenhagen
cornet:
Wild Bill Davison (on 1950-04-19)
double bass:
George "Pops" Foster (on 1950-04-19)
drums (drum set):
Slick Jones (on 1950-04-19)
piano:
Joe Sullivan (piano, USA) (on 1950-04-19)
soprano saxophone:
Sidney Bechet (on 1950-04-19)
trombone:
Jimmy Archey (on 1950-04-19)
instrumental recording of:
Copenhagen (on 1950-04-19)
lyricist:
Walter Melrose
composer:
Charlie Davis (1920's Indianapolis Bandleader)
Sidney Bechet’s Blue Note Jazzmen2:53
10China Boy
cornet:
Wild Bill Davison (on 1950-04-19)
double bass:
George "Pops" Foster (on 1950-04-19)
drums (drum set):
Slick Jones (on 1950-04-19)
piano:
Joe Sullivan (piano, USA) (on 1950-04-19)
soprano saxophone:
Sidney Bechet (on 1950-04-19)
trombone:
Jimmy Archey (on 1950-04-19)
instrumental recording of:
China Boy (on 1950-04-19)
composer:
Phil Boutelje (in 1922) and Richard A. Winfree (in 1922)
Sidney Bechet’s Blue Note Jazzmen3:05
11Runnin' Wild
cornet:
Wild Bill Davison (on 1950-04-19)
double bass:
George "Pops" Foster (on 1950-04-19)
drums (drum set):
Slick Jones (on 1950-04-19)
piano:
Joe Sullivan (piano, USA) (on 1950-04-19)
soprano saxophone:
Sidney Bechet (on 1950-04-19)
trombone:
Jimmy Archey (on 1950-04-19)
instrumental recording of:
Runnin’ Wild (on 1950-04-19)
lyricist:
Joe Grey (in 1922) and Leo Wood (American songwriter & lyricist; 1882—1929) (in 1922)
composer:
Arthur Harrington Gibbs (in 1922)
Sidney Bechet’s Blue Note Jazzmen3:10
12Ain't Gonna Give Nobody None of My Jelly Roll
cornet:
Wild Bill Davison (on 1950-04-19)
double bass:
George "Pops" Foster (on 1950-04-19)
drums (drum set):
Slick Jones (on 1950-04-19)
piano:
Joe Sullivan (piano, USA) (on 1950-04-19)
soprano saxophone:
Sidney Bechet (on 1950-04-19)
trombone:
Jimmy Archey (on 1950-04-19)
recording of:
I Ain’t Gonna Give Nobody None o’ This Jelly Roll (on 1950-04-19)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) and Spencer Williams (US jazz composer, pianist & singer)
instrumental recording of:
I Ain’t Gonna Give Nobody None o’ This Jelly Roll (on 1950-04-19)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) and Spencer Williams (US jazz composer, pianist & singer)
Sidney Bechet’s Blue Note Jazzmen2:58
13Mandy, Make Up Your Mind
cornet:
Wild Bill Davison (on 1950-04-19)
double bass:
George "Pops" Foster (on 1950-04-19)
drums (drum set):
Slick Jones (on 1950-04-19)
piano:
Joe Sullivan (piano, USA) (on 1950-04-19)
soprano saxophone:
Sidney Bechet (on 1950-04-19)
trombone:
Jimmy Archey (on 1950-04-19)
instrumental recording of:
Mandy, Make Up Your Mind (on 1950-04-19)
lyricist:
Grant Clarke and Roy Turk
composer:
Arthur Johnston (American composer and songwriter) and George W. Meyer (Tin Pan Alley songwriter)
Sidney Bechet’s Blue Note Jazzmen2:52
14Shim-Me-Sha-Wabble
cornet:
Wild Bill Davison (on 1950-04-19)
double bass:
George "Pops" Foster (on 1950-04-19)
drums (drum set):
Slick Jones (on 1950-04-19)
piano:
Joe Sullivan (piano, USA) (on 1950-04-19)
soprano saxophone:
Sidney Bechet (on 1950-04-19)
trombone:
Jimmy Archey (on 1950-04-19)
recording of:
Shimme-Sha-Wabble (on 1950-04-19)
composer:
Spencer Williams (US jazz composer, pianist & singer)
Sidney Bechet’s Blue Note Jazzmen2:45
15Original Dixieland One-Step
double bass:
George "Pops" Foster (on 1951-11-05)
drums (drum set):
Manzie Johnson (on 1951-11-05)
piano:
Don Kirkpatrick (jazz pianist) (on 1951-11-05)
soprano saxophone:
Sidney Bechet (on 1951-11-05)
trombone:
Jimmy Archey (on 1951-11-05)
trumpet:
Sidney De Paris (on 1951-11-05)
recording of:
Original Dixieland One-Step (on 1951-11-05)
writer:
Joe Jordan (ragtime/jazz musician/composer) and Nick LaRocca
composer:
George Crandall
Sidney Bechet and His Hot Six4:16
16Avalon
double bass:
George "Pops" Foster (on 1951-11-05)
drums (drum set):
Manzie Johnson (on 1951-11-05)
piano:
Don Kirkpatrick (jazz pianist) (on 1951-11-05)
soprano saxophone:
Sidney Bechet (on 1951-11-05)
trombone:
Jimmy Archey (on 1951-11-05)
trumpet:
Sidney De Paris (on 1951-11-05)
instrumental recording of:
Avalon (on 1951-11-05)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
Sidney Bechet and His Hot Six4:57
17That's a Plenty
double bass:
George "Pops" Foster (on 1951-11-05)
drums (drum set):
Manzie Johnson (on 1951-11-05)
piano:
Don Kirkpatrick (jazz pianist) (on 1951-11-05)
soprano saxophone:
Sidney Bechet (on 1951-11-05)
trombone:
Jimmy Archey (on 1951-11-05)
trumpet:
Sidney De Paris (on 1951-11-05)
instrumental recording of:
That’s a Plenty (on 1951-11-05)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
Sidney Bechet and His Hot Six4:17
18Blues My Naughty Sweetie Gives to Me
double bass:
George "Pops" Foster (on 1951-11-05)
drums (drum set):
Manzie Johnson (on 1951-11-05)
piano:
Don Kirkpatrick (jazz pianist) (on 1951-11-05)
soprano saxophone:
Sidney Bechet (on 1951-11-05)
trombone:
Jimmy Archey (on 1951-11-05)
trumpet:
Sidney De Paris (on 1951-11-05)
instrumental recording of:
Blues My Naughty Sweetie Gives to Me (on 1951-11-05)
writer:
Charles McCarron, Carey Morgan and Arthur Swanstrom
Sidney Bechet and His Hot Six5:44
19Ballin' the Jack
double bass:
George "Pops" Foster (on 1951-11-05)
drums (drum set):
Manzie Johnson (on 1951-11-05)
piano:
Don Kirkpatrick (jazz pianist) (on 1951-11-05)
soprano saxophone:
Sidney Bechet (on 1951-11-05)
trombone:
Jimmy Archey (on 1951-11-05)
trumpet:
Sidney De Paris (on 1951-11-05)
instrumental recording of:
Ballin’ the Jack (on 1951-11-05)
lyricist:
Jim Burris
composer:
Chris Smith (Ragtime composer)
part of:
For Me and My Gal (1942 movie)
Sidney Bechet and His Hot Six3:53
20There'll Be Some Changes Made
double bass:
George "Pops" Foster (on 1951-11-05)
drums (drum set):
Manzie Johnson (on 1951-11-05)
piano:
Don Kirkpatrick (jazz pianist) (on 1951-11-05)
soprano saxophone:
Sidney Bechet (on 1951-11-05)
trombone:
Jimmy Archey (on 1951-11-05)
trumpet:
Sidney De Paris (on 1951-11-05)
instrumental recording of:
There’ll Be Some Changes Made (on 1951-11-05)
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
Sidney Bechet and His Hot Six3:56